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" A tin of milk is not the same as a milk tin. You are not always the same as others perceive you. The label of a tin of milk is not all that important as compared to the milk in the tin. So many people label others as if the ‘true milk’ in them is equal to the label. We must not always equate the outward man to the inner man. Guard your milk! The only way people can destroy your milk is their ability to punch a hole in ‘the tin’ and after they have done that, they can have reasons to speak about how ‘expired your milk is’. Dare to preserve your milk, no matter how people label you! Keep doing what you need to do as a living sacrifice to the Sovereign Lord God, and one day, they that label you wrongly shall come to a realization how they have their own labels. Stay focused! Move with the right reasons!Two people were asked to go and pick a tin of milk without first touching it. The first tin was well labeled, but without any liquid in it. The second was without a label, but with milk in it. When the two men got to where the tins were, one was quick to pick the one with the label, leaving the other for his friend. Then they came to him who sent them and he asked them, ‘I asked you to go for a tin of milk, where is it?’ the one who took the tin without the milk was quick to stretch his hand, but their sender said to him, ‘a tin of milk is not just a tin labeled a tin of milk, but a tin with milk’. "
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" An Atheopagan Prayer by Mark Green
Praise to the wide spinning world
Unfolding each of all the destined tales compressed
In the moment of your catastrophic birth
Wide to the fluid expanse, blowing outward
Kindling in stars and galaxies, in bright pools
Of Christmas-colored gas; cohering in marbles hot
And cold, ringed, round, gray and red and gold and dun
And blue
Pure blue, the eye of a child, spinning in a veil of air,
Warm island, home to us, kind beyond measure: the stones
And trees, the round river flowing sky to deepest chasm, salt
And sweet.
Praise to Time, enormous and precious,
And we with so little, seeing our world go as it will
Ruing, cheering, the treasured fading, precious arriving,
Fear and wonder,
Fear and wonder always.
Praise O black expanse of mostly nothing
Though you do not hear, you have no ear nor mind to hear
Praise O inevitable, O mysterious, praise
Praise and thanks be a wave
Expanding from this tiny temporary mouth this tiny dot
Of world a bubble
Going out forever meeting everything as it goes
All the great and infinitesimal
Gracious and terrible
All the works of blessed Being.
May it be so.
May it be so.
May our hearts sing to say it is so. "
― , Godless Paganism: Voices of Non-Theistic Pagans
126
" Education is that process by which thought is opened out of the soul, and, associated with outward . . . things, is reflected back upon itself, and thus made conscious of its reality and shape. It is Self-Realization. As a means, therefore, of educating the soul out of itself, and mirroring forth its ideas, the external world offers the materials. This is the dim glass in which the senses are first called to display the soul, until, aided by the keener state of imagination . . . it separates those outward types of itself from their sensual connection, in its own bright mirror recognizes again itself, as a distinctive object in space and time, but out of it in existence, and painting itself upon these, as emblems of its inner and super-sensual life which no outward thing can fully portray. . . . A language is to be instituted between [the child’s] spirit and the surrounding scene of things in which he dwells. . . . He who is seeking to know himself, should be ever seeking himself in external things, and by so doing will he be best able to find, and explore his inmost light. "
― Amos Bronson Alcott
129
" Sant Mat (the path and teachings as taught and practiced by saints) delineates the path of union of soul with the Divine. The teachings of the saints explain the re-uniting as follows:
The individual soul has descended from the higher worlds [the Realm of the Divine] to this city of illusion, bodily existence. It has descended from the Soundless state to the essence of Sound, from that Sound to Light, and finally from the realm of Light to the realm of Darkness. The qualities (dharmas, natural tendencies) of the sense organs draw us downward and away from our true nature.
The nature of the soul (atman) draws us upwards and inwards and establishes us in our own true nature. Returning to our origins involves turning inward: withdrawal of consciousness from the senses and the sense objects in order to go upward from the darkness to the realms of Light and Sound. [We experience this phenomenon of withdrawal as we pass from waking consciousness to deep sleep.] Another way to express this is to go inward from the external sense organs to the depth of the inner self. (Both of these expressions are the metaphors that signify the same movement). The natural tendencies of the soul (atman) are to move from outward to inward. The current of consciousness which is dispersed in the nine gates of the body and the senses, must be collected at the tenth gate.
The tenth gate is the gathering point of consciousness. Therein lies the path for our return. The tenth gate is also known as the sixth chakra, the third eye, bindu, the center located between the two eyebrows. This is the gateway through which we leave the gates of the sense organs and enter in the divine realms and finally become established in the soul. We travel back from the Realm of Darkness to the Realm of Light, from the Light to the Divine Sound, and from the Realm of Sound to the Soundless State. This is called turning back to the Source.
This is what dharma or religion really intends to teach us. This is the essence of dharma. "
― Swami Sant Sevi Ji Maharaj
132
" Only a man can see in the face of a woman the girl she was. It is a secret which can be revealed only to a particular man, and, then, only at his insistence. But men have no secrets, except from women, and never grow up in the way women do. It is very much harder, and it takes much longer, for a man to grow up, and he could never do it at all without women. This is a mystery which can terrify and immobilize a woman, and it is always the key to her deepest distress. She must watch and guide, but he must lead, and he will always appear to be giving far more of his real attention to his comrades than he is giving to her. But that noisy, outward openness of men with each other enables them to deal with the silence and secrecy of women, that silence and secrecy which contains the truth of a man, and releases it. I suppose that the root of the resentment—a resentment which hides a bottomless terror—has to do with the fact that a woman is tremendously controlled by what the man’s imagination makes of her—literally, hour by hour, day by day; so she becomes a woman. But a man exists in his own imagination, and can never be at the mercy of a woman’s.—Anyway, in this fucked up time and place, the whole thing becomes ridiculous when you realize that women are supposed to be more imaginative than men. This is an idea dreamed up by men, and it proves exactly the contrary. The truth is that dealing with the reality of men leaves a woman very little time, or need, for imagination. And you can get very fucked up, here, once you take seriously the notion that a man who is not afraid to trust his imagination (which is all that men have ever trusted) if effeminate. It says a lot about this country, because, of course, if all you want to do is make money, the very last thing you need is imagination. Or women, for that matter: or men. "
― James Baldwin , If Beale Street Could Talk
134
" A man's women folk, whatever their outward show of respect for his merit and authority, always regard him secretly as an ass, and with something akin to pity. His most gaudy sayings and doings seldom deceive them; they see the actual man within, and know him for a shallow and pathetic fellow. In this fact, perhaps, lies one of the best proofs of feminine intelligence, or, as the common phrase makes it, feminine intuition. The marks of that so-called intuition are simply a sharp and accurate perception of reality, a habitual immunity to emotional enchantment, a relentless capacity for distinguishing clearly between the appearance and the substance. The appearance, in the normal family circle, is a hero, a magnifico, a demigod. The substance is a poor mountebank. "
― H.L. Mencken , A Mencken Chrestomathy
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" My theme is memory, that winged host that soared about me one grey morning of war-time.
These memories, which are my life--for we possess nothing certainly except the past--were always with me. Like the pigeons of St. Mark's, theywere everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder or pecking a broken biscuit from between my lips; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning.
These memories are the memorials and pledges of the vital hours of a lifetime. These hours of afflatus in the human spirit, the springs of art, are, in their mystery, akin to the epochs of history, when a race which for centuries has lived content, unknown, behind its own frontiers, digging, eating, sleeping, begetting, doing what was requisite for survival and nothing else, will, for a generation or two, stupefy the world; commit all manner of crimes, perhaps; follow the wildest chimeras, go down in the end in agony, but leave behind a record of new heights scaled and new rewards won for all mankind; the vision fades, the soul sickens, and the routine of survival starts again.
The human soul enjoys these rare, classic periods, but, apart from them, we are seldom single or unique; we keep company in this world with a hoard of abstractions and reflections and counterfeits of ourselves -- the sensual man, the economic man, the man of reason, the beast, the machine and the sleep-walker, and heaven knows what besides, all in our own image, indistinguishable from ourselves to the outward eye. We get borne along, out of sight in the press, unresisting, till we get the chance to drop behind unnoticed, or to dodge down a side street, pause, breathe freely and take our bearings, or to push ahead, out-distance our shadows, lead them a dance, so that when at length they catch up with us, they look at one another askance, knowing we have a secret we shall never share. "
― Evelyn Waugh , Brideshead Revisited
