Home > Topic > mating

mating  QUOTES

3 " All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach.

Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”

“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”

Another silence. Then, “Why are you facing downward?”

“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?”

His face was blank. “Has no one ever told you?”

“No, but I’ve read about it.”

Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”

“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-”

She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.

Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.

“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me?

Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.”

“You are!”

“No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .”

“Well, it may be humorous to you, but it’s a very serious matter to the squirrels. "

Lisa Kleypas , Love in the Afternoon (The Hathaways, #5)

4 " Once she called to invite me to a concert of Liszt piano concertos. The soloist was a famous South American pianist. I cleared my schedule and went with her to the concert hall at Ueno Park. The performance was brilliant. The soloist's technique was outstanding, the music both delicate and deep, and the pianist's heated emotions were there for all to feel. Still, even with my eyes closed, the music didn't sweep me away. A thin curtain stood between myself and pianist, and no matter how much I might try, I couldn't get to the other side. When I told Shimamoto this after the concert, she agreed." But what was wrong with the performance?" she asked. " I thought it was wonderful." " Don't you remember?" I said. " The record we used to listen to, at the end of the second movement there was this tiny scratch you could hear. Putchi! Putchi! Somehow, without that scratch, I can't get into the music!" Shimamoto laughed. " I wouldn't exactly call that art appreciation." " This has nothing to do with art. Let a bald vulture eat that up, for all I care. I don't care what anybody says; I like that scratch!" " Maybe you're right," she admitted. " But what's this about a bald vulture? Regular vultures I know about--they eat corpses. But bald vultures?" In the train on the way home, I explained the difference in great detail.The difference in where they are born, their call, their mating periods. " The bald vulture lives by devouring art. The regular vulture lives by devouring the corpses of unknown people. They're completely different." " You're a strange one!" She laughed. And there in the train seat, ever so slightly, she moved her shoulder to touch mine. The one and only time in the past two months our bodies touched. "