163
" The Sad Boy
Ay, his old mother was a glad one.
And his poor old father was a mad one.
The two begot this sad one.
Alas for the single shoe
The Sad Boy pulled out of the rank green pond,
Fishing for fairies
On the prankish advice
Of two disagreeable lovers of small boys.
Pity the unfortunate Sad Boy
With a single magic shoe
And a pair of feet
And an extra foot
With no shoe for it.
This was how the terrible hopping began
That wore the Sad Boy thin and through
To his only shoe
And started the great fright in the provinces above Brent
Where the Sad Boy became half of himself
To match the beautiful boot
He had dripped from the green pond.
Wherever he went weeping and hopping
And stamping and sobbing,
Pounding a whole earth into a half-heaven,
Things split where he stood
Into the left side for the left magic,
Into no side for the missing right boot.
Mercy be to the Sad Boy
Scamping exasperated
After a wide boot
To double the magic
Of a limping foot.
Mercy to the melancholy folk
On the Sad Boy's right.
It was not for want of wandering
He lost the left boot too
And the knowledge of his left side,
But because one awful Sunday
This dear boy dislimbed
Went back to the old pond
To fish up another shoe
And was quickly (being too light for his line)
Fished in.
Gracious how he kicks now
All the little ripples up!
The quiet population of Brent has settled down,
And the perfect surface of the famous pond
Is slightly pocked, marked with three signs,
For visitors come to fish for souvenirs,
Where the Sad Boy went in
And his glad mother and his mad father after him. "
― , The Poems of Laura Riding: A Newly Revised Edition of the 1938/1980 Collection
167
" ...we've told men for so long that we're equal, we can open our own doors, carry our own bags, pay our own way, that now they're afraid to offer in case we accuse them of sex discrimination. If you were a man would you buy a woman underwear? I wouldn't dare. What if she throws it back in your face and calls you a sexist pig? So they've tried to turn into new men, but that's no good either, because now we're telling them to be masculine. We don't just want them in a pair of Marigolds cleaning the oven, that's not good enough. We want them to take control, to whisk us off hotels, buy us dinner, and make mad passionate love to us all night. We want it all ways. We want them heroes and handy with the vacuum. No wonder the poor guys are confused "
― Alexandra Potter , Calling Romeo
172
" Muriah approached him with a new pair of khakis and a couple of T-shirts. “I guessed at the size so you might want to go try these on first.”
He took the clothes and slid his arm around her waist, maneuvering her toward the fitting room.
“Hey, I didn’t sign on to be your dresser.” She grumbled, but didn’t struggle.
He pulled the door closed and turned to meet her eyes. “It’s light in here and full of people. Apep will not be able to surprise us, and his serpents cannot spy. We need to talk.”
***
He stripped off the wet shirt, exposing his chiseled torso. She did her best not to choke on her tongue. His tanned skin and taut muscles tempted her, luring her to touch him. Turning around to give him privacy seemed like the right thing to do, but there wasn’t a hint of modesty in this Mayan god, and if he could handle getting this personal, then she could, too.
When he unzipped the wet pants, she held her breath. Would an ancient guy wear underwear? She was about to find out. He bent over to lower the wet slacks. When he straightened up, she realized he’d been talking, but she didn’t have a clue what he had said. Instead, all her attention was focused on a fine trail of dark hair leading from just below his navel and disappearing under the low-slung elastic band of his boxer briefs.
“Muriah?”
Her gaze snapped up to meet his. Thank the universe he couldn’t read her thoughts. “Yeah?”
“Did you hear my question?”
He stood two feet from her in only his underwear, and he thought she was listening? He was either completely unaware of his sex appeal, or he was way too accustomed to being obeyed.
Probably both.
She cleared her throat. “I must’ve missed it.”
A spark lit his eyes that told her he might have more than a clue to his sex appeal.
He picked up the T-shirt and pulled it on. “I asked if you knew of another hotel closer to the airport so we can get out of New York as soon as the sun sets tomorrow.”
“I’m sure I can find one.” She pulled out her phone, grateful to have something to pretend to focus on besides him tucking his package into the new khakis she pulled off the rack for him.
“I probably should’ve grabbed some dry underwear, too.”
“They are nearly dry now. I will be fine.” He popped the tags off, and she glanced up from her hotel search. “They’re not going to like you taking the tags off before you pay.”
The corner of his mouth curved up. “They will be honored to take my money.”
She groaned and rolled her eyes. “Do you ever not get your way?”
He stepped closer to her, his chest an inch from hers until her back pressed against the modular wall of the fitting room. “Rarely.” His dark gaze held hers, and the deep rumble of his voice sent heat through her body. “But some things are worth the extra effort. "
― Lisa Kessler , Night Child (Night, #3)
175
" The smooth, flat rocks were exactly the same, the sea pounded down on them in the same way, and also the landscape under the water, with its small valleys and bays and steep chasms and slopes, strewn with starfish and sea urchins, crabs and fish, was the same. You could still buy Slazenger tennis rackets, Tretorn balls, and Rossignol skis, Tyrolia bindings and Koflach boots. The houses where we lived were still standing, all of them. The sole difference, which is the difference between a child’s reality and an adult’s, was that they were no longer laden with meaning. A pair of Le Coq soccer boots was just a pair of soccer boots. If I felt anything when I held a pair in my hands now it was only a hangover from my childhood, nothing else, nothing in itself. The same with the sea, the same with the rocks, the same with the taste of salt that could fill your summer days to saturation, now it was just salt, end of story. The world was the same, yet it wasn’t, for its meaning had been displaced, and was still being displaced, approaching closer and closer to meaninglessness. "
― Karl Ove Knausgård