44
" Are you happy?” asked Mr. Nancy, suddenly. He had been staring at Shadow for several hours. Whenever Shadow glanced over to his right, Mr. Nancy was looking at him with his earth-brown eyes. “Not really,” said Shadow. “But I’m not dead yet.” “Huh?” “ ‘Call no man happy until he is dead.’ Herodotus.” Mr. Nancy raised a white eyebrow, and he said, “I’m not dead yet, and, mostly because I’m not dead yet, I’m happy as a clamboy.” “The Herodotus thing. It doesn’t mean that the dead are happy,” said Shadow. “It means that you can’t judge the shape of someone’s life until it’s over and done.” “I don’t even judge then,” said Mr. Nancy. “And as for happiness, there’s a lot of different kinds of happiness, just as there’s a hell of a lot of different kinds of dead. Me, I’ll just take what I can get when I can get it. "
― Neil Gaiman , American Gods (American Gods, #1)
45
" Are you happy?” asked Mr. Nancy, suddenly. He had been staring at Shadow for several hours. Whenever Shadow glanced over to his right, Mr. Nancy was looking at him with his earth-brown eyes. “Not really,” said Shadow. “But I’m not dead yet.” “Huh?” " 'Call no man happy until he is dead.’ Herodotus.” Mr. Nancy raised a white eyebrow, and he said, “I’m not dead yet, and, mostly because I’m not dead yet, I’m happy as a clamboy.” “The Herodotus thing. It doesn’t mean that the dead are happy,” said Shadow. “It means that you can’t judge the shape of someone’s life until it’s over and done.” “I don’t even judge then,” said Mr. Nancy. “And as for happiness, there’s a lot of different kinds of happiness, just as there’s a hell of a lot of different kinds of dead. Me, I’ll just take what I can get when I can get it. "
49
" I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. " And what was the point of this again?" Forget it!" Sam said. " Do you you like this place or not?" I stoped in my tracks, spinning to face him. " Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. " You didn't think Jack would be here at all, did you?" His thick black eyebrows went up even farther. Did you evan intend to look for him at all?" He held his hands up as if a surrender. " What do you want me to say?" You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. " YOU told me about this wood somehow. How did you show it to me?" I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.So you brought me here to see this." I stepped forward again, and he stepped back.Do you like it?" Under false pretence." Anouther step forward; anouther back. The grine widenedSo do you like it?" When you knew we wouldn't come across anybody else." His teeth flashed in his grin. " Do you like it?" I punched my hands into his chest. " You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away. Sam slowly lowered my wrists and relesed them. " I'm glad." he said very quietly.My arms still hung by my sides, right where Sam had put them. I frowned at him. " You were supposed to kiss me." I thought about it." I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. " Why don't you?" He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. " I have to get inside soon," he whispered " It's getting cold "
50
" She opened her mouth to answer, but he was already kissing her. She had kissed him so many times—soft gentle kisses, hard and desperate ones, brief brushes of the lips that said good-bye, and kisses that seemed to go on for hours—and this was no different. The way the memory of someone who had once lived in a house might linger even after they were gone, like a sort of psychic
imprint,
her
body remembered
Jace.
Remembered the way he tasted, the slant of his mouth over hers, his scars under her fingers, the shape of his body under her hands. "
― Cassandra Clare , City of Lost Souls (The Mortal Instruments, #5)
51
" Despite the chaos that was tearing her head apart, Tevi understood what scene Yenneg was attempting to play out, with herself as a conscripted actor. She needed to force out an explanation or denial, but no words could get past her lips. Jemeryl's presence was paralysing her, an effect far more irresistible than anything Yenneg had achieved.Tevi watched Jemeryl take another few steps forwards and then crouch down so that their eyes were no more than a foot apart. Tevi thought she would die from the shock. Yet somehow, she forced her mouth to shape the words, " Wine. Love potion." Her voice was not loud enough even to count as a whisper. Certainly nobody else in the room would have heard, yet Tevi could not control her breathing to manage anything else.At first Jemeryl showed no sign of comprehension, but then suddenly, the bewilderment on her face transformed into fury. She leapt up, her arms moving in a blurred aggressive swirl. The gesture ended with an action like hurling a ball. Blue fire erupted from Jemeryl's hands and shot towards Yenneg.The other sorcerer had obviously recognised the gesture and made an effort to protect himself. A shimmering shield sprung up before Yenneg, but it was not strong enough, and the shockwave knocked him off his feet. His shoulders slammed into the wall behind him and he crumpled to the floor. Jemeryl had been telling the truth when she claimed to vastly excel the acolytes in magical ability, not that Tevi had ever entertained doubts. Jemeryl's hands moved again, and this time Yenneg was sprawled on the floor and in no state to mount a defence. A second bolt of blue fire burst in his direction.Lightning in the form of a whip snapped across the room, intercepting Jemeryl's attack before it struck. The diverted fireball hit the wall of the summerhouse two feet from Yenneg's head and smashed through it, as if it were a stone going through wet paper. "
52
" No man, proclaimed Donne, is an Island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature, and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived, and then, by some means or another, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes—forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'd mistake one for another, after a minute's close inspection), but still unique. "
― Neil Gaiman , American Gods (American Gods, #1)