21
" Anything I run across can light up the circuitry of my brain, and set me on an adventure. To research strains of yeast; hiccup fetishists; the proper use of inverse, obverse, converse and reverse; the ratio of main narrative to tangent, of forward action to aside. What else do we do but quest, pursue meaning in the information wash? Where does that storm sewer opening from the river into the city’s underneath go to, anyhow? I grab a headlamp and head in. It’s long and low and dark and stinks and extends for miles. Underneath the city is another city. The one above begins to disappear. That’s what we’re after, isn’t it? To disappear? To venture into darkness, to let what we know or think we know recede for an hour, a day, a novel’s length, and see what meaning can be made of what remains? "
― Ander Monson
23
" The man raised the violin under his chin, placed the bow across the strings, and closed his eyes. For a moment his lips moved, silently, as if in prayer. Then, with sure, steady movements, he began to play. The song was like nothing Abbey had heard anywhere else. The notes were clear, sweet and perfect, with a purity of tone that not one violin in ten thousand could produce. But the song was more than that. The song was pain, and loss, and sorrow, an anthem of unrelenting grief for which no words could be sufficient. In its strains Abbey heard the cry of the mother clutching her lifeless child; of the young woman whose husband never returned from war; of the father watching his son die of cancer; of the old man weeping at his wife's grave. It was the wordless cry of every man, woman and child who had ever shaken a fist at the uncaring universe, every stricken heart that had demanded an answer to the question, “Why?”, and was left unsatisfied.When the song finally, mercifully ended, not a dry eye remained in the darkened hall. The shades had moved in among the mortals, unseen by all but Abbey herself, and crowded close to the stage, heedless of all but the thing that called to them. Many of the mortals in the audience were sobbing openly. Those newcomers who still retained any sense of their surroundings were staring up at the man, their eyes wide with awe and a silent plea for understa "
32
" And then came a damp, cold night in Flanders, through which we marched in silence, and when the day began to emerge from the mists, suddenly an iron greeting came whizzing at us over our heads, and with a sharp report sent the little pellets flying between our ranks, ripping up the wet ground; but even before the little cloud had passed, from two hundred throats the first hurrah rose to meet the first messenger of death. Then a crackling and a roaring, a singing and a howling began, and with feverish eyes each one of us was drawn forward, faster and faster, until suddenly past turnip fields and hedges the fight began, the fight of man against man. And from the distance the strains of a song reached our ears, coming closer and closer, leaping from company to company, and just as Death plunged a busy hand into our ranks, the song reached us too and we passed it along: Deutschland, Deutschland über Alles, über Alles in der Welt! "
― Adolf Hitler , Mein Kampf
33
" I reviewed in thought the modern era of raps and apparitions, beginning with the knockings of 1848, at the hamlet of Hydesville, N.Y., and ending with grotesque phenomena at Cambridge, Mass.; I evoked the anklebones and other anatomical castanets of the Fox sisters (as described by the sages of the University of Buffalo ); the mysteriously uniform type of delicate adolescent in bleak Epworth or Tedworth, radiating the same disturbances as in old Peru; solemn Victorian orgies with roses falling and accordions floating to the strains of sacred music; professional imposters regurgitating moist cheesecloth; Mr. Duncan, a lady medium's dignified husband, who, when asked if he would submit to a search, excused himself on the ground of soiled underwear; old Alfred Russel Wallace, the naive naturalist, refusing to believe that the white form with bare feet and unperforated earlobes before him, at a private pandemonium in Boston, could be prim Miss Cook whom he had just seen asleep, in her curtained corner, all dressed in black, wearing laced-up boots and earrings; two other investigators, small, puny, but reasonably intelligent and active men, closely clinging with arms and legs about Eusapia, a large, plump elderly female reeking of garlic, who still managed to fool them; and the skeptical and embarrassed magician, instructed by charming young Margery's " control" not to get lost in the bathrobe's lining but to follow up the left stocking until he reached the bare thigh - upon the warm skin of which he felt a " teleplastic" mass that appeared to the touch uncommonly like cold, uncooked liver. (" The Vane Sisters" ) "
35
" And now as if the cleaning and the scrubbing and the scything and the mowing had drowned it there rose that half-heard melody, that intermittent music which the ear half catches but lets fall; a bark, a bleat; irregular, intermittent, yet somehow related; the hum of an insect, the tremor of cut grass, dissevered yet somehow belonging; the jar of a dor beetle, the squeak of a wheel, loud, low, but mysteriously related; which the ear strains to bring together and is always on the verge of harmonising but they are never quite heard, never fully harmonised, and at last, in the evening, one after another the sounds die out, and the harmony falters, and silence falls. With the sunset sharpness was lost, and like mist rising, quiet rose, quiet spread, the wind settled; loosely the world shook itself down to sleep, darkly here without a light to it, save what came green suffused through leaves, or pale on the white flowers by the window.
[Lily Briscoe had her bag carried up to the house late one evening in September. Mr. Carmichael came by the same train.] "
― Virginia Woolf , To the Lighthouse
36
" We had never taken a shower together. We had never even been in the same bathroom together. " Don't flush," I'd said, " I want to look." What I saw brought out strains of compassion, for him, for his body, for his life, which suddenly seemed so frail and vulnerable. " Our bodies won't have secrets now," I said as I took my turn and sat down. He had hopped into the bathtub and was just about to turn on the shower. " I want you to see mine," I said. He did more. He stepped out, kissed me on the mouth, and, pressing and massaging my tummy with the flat of his hand, watched the whole thing happen. "