1
" A procession of the damned: By the damned I mean the excluded. We shall have a procession of data that science has excluded. Battalions of the accursed, captained by pallid data that I have exhumed will march. You'll read them, or they'll march. Some of them livid and some of them fiery and some of them rotten. Some of them are corpses, skeletons, mummies, twitching, tottering, animated by companions that have been damned alive. There are giants that will walk by, though sound asleep. There are things that are theorems and things that are rags. They'll go by, like you could, arm-in-arm with the spirit of anarchy. Here and there will foot little harlots. Many are clowns, but many are of the highest respectability. Some are assassins. There are pale stenches and gaunt superstitions and mere shadows and lively malices, whims and amiabilities, the naive and the pedantic and the bizarre and the grotesque and the sincere and the insincere, the profound, and the puerile. A stab and a laugh and the patiently folded hands of hopeless propriety. The ultra-respectable! But the condemned, anyway. "
― Charles Fort , The Book of the Damned
2
" To write the poem of the human conscience, were it only of a single man, were it only of the most infamous of men, would be to swallow up all epics in a superior and final epic. The conscience is the chaos of chimeras, of lusts and of temptations, the furnace of dreams, the cave of the ideas which are our shame; it is the pandemonium of sophisms, the battlefield of the passions. At certain hours, penetrate within the livid face of a human being who reflects, and look at what lies behind; look into that soul, look into that obscurity. There, beneath the external silence, there are combats of giants as in Homer, mêlées of dragons and hydras, and clouds of phantoms as in Milton, ghostly labyrinths as in Dante. What a gloom enwraps that infinite which each man bears within himself, and by which he measures in despair the desires of his will, and the actions of his life! "
― Victor Hugo , Les Misérables
7
" The lamb, having survived the storm unharmed and no longer afraid, came up to Jesus and put its mouth to his lips, there was no sniffing, one touch was all that was needed. Jesus opened his eyes, saw the lamb, then the livid sky like a black hand blocking whatever light remained. The olive tree still burned. His bones ached when he tried to move, but at least he was in one piece, if that can be said of a body so fragile that it takes only a clap of thunder to knock it to the ground. He sat up with some effort and reassured himself, more by touch than by sight, that he was neither burned nor paralyzed, none of his bones were broken, and apart from a loud buzzing in his head as insistent as the drone of a trumpet, he was all right. He drew the lamb to him and said, Don’t be afraid, He only wanted to show you that you would have been dead by now if that was His will, and to show me that it was not I who saved your life but He. One last rumble of thunder slowly tore the air like a sigh, while below, the white patch of the flock seemed a beckoning oasis.
Struggling to overcome his weakness, Jesus descended the slope. The lamb, kept on its cord simply as a precaution, trotted at his side like a little dog. "
― José Saramago , The Gospel According to Jesus Christ
8
" But first, on earth as vampire sent,
Thy corse shall from its tomb be rent,
Then ghastly haunt thy native place,
And suck the blood of all thy race.
There from thy daughter, sister, wife,
At midnight drain the stream of life,
Yet loathe the banquet which perforce
Must feed thy livid living corse.
Thy victims ere they yet expire
Shall know the demon for their sire,
As cursing thee, thou cursing them,
Thy flowers are withered on the stem. "
― Lord Byron
10
" Against a set of desolate scenery, amid spectral crags and livid mountains of ash, beneath the funereal daylight of slopes illuminated in blue, she personified the spirit of the witches' sabbat. Morbid and voluptuous, sometimes with extenuated grace and infinite lassitude, she seemed to carry the burden of a criminal beauty, a beauty charged with all the sins cf the multitude. She fell again and again upon her pliant legs, and as she outlined the symbolic gestures of her two beautiful dead arms she seemed to be towing them behind her. Then, the vertigo of the abyss took hold of her again, and like one possessed she stood on point, holding herself fully erect from top to toe, like a spike of flesh and shadows. Her arms, weighed down just a few moments earlier, became menacing, demoniac, and audacious. Twisting like a screw, she whirled around, like a winnowing-machine - no, like a great lily stirred by a storm-wind. Clownish and macabre, a nacreous gleam showed between her lips... oh, that cruel and sardonic smile, and the two deep pools of her terrible eyes!
Ize Kranile! "
― Jean Lorrain , Monsieur De Phocas
14
" It seemed to him he had waited an age for some stir of the great grim hush; the life of the town was itself under a spell--so unnaturally, up and down the whole prospect of known and rather ugly objects, the blankness and the silence lasted. Had they ever, he asked himself, the hard-faced houses, which had begun to look livid in the dim dawn, had they ever spoken so little to any need of his spirit? Great builded voids, great crowded stillnesses put on, often, in the heart of cities, for the small hours, a sort of sinister mask, and it was of this large collective negation that Brydon presently became conscious--all the more that the break of day was, almost incredibly, now at hand, proving to him what night he had made of it. "
― Henry James , The Jolly Corner
