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stone  QUOTES

3 " My wife with the hair of a wood fireWith the thoughts of heat lightningWith the waist of an hourglassWith the waist of an otter in the teeth of a tigerMy wife with the lips of a cockade and of a bunch of stars of the last magnitudeWith the teeth of tracks of white mice on the white earthWith the tongue of rubbed amber and glassMy wife with the tongue of a stabbed hostWith the tongue of a doll that opens and closes its eyesWith the tongue of an unbelievable stoneMy wife with the eyelashes of strokes of a child's writingWith brows of the edge of a swallow's nestMy wife with the brow of slates of a hothouse roofAnd of steam on the panesMy wife with shoulders of champagneAnd of a fountain with dolphin-heads beneath the iceMy wife with wrists of matchesMy wife with fingers of luck and ace of heartsWith fingers of mown hayMy wife with armpits of marten and of beechnutAnd of Midsummer NightOf privet and of an angelfish nestWith arms of seafoam and of riverlocksAnd of a mingling of the wheat and the millMy wife with legs of flaresWith the movements of clockwork and despairMy wife with calves of eldertree pithMy wife with feet of initialsWith feet of rings of keys and Java sparrows drinkingMy wife with a neck of unpearled barleyMy wife with a throat of the valley of goldOf a tryst in the very bed of the torrentWith breasts of nightMy wife with breasts of a marine molehillMy wife with breasts of the ruby's crucibleWith breasts of the rose's spectre beneath the dewMy wife with the belly of an unfolding of the fan of daysWith the belly of a gigantic clawMy wife with the back of a bird fleeing verticallyWith a back of quicksilverWith a back of lightWith a nape of rolled stone and wet chalkAnd of the drop of a glass where one has just been drinkingMy wife with hips of a skiffWith hips of a chandelier and of arrow-feathersAnd of shafts of white peacock plumesOf an insensible pendulumMy wife with buttocks of sandstone and asbestosMy wife with buttocks of swans' backsMy wife with buttocks of springWith the sex of an irisMy wife with the sex of a mining-placer and of a platypusMy wife with a sex of seaweed and ancient sweetmeatMy wife with a sex of mirrorMy wife with eyes full of tearsWith eyes of purple panoply and of a magnetic needleMy wife with savanna eyesMy wife with eyes of water to he drunk in prisonMy wife with eyes of wood always under the axeMy wife with eyes of water-level of level of air earth and fire "

17 " Spinoza formulated the profoundly important principle that *all determination is negation*. To determine a thing is to cut it off from some sphere of being and so to limit it. To define is to set boundaries. To say that a thing is green limits it by cutting it from the sphere of pink, blue, or other-coloured things. To say that it is good cuts it off from the sphere of evil. This limitation is the same as negation. To *affirm* that a thing is within certain limits is to *deny* that it is outside those limits. To say that it is green is to say that it is not pink. Affirmation involves negation. Whatever is said of a thing denies something else of it. All determination is negation.This principle is fundamental for Hegel also, but with him it takes rather the converse form that *all negation is determination*. Formal logicians will remind us that we cannot simply convert Spinoza's proposition. But it is sufficient to point out in reply that not only does affirmation involve negation; negation likewise involves affirmation. To say that a thing belongs to one class is to affirm that it belongs to some other class,—though we may not know what that class is. Positive and negative are correlatives which mutually involve each other. To posit is to negate: this is Spinoza's principle. To negate is to posit: this is Hegel's.When, therefore, we meet Hegel talking about " the portentous power of the negative," we have to consider that for him negation is the very process of creation. For the *positive* nature of an object consists in its determinations. The nature of a stone is to be white, heavy, hard, etc. And since all determinations are negations, it follows that the positive nature of a thing consists in its negations. Negation, therefore, is of the very essence of positive being. And for the world to come into being what is above all necessary is the force of negation, " the portentous power of the negative." The genus only becomes the species by means of the differentia, and the differentia is precisely that which carves out a particular class from the general class by excluding, i.e., negating, the other species. And the species again only becomes the individual in the same way, by negating other individuals. These thoughts are no causal reflections of Hegel. They underlie his entire system. We must get to understand that these three ideas, determination, limitation, and negation, all involve each other." —from_The Philosophy of Hegel_ "