26
" , And you, ye stars,Who slowly begin to marshal,As of old, the fields of heaven,Your distant, melancholy lines!Have you, too, survived yourselves?Are you, too, what I fear to become?You, too, once lived;You, too, moved joyfullyAmong august companions,In an older world, peopled by Gods,In a mightier order,The radiant, rejoicing, intelligent Sons of Heaven.But now, ye kindleYour lonely, cold-shining lights,Unwilling lingerersIn the heavenly wilderness,For a younger, ignoble world;And renew, by necessity,Night after night your courses,In echoing, unneared silence,Above a race you know not—Uncaring and undelighted,Without friend and without home;Weary like us, though notWeary with our weariness. "
27
" And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and bitter thoughts, and the world has seemed so hard and wrong to us. Then night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained face upto hers, and smiles, and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and borne on her dark wings, we pass for a moment into a mightier presence than her own, and in the wondrous light of that great presence, all human life's like a book before us, and we know that Pain and Sorrow are but the angels of God. "
― Jerome K. Jerome
28
" Many moral advances have taken the form of a shift in sensibilities that made an action seem more ridiculous than sinful, such as dueling, bullfighting, and jingoistic war. And many effective social critics, such as Swift, Johnson, Voltaire, Twain, Oscar Wilde, Bertrand Russell, Tom Lehrer, and George Carlin have been smart-ass comedians rather than thundering prophets. What in our psychology allows the joke to be mightier than the sword?Humor works by confronting an audience with an incongruity, which may be resolved by switching to another frame of reference. And in that alternative frame of reference, the butt of the joke occupies a lowly or undignified status. ...Humor with a political or moral agenda can stealthily challenge a relational model that is second nature to an audience by forcing them to see that it leads to consequences that the rest of their minds recognize as absur "
34
" Nothing is mightier than our why, nothing stands above it, because in the end there is a why to which no answer is possible. In fact, from why to why, from one step to the next, you get to the end of things. And it is only by travelling from one why to the next, as far as the why that is unanswerable, that man attains the level of the creative principle, facing the infinite, equal to the infinite maybe. So long as he can answer the why he gets lost, he loses his way among things. 'Why this?' I answer, 'because that," and from one explanation to the next I reach the point where no explanation is satisfying, from one explanation to the next I reach zero, the absolute, where truth and falsehood are equivalent, become equal to one another, are identified with one another, cancel each other out in face of the absolute nothing. And so we can understand how all action, all choice, all history is justified, at the end of time, by a final cancelling-out. The why goes beyond everything. Nothing goes beyond the why, not even the nothing, because the nothing is not the explanation; when silence confronts us, the question to which there is no answer rings out in the silence. That ultimate why, that great why is like a light that blots out everything, but a blinding light; nothing more can be made out, there is nothing more to make out. "