66
" The hit-woman opened the door. No dead body on the floor. Thank God.
I heard an unearthly roar and then Jordan charged Liz from where she’d been hiding beside the door. She tackled her to the floor and stabbed her through the wrist with a small switchblade. The hit-woman shrieked and let go of the gun, allowing Jordan precious seconds to bat it across the room. She landed a couple hard punches to the assassin’s nose, bloodying it, before the other woman got the upper hand.
She grabbed a handful of Jordan’s ponytail and slammed her head into the edge of the coffee table. Jordan cried out, but didn’t let go of the knife. She withdrew it and held it against the assassin’s throat, shouting, “Move again and I’ll kill you, puta!”
Liz panted madly, but stayed put. Jordan glanced up at me. “You okay?”
“Alive,” I said through a grimace. “Not okay.”
“Good enough.” She returned her gaze to the woman pinned beneath her and glared.
“The police are on their way. And not the nice, human police. Angels. Get any ideas about trying to kill me again and you won’t even get to deal with them.”
“I’ve been in jail before,” Liz said, attempting to recapture her former arrogance. “I’ll get over it.”
Jordan leaned down a few inches, lowering her voice. “Really? How’d you like to return without your tongue?”
Liz’s eyes went wide, as did mine. “You wouldn’t dare.”
“You shot my best friend. Multiple times. Lex talionis.”
“You can’t kill me. You’re not a policewoman. You’re just a girl.”
“No. I’m a Seer. You and the rest of your friends had better learn the difference between a sheep and a wolf in sheep’s clothing. Until then…”
She lifted her fist and punched Liz hard in the temple. The assassin went out like a light.
“Vaya con dios, bitch. "
― Kyoko M. , The Deadly Seven (The Black Parade, #1.5)
68
" What said those two souls communicating through the language of the eyes, more perfect than that of the lips, the language given to the soul in order that sound may not mar the ecstasy of feeling? In such moments, when the thoughts of two happy beings penetrate into each other’s souls through the eyes, the spoken word is halting, rude, and weak—it is as the harsh, slow roar of the thunder compared with the rapidity of the dazzling lightning flash, expressing feelings already recognized, ideas already understood, and if words are made use of it is only because the heart’s desire, dominating all the being and flooding it with happiness, wills that the whole human organism with all its physical and psychical powers give expression to the song of joy that rolls through the soul. To the questioning glance of love, as it flashes out and then conceals itself, speech has no reply; the smile, the kiss, the sigh answer. "
― José Rizal , Noli Me Tángere (Touch Me Not) (Noli Me Tángere, #1)
71
" Mariac tells us about the books he's read, the painters he's liked, the plays he's seen. He finds himself by looking in the works of others. He defines his own faith by a passionate anger against Gide the Luciferian. Reading his 'memories' is like meeting a man on a train who says, 'Don't look at me; that's misleading. If you want to know what I'm like, wait until we're in a tunnel, and then study my reflection in the window.' You wait, and look, and catch a face against a shifting background of sooty walls, cables, and sudden brickwork. The transparent shape flickers and jumps, always a few feet away. You become accustomed to its existence, you move with its movements; and though you know its presence is conditional, you feel it to be permanent. Then there is a wail from ahead, a roar and a burst of light; the face is gone for ever. "
― Julian Barnes , Flaubert's Parrot
79
" Help me,” the girl pleaded softly.
Sam knelt beside her. He recoiled in shock. “Bette?”
The left side of Bouncing Bette’s face was covered in blood. There was a gash above her temple. She was panting, gasping, like she had collapsed after a marathon and was trying with her last ounce of energy to crawl across the finish line.
“Bette, what happened?”
“They’re trying to get me,” Bette cried, and clutched at Sam’s arm.
The three dark figures advanced to the edge of the circle of light. One was clearly Orc. No one else was that big. Edilio and Quinn moved into the garage doorway.
Sam disengaged from Bette and took up a position beside Edilio.
“You want me to beat on you guys, I will!” Orc yelled.
“What’s going on here?” Sam demanded. He narrowed his eyes and recognized the other two boys, a kid named Karl, a seventh grader from school, and Chaz, one of the Coates eighth graders. All three were armed with aluminum bats.
“This isn’t your business,” Chaz said. “We’re dealing with something here.”
“Dealing with what? Orc, did you hit Bette?”
“She was breaking the rules,” Orc said.
“You hit a girl, man?” Edilio said, outraged.
“Shut up, wetback,” Orc said.
“Where’s Howard?” Sam asked, just to stall while he tried to figure out what to do. He’d lost one fight to Orc already.
Orc took the question as an insult. “I don’t need Howard to handle you, Sam.”
Orc marched right up to Sam, stopped a foot away, and put his bat on his shoulder like he was ready to swing for a home run. Like a batter ready for the next fastball. Only this was closer to T-ball: Sam’s head was impossible to miss.
“Move, Sam,” Orc ordered.
“Okay, I’m not doing this again,” Quinn said. “Let him have her, Sam.”
“Ain’t no ‘let me,’” Orc said. “I do what I want.”
Sam noticed movement behind Orc. There were people coming down the street, twenty or more kids. Orc noticed it too, and glanced behind him.
“They aren’t going to save you,” Orc said, and swung the bat hard.
Sam ducked. The bat whooshed past his head, and Orc rotated halfway around, carried forward by the momentum.
Sam was thrown off balance, but Edilio was ready. He let loose a roar and plowed headfirst into Orc. Edilio was maybe half Orc’s size, but Orc was knocked off his feet. He sprawled out on the concrete.
Chaz went after Edilio, trying to pull him off Orc.
The crowd of kids who had come running down the street surged forward. There were angry voices and threats, all aimed at Orc.
They yelled, Sam noted, but no one exactly jumped into the unequal fight. "
― Michael Grant