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" Lollipops and raindrops
Sunflowers and sun-kissed daisies
Rolling surf and raging sea
Sailing ships and submarines
Old Glory and “purple mountain’s majesty”
Screaming guitar and lilting rhyme
Flight of fancy and high-steppin’ dances
Set free my mind to wander…
Imagine the ant’s marching journeys.
Fly, in my mind’s eye, on butterfly wings.
Roam the distant depths of space.
Unfurl tall sails and cross the ocean.
Pictures made just to enthrall
Creating images from my truth
Painting hopes and dreams on my canvas
Capturing, through my lens, the ephemeral
Let me ruminate ‘pon sensual darkness…
Tremble o’er Hollywood’s fluttering Gothics…
Ride the edge of my seat with the hero…
Weep with the heroine’s desperation.
Yet… more than all these things…
Give me words spun out masterfully…
Terms set out in meter and rhyme…
Phrases bent to rattle the soul…
Prose that always miraculously inspires me!
The trill runs up my spine, as I recall…
A touch… a caress…a whispered kiss…
Ebony eyes embracing my soul…
Two souls united in beat of hearts.
A butterfly flutter in my womb
My lover’s wonder o’er my swelling
The testament of our love given life
Newly laid in my lover’s arms
Luminous, sweet ebony eyes
Just so much like his father’s
A gaze of wonder and contentment
From my babe at mother’s breast
Words of the Divine set down for me
Faith, Hope, Love, and Charity
Grace, Mercy, and undeserved Salvation
“My Shepherd will supply my need”
These are the things that inspire me. "
― D. Denise Dianaty , My Life In Poetry
104
" 1150 AD, the north of EnglandMelina avoided the eyes of her bodyguard. It was something she was becoming adept at, since her father had brought him into the household and given him the task of keeping watch over her all day, every day, and sleeping across the threshold to her chamber every night. But it was no use. Even with her head turned she could feel his dark eyes upon her.Deep dark pools that drew her into their depths, making her skin burn and her heart flutter. The one and only time she’d made the mistake of gazing into those eyes she’d paid the price, losing her wits entirely for several heartbeats. The man was handsome in a rugged way, his body hard and strong like a warrior’s should be, but it was more than that.There was something . . . Was it the look of him, the scent of him, the taste of him? Not that she’d touched his skin with her tongue yet, but she’d thought about it. At night, in her chamber, in her luxurious bed with its furs and curtains, all alone with him outside her door. Oh yes, Melina had the makings of a sensual woman and that was the trouble. "
112
" He was the kind of young man whose handsome face has brought him plenty of success in the past and is now ever-ready for a new encounter, a fresh-experience, always eager to set off into the unknown territory of a little adventure, never taken by surprise because he has worked out everything in advance and is waiting to see what happens, a man who will never overlook any erotic opportunity, whose first glance probes every woman's sensuality, and explores it, without discriminating between his friend's wife and the parlour-maid who opens the door to him. Such men are described with a certain facile contempt as lady-killers, but the term has a nugget of truthful observation in it, for in fact all the passionate instincts of the chase are present in their ceaseless vigilance: the stalking of the prey, the excitement and mental cruelty of the kill. They are constantly on the alert, always ready and willing to follow the trail of an adventure to the very edge of the abyss. They are full of passion all the time, but it is the passion of a gambler rather than a lover, cold, calculating and dangerous. Some are so persistent that their whole lives, long after their youth is spent, are made an eternal adventure by this expectation. Each of their days is resolved into hundreds of small sensual experiences - a look exchanged in passing, a fleeting smile, knees brushing together as a couple sit opposite each other - and the year, in its own turn, dissolves into hundreds of such days in which sensuous experience is the constantly flowing, nourishing, inspiring source of life. "
― Stefan Zweig , The Burning Secret and other stories
113
" One had heard and read a great deal about death, and even seen a little of it, and knew by heart the thousand commonplaces of religion and poetry which seemed to deaden one's senses and veil the horror. Society being immortal, could put on immortality at will. Adams being mortal, felt only the mortality. Death took features altogether new to him, in these rich and sensuous surroundings. Nature enjoyed it, played with it, the horror added to her charm, she liked the torture, and smothered her victim with caresses. Never had one seen her so winning. The hot Italian summer brooded outside, over the market-place and the picturesque peasants, and, in the singular color of the Tuscan atmosphere, the hills and vineyards of the Apennines seemed bursting with mid-summer blood. The sick-room itself glowed with the Italian joy of life; friends filled it; no harsh northern lights pierced the soft shadows; even the dying women shared the sense of the Italian summer, the soft, velvet air, the humor, the courage, the sensual fulness of Nature and man. She faced death, as women mostly do, bravely and even gaily, racked slowly to unconsciousness, but yielding only to violence, as a soldier sabred in battle. For many thousands of years, on these hills and plains, Nature had gone on sabring men and women with the same air of sensual pleasure. "
― Henry Adams , La educación de Henry Adams
114
" Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.
Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world - in order to set up a shadow world of 'meanings.' It is to turn the world into this world. ('This world'! As if there were any other.)
The world, our world, is depleted, impoverished enough. Away with all duplicates of it, until we again experience more immediately what we have. "
― Susan Sontag , Against Interpretation and Other Essays
116
" ... since I was still, and must for long remain, in that period of life when one has not yet separated the fact of this sensual pleasure from the various women in whose company one has tasted it, when one has not reduced it to a general idea which makes one regard them thenceforward as the variable instruments of a pleasure that is always the same. Indeed, that pleasure does not exist, isolated and formulated in the consciousness, as the ultimate object with which one seeks a woman's company, or as the cause of the uneasiness which, in anticipation, one then feels. Hardly even does one think of oneself, but only how to escape from oneself. "
― Marcel Proust , Swann's Way