3
" No other technique for the conduct of life attaches the individual so firmly to reality as laying emphasis on work; for his work at least gives him a secure place in a portion of reality, in the human community. The possibility it offers of displacing a large amount of libidinal components, whether narcissistic, aggressive or even erotic, on to professional work and on to the human relations connected with it lends it a value by no means second to what it enjoys as something indispensible to the preservation and justification of existence in society. Professional activity is a source of special satisfaction if it is a freely chosen one — if, that is to say, by means of sublimation, it makes possible the use of existing inclinations, of persisting or constitutionally reinforced instinctual impulses. And yet, as a path to happiness, work is not highly prized by men. They do not strive after it as they do after other possibilities of satisfaction. The great majority of people only work under the stress of necessity, and this natural human aversion to work raises most difficult social problems. "
― Sigmund Freud , Civilization and Its Discontents
5
" The following year the house was substantially remodeled, and the conservatory removed. As the walls of the now crumbling wall were being torn down, one of the workmen chanced upon a small leatherbound book that had apparently been concealed behind a loose brick or in a crevice in the wall. By this time Emily Dickinson was a household name in Amherst. It happened that this carpenter was a lover of poetry- and hers in particular- and when he opened the little book and realized that that he had found her diary, he was “seized with a violent trembling,” as he later told his grandson. Both electrified and terrified by the discovery, he hid the book in his lunch bucket until the workday ended and then took it home. He told himself that after he had read and savored every page, he would turn the diary over to someone who would know how to best share it with the public. But as he read, he fell more and more deeply under the poet’s spell and began to imagine that he was her confidant. He convinced himself that in his new role he was no longer obliged to give up the diary. Finally, having brushed away the light taps of conscience, he hid the book at the back of an oak chest in his bedroom, from which he would draw it out periodically over the course of the next sixty-four years until he had virtually memorized its contents. Even his family never knew of its existence.
Shortly before his death in 1980 at the age of eighty-nine, the old man finally showed his most prized possession to his grandson (his only son having preceded him in death), confessing that his delight in it had always been tempered by a nagging guilt and asking that the young man now attempt to atone for his grandfather’s sin. The grandson, however, having inherited both the old man’s passion for poetry and his tendency towards paralysis of conscience, and he readily succumbed to the temptation to hold onto the diary indefinitely while trying to decide what ought to be done with it. "
― Jamie Fuller, , The Diary of Emily Dickinson
13
" It was in her garden that whatever physical grace Abigail St. Croix possessed asserted itself. She moved among her flowers with consummate natural fluidity, enjoying the incommunicable pleasures of growing things with the patience and concentration of a watchmaker. In this, her small, green country, surrounded by an embrasure of old Charleston brick, there were camellias of distinction, eight discrete varieties of azaleas, and a host of other flowers, but she directed her prime attention to the growing of roses. She had taught me to love flowers since I had known her; I had learned that each variety had its own special personality, its own distinctive and individual way of presenting itself to the world. She told me of the shyness of columbine, the aggression of ivy, and the diseases that affected gardenias. Some flowers were arrogant invaders and would overrun the entire garden if allowed too much freedom. Some were so diffident and fearful that in their fragile reticence often lived the truest, most infinitely prized beauty. She spoke to her flowers unconsciously as we made our way to the roses in the rear of the garden.
“You can learn a lot from raising roses, Will. I’ve always told you that.”
“I’ve never raised a good weed, Abigail. I could kill kudzu.”
“Then one part of your life is empty,” she declared. “There’s a part of the spirit that’s not being fed. "
― Pat Conroy , The Lords of Discipline