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1 " A picture held us captive. And we could not get outside it, for it lay in our language and language seemed to repeat it to us inexorably. "
― Ludwig Wittgenstein , Philosophical Investigations
2 " The command of our language is crucial to focusing our thoughts and communicating them with precision to others. "
― Felix Alba-Juez , Galloping with Light - Einstein, Relativity, and Folklore
3 " Truth for anyone is a very complex thing. For a writer, what you leave out says as much as those things you include. What lies beyond the margin of the text? The photographer frames the shot; writers frame their world. Mrs Winterson objected to what I had put in, but it seemed to me that what I had left out was the story’s silent twin. There are so many things that we can’t say, because they are too painful. We hope that the things we can say will soothe the rest, or appease it in some way. Stories are compensatory. The world is unfair, unjust, unknowable, out of control. When we tell a story we exercise control, but in such a way as to leave a gap, an opening. It is a version, but never the final one. And perhaps we hope that the silences will be heard by someone else, and the story can continue, can be retold. When we write we offer the silence as much as the story. Words are the part of silence that can be spoken. Mrs Winterson would have preferred it if I had been silent.Do you remember the story of Philomel who is raped and then has her tongue ripped out by the rapist so that she can never tell? I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words. I needed words because unhappy families are conspiracies of silence. The one who breaks the silence is never forgiven. He or she has to learn to forgive him or herself. "
― Jeanette Winterson , Why Be Happy When You Could Be Normal?
4 " I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words. "
5 " We should resume our language to science and leave the rest to silence "
6 " -I'm your girlfriend?- " No." Alexei shakes his head, then pulls me to him again, holds me closer. " There's not a word in either of our language for what you are to me" . "
7 " As he once wrote of Kipling, his own enduring influence can be measured by a number of terms and phrases—doublethink, thought police, 'Some animals are more equal than others'—that he embedded in our language and in our minds. In Orwell's own mind there was an inextricable connection between language and truth, a conviction that by using plain and unambiguous words one could forbid oneself the comfort of certain falsehoods and delusions. Every time you hear a piece of psychobabble or propaganda—'people's princess,' say, or 'collateral damage,' or 'peace initiative'—it is good to have a well-thumbed collection of his essays nearby. His main enemy in discourse was euphemism, just as his main enemy in practice was the abuse of power, and (more important) the slavish willingness of people to submit to it. "
― Christopher Hitchens
8 " Re-vision--the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction--is for women more than a chapter in cultural history: it is an act of survival. Until we can understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity: it is part of our refusal of the self-destructiveness of male-dominated society. A radical critique of literature, feminist in its impulse, would take the work first of all as a clue to how we live, how we have been living, how we have been led to imagine ourselves, how our language has trapped as well as liberated us, how the very act of naming has been till now a male prerogative, and how we can begin to see and name--and therefore live--afresh. A change in the concept of sexual identity is essential if we are not going to see the old political order reassert itself in every new revolution. We need to know the writing of the past, and know it differently than we have ever known it; not to pass on a tradition but to break its hold over us. "
― Adrienne Rich , On Lies, Secrets, and Silence: Selected Prose, 1966-1978
9 " Beneath the uniformity that unites us in communication there is a chaotic personal diversity of connections, and, for each of us, the connections continue to evolve. No two of us learn our language alike, nor, in a sense, does any finish learning it while he lives. "
― Willard Van Orman Quine
10 " We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse; we carry a museum inside our heads, each day we commemorate people of whom we have never heard. More than that, we speak volumes – our language is the language of everything we have read. Shakespeare and the Authorised Version surface in supermarkets, on buses, chatter on radio and television. I find this miraculous. I never cease to wonder at it. That words are more durable than anything, that they blow with the wind, hibernate and reawaken, shelter parasitic on the most unlikely hosts, survive and survive and survive. "
11 " The concept of country, homeland, dwelling place becomes simplified as " the environment" -- that is, what surrounds us, we have already made a profound division between it an ourselves. We have given up the understanding -- dropped it out of our language and so out of our thought -- that we and our country create one another, depend on one another, are literally part of one another; that our land passes in and out of our bodies just as our bodies pass in and out of our land; that as we and our land are part of one another, so all who are living as neighbors here, human and plant and animal, are part of one another, and so cannot possibly flourish alone; that, therefore, our culture must be our response to our place, our culture and our place are images of each other and inseparable from each other, and so neither can be better than they other. "
12 " There is nothing but quotations left for us. Our language is a system of quotations. "
― Jorge Luis Borges , The Book of Sand and Shakespeare's Memory
13 " The arts vividly illustrate the fact that neither words in their literal form nor numbers exhaust what we can know. The limits of our language do not define the limits of our cognition. "
― Rachelle Doorley , Tinkerlab: A Hands-On Guide for Little Inventors
14 " No two of us learn our language alike, nor, in a sense, does any finish learning it while he lives. "
15 " We commonly speak as though a single 'thing' could 'have' some characteristic. A stone, we say, is 'hard,' 'small,' 'heavy,' 'yellow,' 'dense,' etc. That is how our language is made: 'The stone is hard.' And so on. And that way of talking is good enough for the marketplace: 'That is a new brand.' 'The potatoes are rotten.' 'The container is damaged.' ... And so on. But this way of talking is not good enough in science or epistemology. To think straight, it is advisable to expect all qualities and attributes, adjectives, and so on to refer to at least -two- sets of interactions in time. ...Language continually asserts by the syntax of subject and predicate that 'things' somehow 'have' qualities and attributes. A more precise way of talking would insist that the 'things' are produced, are seen as separate from other 'things,' and are made 'real' by their internal relations and by their behaviour in relationship with other things and with the speaker. It is necessary to be quite clear about the universal truth that whatever 'things' may be in their pleromatic and thingish world, they can only enter the world of communication and meaning by their names, their qualities and their attributes (i.e., by reports of their internal and external relations and interactions). "
― Gregory Bateson , Mind and Nature
16 " Mind in language are inseparable. If we violate our language we violate ourselves. "
― William Zinsser
17 " Although profanity is part of our language that we speak everyday, it can simultaneity be used as a weapon to demoralize other people if it is offensive within its meaning. "
18 " The laws of nature cannot be randomly reshuffled at the cusps [of an oscillating universe]. If the universe has already gone through many oscillations, many possible laws of gravity would have been so weak that, for any given initial expansion, the universe would not have held together. Once the universe stumbles upon such a gravitational law, it flies apart and has no further opportunity to experience another oscillation and another cusp and another set of laws of nature. Thus we can deduce from the fact that the universe exists either a finite age, or a severe restriction on the kinds of laws of nature permitted in each oscillation. If the laws of physics are not randomly reshuffled at the cusps, there must be a regularity, a set of rules, that determines which laws are permissible and which are not. Such a set of rules would comprise a new physics standing over the existing physics. Our language is impoverished; there seems to be no suitable name for such a new physics. Both 'paraphysics' and 'metaphysics' have been preempted by other rather different and, quite possibly, wholly irrelevant activities. Perhaps 'transphysics' would do. "
― Carl Sagan , Cosmos
19 " This little book has been written in the hope that it may appeal to several classes of readers.Not infrequently I have been asked by friends of different callings in life to recommend them some book on mimicry which shall be reasonably short, well illustrated without being very costly, and not too hard to understand. I have always been obliged to tell them that I know of nothing in our language answering to this description, and it is largely as an attempt to remedy this deficiency that the present little volume has been written. "
― , Mimicry in Butterflies
20 " The great error consists in supposing that poetry is an unnatural form of language. We should all like to speak poetry at the moment when we truly live, and if we do not speak it, it is because we have an impediment in our speech. It is not song that is the narrow or artificial thing, it is conversation that is a broken and stammering attempt at song. When we see men in a spiritual extravaganza, like Cyrano de Bergerac, speaking in rhyme, it is not our language disguised or distorted, but our language rounded and made whole. "
― G.K. Chesterton , Five Types