Home > Topic > overhearing
1 " I don’t like seeing you hit.”“Well, to be quite honest, I don’t like being hit unless it’s by you.” As soon as it was out of my mouth, I realized what I had said. “That sounded all sorts of wrong.”“Insanely so, actually.”“To be clear,” I said to any overhearing ears, “I hit him back--”“Hard.”“It’s a very give-and-take, non-abuse type hitting situation…”The sides of Liam’s mouth folded up like an accordion. “You should probably stop now.”“I’m trying. My mouth keeps moving of its own accord. "
― Tammy Blackwell , Fate Succumbs (Timber Wolves Trilogy, #3)
2 " With the passing of time, she would slowly tire of this exercise. She would find it increasingly exhausting to conjure up, to dust off, to resuscitate once again what was long dead. There would come a day, in fact, years later, when [she] would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by [his] name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion--like the phantom pain of an amputee. "
― Khaled Hosseini , A Thousand Splendid Suns
3 " Only two weeks since he had left, and it was already happening. Time, blunting the edges of those sharp memories. Laila bore down mentally. What had he said? It seemed vital, suddenly, that she know.Laila closed her eyes. Concentrated.With the passing of time, she would slowly tire of this exercise. She would find it increasingly exhausting to conjure up, to dust off, to resuscitate once again what was long dead. There would come a day, in fact, years later, when Laila would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by Tariq's name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion—like the phantom pain of an amputee.Except every once in a long while, when Laila was a grown woman, ironing a shirt or pushing her children on a swing set, something trivial, maybe the warmth of a carpet beneath her feet on a hot day or the curve of a stranger's forehead, would set off a memory of that afternoon together. And it would come rushing back. The spontaneity of it. Their astonishing imprudence...It would flood her, steal her breath.But then it would pass. The moment would pass. Leave her feeling deflated, feeling noting but a vague restlessness. "
4 " We have probably all seen teachers who would pick a student up by the scruff of the neck for saying ‘Shit,’ but who would walk by without a word when overhearing that same student taunting a classmate, calling him a ‘fag.’ It is often easier not to intervene — even when there is a clear-cut victim. It’s out in the hall. It isn’t our business. It isn’t our problem.But our inactions, like our actions, define who we are and what are true values are. "
― Richard H. Eyster
5 " I don’t remember having one conversation with my dad in the three days I was home, but looking back at my journal, I see I wrote about him. I scrawled about how I heard him telling my mom that I needed to go back. I was unhappy; he thought the hiking was better for me.I wonder why he told these things to my mother, nothing to me.I wonder if overhearing his approval encouraged me to finally fly back to the trail. Maybe. Maybe my father’s faith in my walk—in me—made me feel strong enough to leave. His actual words, as I wrote them in my notebook, were, “She’s an adult now, she can do what she wants. It doesn’t mean she’s not selfish.” He almost understood. "
― Aspen Matis , Girl in the Woods: A Memoir
6 " Writing a first draft is like groping one's way into a dark room, or overhearing a faint conversation, or telling a joke whose punchline you've forgotten. As someone said, one writes mainly to rewrite, for rewriting and revising are how one's mind comes to inhabit the material fully. "
― Ted Solotaroff
7 " Poetry is often the art of overhearing yourself say things you didn't know you knew. It is a learned skill to force yourself to articulate your life, your present world or your possibilities for the future. "