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121 " My name is Nathan, just twenty-three and given to the curation of stories. I listen, retain, then polish and release them over the fire at night, when the others hush and lean forward in their desire to hear of the past. They crave romance, particularly when autumn sets in and cold nights await them, and so I speak of Alice, and Bethany, and Sarah, and Val, and other dead women who all once had lustrous hair and never a bad word on their plump lips. I can remember this is not how they were; I knew them, I knew them! Only six years have passed and yet I mythologize them as if it is six thousand. I am not culpable. Language is changing, like the earth, like the sea. We live in lonely, fateful flux, outnumbered and outgrown. "
― , The Beauty
122 " ...a much younger woman, one of those round-faced, tiny-featured women who were touted as beauties though they were not in fact particularly beautiful. They were simply the daughters of wealthy families powerful enough to demand that the concept of beauty be expanded to include them. "
― Michael Cunningham , Flesh and Blood
123 " There is something divine in mindless beauty, and Mersault was particularly responsive to it. "
― Albert Camus , A Happy Death
124 " But there she was, standing next to his mother, so beautiful, so radiant that he could not see anyone else. Suddenly the rest of the world seemed like such a chore. He didn’t want to be here at this dance, with people he didn’t want to talk to and messages he didn’t particularly wish to deliver. He didn’t want to dance with young ladies he didn’t know, and he didn’t want to make polite conversation with people he did. He just wanted Billie, and he wanted her all to himself. He forgot about Tallywhite. He forgot about pease, porridge, and pudding, and he stalked across the room with such single-minded purpose that the crowds seemed to melt from his path. And somehow, amazingly, the rest of the world had not yet noticed her. She was so beautiful, so uncommonly alive and real in this room full of waxen dolls. She would not go undiscovered for long. But not yet. Soon he would have to fight the throngs of eager young gentlemen, but for now, she was still his alone. "
― Julia Quinn , Because of Miss Bridgerton (Rokesbys, #1)
125 " ...the great experiences which form him, arise out of the discontinuity and disharmony between man and the world. Particularly in great personalities, we see how much of their beauty and excellence is really due to trials suffered earlier at the hands of the world. Beauty--as many have recognized--is pain suffered and transformed. Because the animal is adapted to its environment, it is denied the possibility of developing inward maturity and greatness. As an individual creature it cannot grow beyond the limits of its kind; and again, at death, it falls back with its capacities into the group Ego, from which its soul was something like an offshoot or a patrol sent out on reconnaissance. "
126 " Because you’re beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence.' A brief awkward silence ensued. Augustus plowed through: 'I mean, particularly given that, as you so deliciously pointed out, all of this will end in oblivion and everything. "
127 " On the conversion of the European tribes to Christianity the ancient pagan worship was by no means incontinently abandoned. So wholesale had been the conversion of many peoples, whose chiefs or rulers had accepted the new faith on their behalf in a summary manner, that it would be absurd to suppose that any, general acquiescence in the new gospel immediately took place. Indeed, the old beliefs lurked in many neighbourhoods, and even a renaissance of some of them occurred in more than one area. Little by little, however, the Church succeeded in rooting out the public worship of the old pagan deities, but it found it quite impossible to effect an entire reversion of pagan ways, and in the end compromised by exalting the ancient deities to the position of saints in its calendar, either officially, or by usage. In the popular mind, however, these remained as the fairies of woodland and stream, whose worship in a broken-down form still flourished at wayside wells and forest shrines. The Matres, or Mother gods, particularly those of Celtic France and Ireland, the former of which had come to be Romanized, became the bonnes dames of folklore, while the dusii and pilosi, or hairy house-sprites, were so commonly paid tribute that the Church introduced a special question concerning them into its catechism of persons suspected of pagan practice. Nevertheless, the Roman Church, at a somewhat later era, reversed its older and more catholic policy, and sternly set its face against the cultus of paganism in Europe, stigmatizing the several kinds of spirits and derelict gods who were the objects of its worship as demons and devils, whom mankind must eschew with the most pious care if it were to avoid damnation. "
― Lewis Spence , British Fairy Origins
128 " Of all the great world religions, Christianity should value the body most. After all, it taught that God had in some sense taken a human body and used it to redeem the world; everything about the physical should have been sacred and sacramental. But that had not happened. instead, the churches had found it almost impossible to integrate the sexual with the divine and had developed a Platonic aversion to the body - particularly the bodies of women. "
― Karen Armstrong , The Spiral Staircase: My Climb Out of Darkness
129 " I’ve heard so many people, particularly people of faith, say they could look past his wrongdoings. When they’re pressed further, the reply is always some variation of “He doesn’t mean what he says,” “It’s just to get a rise out of people,” or “It’s all for show.” When you turn a blind eye and a deaf ear and say nothing, you are in fact saying everything. You are telling others you approve of immorality and injustice. You are telling them you support the marginalization and vilification of those who are different from you. You are telling them that fear reigns supreme and that you will tolerate nefarious behavior. As President John F. Kennedy said in a speech: “The hottest places in hell are reserved for those who, in times of great moral crises, maintain their neutrality.”- Amy Erickson "
― Erin Passons , The Nasty Women Project: Voices from the Resistance
130 " We human beings are story-tellers, we pass on our values through the stories we tell. This is particularly true of Catholics, who get their identity through their histories, which they see as salvation history linking them to the saving actions of Christ. So, for Catholics, doing history – passing on the values by telling stories – is a pastoral imperative. We must look where we have been in order to know where we are going. "
― Edmund Campion , Australian Catholic Lives
131 " It struck me as particularly suspicious that Yahweh was described as being remarkably human. I mean, seriously; this God is, at times, almost too human. "
― Michael Vito Tosto , Portrait of an Infidel: The Acerbic Account of How a Passionate Christian Became an Ardent Atheist
132 " The first key to leadership was self-control, particularly the mastery of pride, which was something more difficult, he explained, to subdue than a wild lion and anger, which was more difficult to defeat than the greatest wrestler. He warned them that " if you can't swallow your pride, you can't lead. "
133 " Every time we decide to use our power to influence others, particularly if we`re gleeful and hasty, we damage the relationship. We move from enjoying a healthy partnership based on trust and mutual respect to establishing a police state that requires constant monitoring. "
― , Crucial Confrontations: Tools for Resolving Broken Promises, Violated Expectations, and Bad Behavior
134 " The artist, and particularly the poet, is always an anarchist in the best sense of the word. He must heed only the call that arises within him from three strong voices: the voice of death, with all its foreboding, the voice of love and the voice of art. "
― Federico García Lorca
135 " There is something particularly fascinating about seeing places you know in a piece of art - be that in a film, or a photograph, or a painting. "
― Sara Sheridan
136 " The following Discourse [on art, by Sir Joshua Reynolds] is particularly Interesting to Blockheads as it endeavours to prove that There is No such thing as Inspiration & that any Man of a plain Understanding may by Thieving from Others become a Mich Angelo. "
― William Blake
137 " When an artist is asked to speak about form, you expect something different than when a critic talks about it. Because you think that somewhere between sentences and words, the secret will slip out. I am trying to give you that secret; it isn't a secret at all, but it is building solidly, not using secrets. I had been trying to extend into metaphysical extension; that film is changing, metamorphic; that is, infinite; the idea that the movement of life is totally important rather than a single life. My films were built on an incline, an increase in intensity. I hoped to make a form which was infinite, the changingness of things. I thought I would want to find a total form which conveyed that sense, particularly in reference to an Oriental subject. My impression was: one is walking down a corridor of a hotel. One hears a sound, opens a door and a man is playing; one listens for three minutes and closes the door. The music went on before you opened the door and it continues after you close the door. There was neither beginning nor end. Western music increases in intensity to a climax and then resolves itself. Oriental music is infinite; it goes on and on. The Chinese theater goes on for hours and hours with time for lunch moving scenery, etc. "
138 " Considering Adrian had once gotten bored while reading while reading a particularly long menu, I had a hard time imagining he'd read the Hugo book in any language. "
― Richelle Mead , The Golden Lily (Bloodlines, #2)
139 " How can you read and talk at the same time?” I asked.“Well, I usually can’t, but neither the book nor the conversation is particularly intellectually challenging. "
― John Green , Looking for Alaska
140 " When I get hold of a book I particularly admire, I am so enthusiastic that I loan it to someone who never brings it back. "
― Edgar Watson Howe