1
" In all my wanderings through this world of care,
In all my griefs -- and God has given my share --
I still had hopes, my latest hours to crown,
Amidst these humble bowers to lay me down;
To husband out life's taper at the close,
And keep the flame from wasting, by repose:
I still had hopes, for pride attends us still,
Amidst the swains to show my book-learn'd skill,
Around my fire an evening group to draw,
And tell of all I felt, and all I saw;
And, as a hare, whom hounds and horns pursue,
Pants to the place from whence at first she flew,
I still had hopes, my long vexations past,
Here to return -- and die at home at last. "
― Oliver Goldsmith
3
" I Am VerticalBut I would rather be horizontal.I am not a tree with my root in the soilSucking up minerals and motherly loveSo that each March I may gleam into leaf,Nor am I the beauty of a garden bedAttracting my share of Ahs and spectacularly painted,Unknowing I must soon unpetal.Compared with me, a tree is immortalAnd a flower-head not tall, but more startling,And I want the one's longevity and the other's daring.Tonight, in the infinitesimal light of the stars,The trees and flowers have been strewing their cool odors.I walk among them, but none of them are noticing.Sometimes I think that when I am sleepingI must most perfectly resemble them--Thoughts gone dim.It is more natural to me, lying down.Then the sky and I are in open conversation,And I shall be useful when I lie down finally:The the trees may touch me for once, and the flowers have time for me." I Am Vertical" , 28 March 1961 "
6
" I have a hunch the world is darker than I could ever imagine and there is less reason for hope than I am able to see. It makes me grateful there is only so much I can see, and I am left mostly with questions. Grateful, also, that hope is not a reasonable thing. Though I have seen my share of darkness, I am spared perceiving much of it. And here is why I hope beyond a reasonable doubt: I think that as the darkness grows, it makes the dim lights that are left seem brighter. And the darker it gets, the brighter the light appears, until it is so luminous, eventually, even falling shadows are filled with it. "
― Brian K. Friesen , At the Waterline
10
" If you could do it, I suppose, it would be a good idea to live your life in a straight line - starting, say, in the Dark Wood of Error, and proceeding by logical steps through Hell and Purgatory and into Heaven. Or you could take the King's Highway past the appropriately named dangers, toils, and snares, and finally cross the River of Death and enter the Celestial City. But that is not the way I have done it, so far. I am a pilgrim, but my pilgrimage has been wandering and unmarked. Often what has looked like a straight line to me has been a circling or a doubling back. I have been in the Dark Wood of Error any number of times. I have known something of Hell, Purgatory, and Heaven, but not always in that order. The names of many snares and dangers have been made known to me, but I have seen them only in looking back. Often I have not known where I was going until I was already there. I have had my share of desires and goals, but my life has come to me or I have gone to it mainly by way of mistakes and surprises. Often I have received better than I deserved. Often my fairest hopes have rested on bad mistakes. I am an ignorant pilgrim, crossing a dark valley. And yet for a long time, looking back, I have been unable to shake off the feeling that I have been led - make of that what you will. "
― Wendell Berry , Jayber Crow
13
" But, it didn’t matter that my mother suspected and knew that I was a writer. It was expected of me to take care of my share of the responsibility of making our way in the world as a family. In those days, also, it was unheard of, by us certainly, that to get any help, even from members of our own family, let alone from the government, which would have been disgraceful. Thank God that that kind of folly in thinking is obsolete. There is a temptation to feel, ‘Well, we all made it; why can’t these other poor people make it?’ And, of course, nothing is more than stupid than that attitude. I must confess that I find that attitude among many countrymen of my own who do find themselves taking undue pride in their own sense of ability — of being equal to any situation, and of seeing it through and improving it, and so on. And then, putting that against other people who don’t have that, and thereby implying that the other people are lazy. Not taking into account the whole different structure and identity and a people who have survived for centuries under very harsh conditions and members of a very great culture, and I am talking about the Indians, to begin with, in the Valley — the San Joaquin Valley, in Fresno, in Tulare, and the mountains, and there are many tribes of them, of different kinds, and I am talking about, also, the Mestizos, the mixtures of Mexican, Spaniards with Indians, making the Mexican. And I am talking about any minority which is considered by anybody as being innately of itself indolent. This kind of narrow thinking is a temptation to all sorts of people, and one has to be sympathetic with the people who are wrong, too, you see. It is not enough just to be sympathetic with the people who are belittled; it is necessary to be sympathetic with the people who belittle them. So, in worrying about the persecuted, one is obliged also to worry about the persecutors. I consider that a basic measure of growth. "
― William Saroyan
16
" Cassie?”It’s Sammy, holding on to Ben, because he’s feeling the Ben thing a little more than he is the Cassie one at the moment. Who’s this guy falling from the ductwork, and what’s he doing with my sister?“This must be Sammy,” Evan says.“This is Sammy,” I say. “Oh! And this is—”“Ben Parish,” Ben says.“Ben Parish?” Evan looks at me. That Ben Parish?“Ben,” I say, my face on fire. I want to laugh and crawl under the counter at the same time. “This is Evan Walker.”“Is he your boyfriend?” Sammy asks.I don’t know what to say. Ben looks totally lost, Evan completely amused, and Sammy just damned curious. It’s my first truly awkward moment in the alien lair, and I’d been through my share of moments.“He’s a friend from high school,” I mutter.And Evan corrects me, since it’s clear I’ve lost my mind. “Actually, Sam, Ben is Cassie’s friend from high school.”“She’s not my friend,” Ben says. “I mean, I guess I kind of remember her…” Then Evan’s words sink in. “How do you know who I am?”“He doesn’t!” I fairly "
17
" I know I have a pretty good sense for music, but she was better than me. I used to think it was such a waste! I thought, ‘If only she had started out with a good teacher and gotten the proper training, she’d be so much further along!’ But I was wrong about that. She was not the kind of child who could stand proper training. There just happen to be people like that. They’re blessed with this marvelous talent, but they can’t make the effort to systematize it. They end up squandering it in little bits and pieces. I’ve seen my share of people like that. At first you think they’re amazing. Like, they can sight-read some terrifically difficult piece and do a damn good job playing it all the way through. You see them do it, and you’re overwhelmed. you think, ‘I could never do that in a million years.’ But that’s as far as they go. They can’t take it any further. And why not? Because they won’t put in the effort. Because they haven’t had the discipline pounded into them. They’ve been spoiled. They have just enough talent so they’ve been able to play things well without any effort and they’ve had people telling them how great they are from the time they’re little, so hard work looks stupid to them. They’ll take some piece another kid has to work on for three weeks and polish it off in half the time, so the teacher figures they’ve put enough into it and lets them go to the next thing. And they do that in half the time and go on to the next piece. They never find out what it means to be hammered by the teacher; they lose out on a certain element required or character building. It’s a tragedy. "
― Haruki Murakami , Norwegian Wood