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101 " The problem with the 11:11 Phenomenon is getting anybody interested in it that hasn't experienced it themselves. Other phenomena, such as U.F.Os or crop circles, are able to be seen. We can debate them. But seeing and being guided by 11:11 is hard to convey to those uninitiated in its ways. "
― Harry Whitewolf , Route Number 11: Argentina, Angels & Alcohol
102 " If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'.A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray.Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present. "
― Alain de Botton , The Art of Travel
103 " It is usually imagined that a thief, a murderer, a spy, a prostitute, acknowledging his profession as evil, is ashamed of it. But the contrary is true. People whom fate and their sin-mistakes have placed in a certain position, however false that position may be, form a view of life in general which makes their position seem good and admissible. In order to keep up their view of life, these people instinctively keep to the circle of those people who share their views of life and their own place in it. This surprises us, where the persons concerned are thieves, bragging about their dexterity, prostitutes vaunting their depravity, or murderers boasting of their cruelty. This surprises us only because the circle, the atmosphere in which these people live, is limited, and we are outside it. But can we not observe the same phenomenon which the rich boast of their wealth, i.e., robbery; the commanders in the army pride themselves on their victories, i.e., murder; and those in high places vaunt their power, i.e., violence? We do not see the perversion in the views of life held by these people, only because the circle formed by them is more extensive, and we ourselves are moving inside of it. "
― Leo Tolstoy , Resurrection
104 " It is lonely behind these boundaries. Some people-particularly those whom psychiatrists call schizoid-because of unpleasant, traumatizing experiences in childhood, perceive the world outside of themselves as unredeemably dangerous, hostile, confusing and unnurturing. Such people feel their boundaries to be protecting and comforting and find a sense of safety in their loneliness. But most of us feel our loneliness to be painful and yearn to escape from behind the walls of our individual identities to a condition in which we can be more unified with the world outside of ourselves. The experience of falling in love allows us this escapetemporarily. The essence of the phenomenon of falling in love is a sudden collapse of a section of an individual's ego boundaries, permitting one to merge his or her identity with that of another person. The sudden release of oneself from oneself, the explosive pouring out of oneself into the beloved, and the dramatic surcease of loneliness accompanying this collapse of ego boundaries is experienced by most of us as ecstatic. We and our beloved are one! Loneliness is no more! In some respects (but certainly not in all) the act of falling in love is an act of regression. The experience of merging with the loved one has in it echoes from the time when we were merged with our mothers in infancy. Along with the merging we also reexperience the sense of omnipotence which we had to give up in our journey out of childhood. All things seem possible! United with our beloved we feel we can conquer all obstacles. We believe that the strength of our love will cause the forces of opposition to bow down in submission and melt away into the darkness. All problems will be overcome. The future will be all light. The unreality of these feelings when we have fallen in love is essentially the same as the unreality of the two-year-old who feels itself to be king of the family and the world with power unlimited. Just as reality intrudes upon the two-year-old's fantasy of omnipotence so does reality intrude upon the fantastic unity of the couple who have fallen in love. Sooner or later, in response to the problems of daily living, individual will reasserts itself. He wants to have sex; she doesn't. She wants to go to the movies; he doesn't. He wants to put money in the bank; she wants a dishwasher. She wants to talk about her job; he wants to talk about his. She doesn't like his friends; he doesn't like hers. So both of them, in the privacy of their hearts, begin to come to the sickening realization that they are not one with the beloved, that the beloved has and will continue to have his or her own desires, tastes, prejudices and timing different from the other's. One by one, gradually or suddenly, the ego boundaries snap back into place; gradually or suddenly, they fall out of love. Once again they are two separate individuals. At this point they begin either to dissolve the ties of their relationship or to initiate the work of real loving. "
― M. Scott Peck , The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth
105 " The will to grow is in essence the same phenomenon as love. Love is the will to extend oneself for spiritual growth. Genuinely loving people are, by definition, growing people. "
― M. Scott Peck
106 " Whereas life separates meaning from emotion, art unites them. Story is an instrument by which you create such epiphanies at will, the phenomenon known as aesthetic emotion...Life on its own, without art to shape it, leaves you in confusion and chaos, but aesthetic emotion harmonizes what you know with what you feel to give you a heightened awareness and a sureness of your place in reality. "
― Robert McKee , Story: Substance, Structure, Style, and the Principles of Screenwriting
107 " I think the function of suffering is to let me know that my perception is skewed; what I’m doing is judging natural events in such a way that I am creating suffering within myself. For instance, you have pain over certain conditions, certain situations that occur. And if you just say ‘ok, here I am, I’m going to experience the pain,’ you don’t suffer. The resistance and the degree of the resistance to the natural phenomenon of life causes tremendous suffering. "
― Hubert Selby Jr.
108 " ...[A]ccording to Buddhism in the Tibetan tradition, a being that achieves Buddhahood, although freed from Samsara,the 'wheel of suffering', as the phenomenon of existence is known, will continue to return to work for the benefit of all other sentient beings until such time as each one is similarly liberated. "
― Dalai Lama XIV , Freedom in Exile: The Autobiography of the Dalai Lama
109 " Your environment is a social phenomenon that can bolster confidence in you to run your business "
― Myra Yadav
110 " Absence is the figure of privation; simultaneously, I desire and I need. Desire is squashed against need: that is the obsessive phenomenon of all amorous sentiment. "
― Roland Barthes , A Lover's Discourse: Fragments
111 " [L]ife is a phenomenon in need of criticism, for we are, as fallen creatures, in permanent danger of worshipping false gods, of failing to understand ourselves and misinterpreting the behaviour of others, of growing unproductively anxious or desirous, and of losing ourselves to vanity and error. Surreptitiously and beguilingly, then, with humour or gravity, works of art--novels, poems, plays, paintings or films--can function as vehicles to explain our condition to us. They may act as guides to a truer, more judicious, more intelligent understanding of the world. "
― Alain de Botton , Status Anxiety
112 " Human consciousness is just about the last surviving mystery. A mystery is a phenomenon that people don't know how to think about - yet. There have been other great mysteries: the mystery of the origin of the universe, the mystery of life and reproduction, the mystery of the design to be found in nature, the mysteries of time, space and gravity. These were not just areas of scientific ignorance, but of utter bafflement and wonder. We do not yet have the final answers to any of the questions of cosmology and particle physics, molecular genetics and evolutionary theory, but we do know how to think about them. The mysteries haven't vanished, but they have been tamed. They no longer overwhelm our efforts to think about the phenomena, because now we know how to tell the misbegotten questions from the right questions, and even if we turn out to be dead wrong about some of the currently accepted answers, we know how to go about looking for better answers.With consciousness, however, we are still in a terrible muddle. Consciousness stands alone today as a topic that often leaves even the most sophisticated thinkers tongue-tied and confused. And, as with all the earlier mysteries, there are many who insist - and hope - that there will never be a demystification of consciousness.Mysteries are exciting, after all, part of what makes life fun. No one appreciates the spoilsport who reveals whodunit to the moviegoers waiting in line. Once the cat is out of the bag, you can never regain the state of delicious mystification that once enthralled you. So let the reader beware. If I succeed in my attempt to explain consciousness, those who read on will trade mystery for the rudiments of scientific knowledge of consciousness, not a fair trade for some tastes. Since some people view demystification as a desecration, I expect them to view this book at the outset as an act of intellectual vandalism, an assault on the last sanctuary of humankind. I would like to change their minds. "
113 " In Ireland we have the phenomenon known as a " Spoiled Priest." Unlike a spoiled child, this does not refer to a Priest throwing a temper tantrum. "
114 " Typically, images or paintings are designated as anamorphic when, in order for the image to appear, a particular line of sight must be adopted. The image only shows up when approached from the angle dictated to the viewer by the image's own set of conditions. In this sense, the viewer must 're-form' their perspective to match the perspective demanded by the image. We are not free to approach the image as we wish; the image is free to assign us a perspective proper to itself... Anamorphosis, then, describes the freedom of the phenomenon to give itself as it wishes and it measures the extent to which this freedom turns the tables on the one to whom it appears. To receive a phenomenon as it wishes to give itself is to yield control and suspend our own timetables and preconditions in order to be faithful to the conditions set by what gives itself. "
― , Badiou, Marion and St Paul: Immanent Grace (Continuum Studies in Continental Philosophy)
115 " If there is such a phenomenon as absolute evil, it consists in treating another human being as a thing. "
― John Brunner , The Shockwave Rider
116 " Consciousness of self was an inherent function of matter once it was organized as life, and if that function was enhanced it turned against the organism that bore it, strove to fathom and explain the very phenomenon that produced it, a hope-filled and hopeless striving of life to comprehend itself, as if nature were rummaging to find itself in itself - ultimately to no avail, since nature cannot be reduced to comprehension, nor in the end can life listen to itself. "
― Thomas Mann , The Magic Mountain
117 " For throughout history, the synthesizing impulse has proved a powerful even world-changing, tool for understanding the universe, capable of penetrating the intricate,contradictory web of surface phenomena to reveal the universal,unified cosmos beneath--that fundamental,unchanging phenomenon we call truth. "
118 " The " paranormal" is what we call a phenomenon when examined through the narrow lens of what we consider " normal." You have to leave the entrapment of " normal" beliefs to understand them much as zero gravity can't be understood when you are earthbound. "
119 " Rebecca was an academic star. Her new book was on the phenomenon of word casings, a term she'd invented for words that no longer had meaning outside quotation marks. English was full of these empty words--" friend" and " real" and " story" and " change" --words that had been shucked of their meanings and reduced to husks. Some, like " identity" and " search" and " cloud," had clearly been drained of life by their Web usage. With others, the reasons were more complex; how had " American" become an ironic term? How had " democracy" come to be used in an arch, mocking way? "
120 " The logic of the symbol does not express the experiment; it is the experiment. Language is the phenomenon, and the observation of the phenomenon changes its nature. "
― Carlos Fuentes , Christopher Unborn
