102
" I myself beheld the King Charge at the head of all his Table Round, And all his legions crying Christ and him, And break them; and I saw him, after, stand High on a heap of slain, from spur to plume Red as the rising sun with heathen blood, And seeing me, with a great voice he cried, " They are broken, they are broken!" for the King, However mild he seems at home, nor cares For triumph in our mimic wars, the jousts— For if his own knight cast him down, he laughs Saying, his knights are better men than he— Yet in this heathen war the fire of God Fills him: I never saw his like: there lives No greater leader. "
108
" Serafina, Ava, Ling, and Becca swam inside. Neela followed them, but at the very last second, shield. “I can’t,” she said. “Once I go in, there’s no way out again. This is real. You’re real. All this time, a part of me was hoping you were only a dream.”
The witch cocked her head. “Only a dream?” she said mockingly. “Long ago, a great mage dreamed of stealing the gods’ powers. Abbadon was born of that dream. Atlantis died because of it. Now, because of a new dreamer, all the waters of the world may fall. There is nothing more real than a dream.” She nodded at the waters behind Neela. Silt was rising in the distance, a great deal of it. “The merman Traho knows this. He’s coming. If you do not believe me, perhaps he can convince you. "
― Jennifer Donnelly , Deep Blue (Waterfire Saga, #1)
110
" An author who composes while walking, on the other hand, is free from such bonds; his thought is not the slave of other volumes, not swollen with verifications, nor weighted with the thought of others. It contains no explanation owed to anyone: just thought, judgement, decision. It is thought born of a movement, an impulse. In it we can feel the body’s elasticity, the rhythm of a dance. It retains and expresses the energy, the springiness of the body. Here is thought about the thing itself, without the scrambling, the fogginess, the barriers, the customs clearances of culture and tradition. The result will not be long and meticulous exegesis, but thoughts that are light and profound. That is really the challenge: the lighter a thought, the more it rises, and becomes profound by rising – vertiginously – above the thick marshes of conviction, opinion, established thought. While books conceived in the library are on the contrary superficial and heavy. They remain on the level of recopying. "
― Frédéric Gros , A Philosophy of Walking
115
" The time came to put Iris Duarte back on the plane.
It was a morning flight which made it difficult. I was
used to rising at noon; it was a fine cure for hangovers
and would add 5 years to my life. I felt no sadness
while driving her to L.A. International. The sex had
been fine; there had been laughter. I could hardly
remember a more civilized time, neither of us making
any demands, yet there had been warmth, it had not
been without feeling, dead meat coupled with dead
meat. I detested that type of swinging, the Los
Angeles, Hollywood, Bel Air, Malibu, Laguna Beach
kind of sex. Strangers when you meet, strangers when
you part—a gymnasium of bodies namelessly
masturbating each other. People with no morals often
considered themselves more free, but mostly they
lacked the ability to feel or to love. So they became
swingers. The dead fucking the dead. There was no
gamble or humor in their game—it was corpse
fucking corpse. Morals were restrictive, but they were
grounded on human experience down through the
centuries. Some morals tended to keep people
slaves in factories, in churches and true to the State.
Other morals simply made good sense. It was like a
garden filled with poisoned fruit and good fruit. You
had to know which to pick and eat, which to leave
alone. "
― Charles Bukowski , Women
116
" His heart cracked, and he fell in love. He wondered if she would marry him.
“Tu sei pazzo,” she told him with a pleasant laugh.
“Why am I crazy?” he asked.
“Perché non posso sposare.”
“Why can’t you get married?”
“Because I am not a virgin,” she answered.
“What has that got to do with it?”
“Who will marry me? No one wants a girl who is not a virgin.”
“I will. I’ll marry you.”
“Ma non posso sposarti.”
“Why can’t you marry me?”
“Perché sei pazzo.”
“Why am I crazy?”
“Perché vuoi sposarmi.”
Yossarian wrinkled his forehead with quizzical amusement. “You won’t marry me because I’m crazy, and you say I’m crazy because I want to marry you? Is that right?”
“Si.”
“Tu sei pazz’!” he told her loudly.
“Perché?” she shouted back at him indignantly, her unavoidable round breasts rising and falling in a saucy huff beneath the pink chemise as she sat up in bed indignantly. “Why am I crazy?”
“Because you won’t marry me.”
“Stupido!” she shouted back at him, and smacked him loudly and flamboyantly on the chest with the back of her hand. “Non posso sposarti! Non capisci? Non posso sposarti.”
“Oh, sure, I understand. And why can’t you marry me?”
“Perché sei pazzo!”
“And why am I crazy?”
“Perché vuoi sposarmi.”
“Because I want to marry you. Carina, ti amo,” he explained, and he drew her gently back down to the pillow. “Ti amo molto.”
“Tu sei pazzo,” she murmured in reply, flattered.
“Perché?”
“Because you say you love me. How can you love a girl who is not a virgin?”
“Because I can’t marry you.”
She bolted right up again in a threatening rage. “Why can’t you marry me?” she demanded, ready to clout him again if he gave an uncomplimentary reply. “Just because I am not a virgin?”
“No, no, darling. Because you’re crazy. "
― Joseph Heller , Catch-22
119
" Reinvention is my philosophy, if you want to call it that,” he says, looking out the window. “Imagination is the key to creating a life that is ever new.” Stanley turns his eyes to me. “We are each of us a changeling person,” he says. “We are not going to be the same decade after decade. Wisdom results from confronting not only one’s desires and capacities but also one’s limitations.” “The Layers,” one of Stanley’s best-loved poems, is his crystallization of this wisdom. I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon and the slow fires trailing from the abandoned camp-sites, over which scavenger angels wheel on heavy wings. Oh, I have made myself a tribe out of my true affections, and my tribe is scattered! How shall the heart be reconciled to its feast of losses? In a rising wind the manic dust of my friends, those who fell along the way, bitterly stings my face. Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road is precious to me. In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: “Live in the layers, not on the litter.” Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written. I am not done with my changes. "
