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motioning  QUOTES

3 " There is always a man eager to explain my mental illness to me. They all do it so confidently, motioning to their Hemingway and Bukowski bookshelf as they compare my depression to their late-night loneliness. There is always someone that rejected them that they equate their sadness to and a bottle of gin (or a song playing, or a movie) close by that they refer to as their cure. Somehow, every soft confession of my Crazy that I hand to them turns into them pulling out pieces of themselves to prove how it really is in my head.

So many dudes I’ve dated have faces like doctors ready to institutionalize
and love my crazy (but only on Friday nights.)

They tell their friends about my impulsive decision making and how I “get them” more than anyone they’ve ever met but leave out my staring off in silence for hours and the self-inflicted bruises on my cheeks.

None of them want to acknowledge a crazy they can’t cure.

They want a crazy that fits well into a trope and gives them a chance to play Hero. And they always love a Crazy that provides them material to write about.

Truth is they love me best as a cigarette cloud of impossibility, with my lipstick applied perfectly and my Crazy only being pulled out when their life needs a little spice.

They don’t want me dirty, having not left my bed for days. Not diseased. Not real.

So they invite me over when they’re going through writer’s block but don’t answer my calls during breakdowns. They tell me I look beautiful when I’m crying then stick their hands in-between my thighs. They mistake my silence for listening to them attentively and say my quiet mouth understands them like no one else has.

These men love my good dead hollowness. Because it means less of a fighting personality for them to force out. And is so much easier to fill someone who has already given up with themselves. "

Lora Mathis

4 " Up the coast a few miles north, in a lava reef under the cliffs, there are a lot of rock pools. You can visit them when the tide is out. Each pool is separate and different, and you can, if you are fanciful, give them names - such as George, Charlotte, Kenny, Mrs Strunk. Just as George and the others are thought of, for convenience, as individual entities, so you may think of a rock pool as an entity: though, of course, it is not. The waters of its consciousness - so to speak - are swarming with hunted anxieties, grim-jawed greeds, dartingly vivid intuitions, old crusty-shelled rock-gripping obstinancies, deep-down sparkling undiscovered secrets, ominous protean organisms motioning mysteriously, perhaps warningly, toward the surface light. How can such a variety of creatures coexist at all? Because they have to. The rocks of the pool hold their world together. And, throughout the day of the ebb tide, they know no other.

But that long day ends at last; yields to the night-time of the flood. And, just as the waters of the ocean come flooding, darkening over the pools, so over George and the others in sleep come the waters of that other ocean; that consciousness which is no one in particular but which contains everyone and everything, past, present, and future, and extends unbroken beyond the uttermost stars. We may surely suppose that, in the darkness of the full flood, some of these creatures are lifted from their pools to drift far out over the deep waters. But do they ever bring back, when the daytime of the ebb returns, any kind of catch with them? Can they tell us, in any manner, about their journey? Is there, indeed, anything for them to tell - except that the waters of the ocean are not really other than the waters of the pool? "

Christopher Isherwood