86
" Some energies are not as potent. The only way to develop a potent energy is to spend an existence on the earth. There, one can develop a compassionate nature so that when passing onto other dimensions, one can be of help. When one leaves one’s earth body one will need to fully understand compassion to be helpful, effective. On earth, you are encapsulated in flesh...No soul is forced into an assignment upon the earth. Instead they go to their ‘rightful space’. When you leave the earth you have a lot more power. It won’t be ego-based power. Rather it will be beyond ego, beyond good and evil. In fact, ‘evil’ is just a label as everything is intermixed. The pendulum just appears to swing back and forth.”..." Kuan Yin is showing me a person running with sandbags. She’s telling me that when the person finally lets-go of the sandbags, she or he is faster, stronger. Oh. I get it! That’s what the earth existence is like. In many ways living on earth is an ‘artificial’ burden. Once one is free of one’s body, they are not only lighter but also stronger, more powerful. I’m reminded of a time when I was a child. I felt so limited. I remember thinking, ‘Why can’t I just be wherever I want to be and physically not have to walk or use transportation? Why do I have to physically cross the street?’”-Lena Lees "
87
" If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'.
A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray.
Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present. "
― Alain de Botton , The Art of Travel
89
" If you want peace, stop labeling yourself. We all label ourselves at some point. We tell ourselves these traits that make us stand out. I am a patient person. I am smart. But what happens when we fail at being what we tell ourselves we are? What if I say something really stupid? Am I now a stupid person?These labels only stand to hurt us in the future. They make us doubt ourselves and they separate us from other people. When you label yourself, you, in turn, begin labeling others. Oh, that Jane, she is so rude. And now, as you have defined her in your mind, she is rude. Regardless of 'Jane's' future actions, she is rude.Labels set parameters on the world. They limit it when the world should be impossible to define and ever-changing.So, pause before you label. "
91
" Why do I take a blade and slash my arms? Why do I drink myself into a stupor? Why do I swallow bottles of pills and end up in A&E having my stomach pumped? Am I seeking attention? Showing off? The pain of the cuts releases the mental pain of the memories, but the pain of healing lasts weeks. After every self-harming or overdosing incident I run the risk of being sectioned and returned to a psychiatric institution, a harrowing prospect I would not recommend to anyone.
So, why do I do it? I don't. If I had power over the alters, I'd stop them. I don't have that power. When they are out, they're out. I experience blank spells and lose time, consciousness, dignity. If I, Alice Jamieson, wanted attention, I would have completed my PhD and started to climb the academic career ladder. Flaunting the label 'doctor' is more attention-grabbing that lying drained of hope in hospital with steri-strips up your arms and the vile taste of liquid charcoal absorbing the chemicals in your stomach.
In most things we do, we anticipate some reward or payment. We study for status and to get better jobs; we work for money; our children are little mirrors of our social standing; the charity donation and trip to Oxfam make us feel good. Every kindness carries the potential gift of a responding kindness: you reap what you sow. There is no advantage in my harming myself; no reason for me to invent delusional memories of incest and ritual abuse. There is nothing to be gained in an A&E department. "
― , Today I'm Alice: Nine Personalities, One Tortured Mind
96
" There are several important remarks which can be made about this 'absolute emptiness' and 'absolute nothingness'. First of all, we now know, theoretically and empirically, that such a thing does not exist. There may be more or less of something, but never an unlimited 'perfect vacuum'. In the second place, our nervous make-up, being in accord with experience, is such that 'absolute emptiness' requires 'outside walls'. The question at once arises, is the world 'finite' or 'infinite'? If we say 'finite', it has to have outside walls, and then the question arises: What is 'behind the walls'? If we say it is 'infinite', the problem of the psychological 'walls' is not eliminated. and we still have the semantic need for walls, and then ask what is beyond the walls. So we see the such a world suspended in some sort of an 'absolute void' represents a nature against human nature, and so we had to invent something supernatural to account for such assumed nature against human nature. In the third place, and this remark is the most fundamental of all, because a symbol must stand for something to be a symbol at all, 'absolute nothingness' cannot be objective and cannot be symbolized at all. This ends the argument, as all we may say about it is neither true nor false, but non-sense. We can make noises, but say nothing about the external world. It is easy to see that 'absolute nothingness' is a label for a semantic disturbance, for verbal objectification, for a pathological state inside our skin, for a fancy, but not a symbol, for a something which has objective existence outside our skin. "
― Alfred Korzybski , Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics
100
" There is a philosophy by which many people live their lives, and it is this: life is a shit sandwich, but the more bread you've got, the less shit you have to eat.
These people are often selfish brats as kids, and they don't get better with age: think of the shifty-eyed smarmy asshole from the sixth form who grow up to be a merchant banker, or an estate agent, or one of the Conservative Party funny-handshake mine's a Rolex brigade.
(This isn't to say that all estate agents, or merchant bankers, or conservatives are selfish, but that these are ways of life that provide opportunities of a certain disposition to enrich themselves at the expense of others. Bear with me.)
There is another philosophy by which people live their lives, and it goes thus: You will do as I say or I will hurt you.
. . . Let me draw you a Venn diagram with two circles on it, denoting sets of individuals. They overlap: the greedy ones and the authoritarian ones. Let's shade in the intersecting area in a different color and label it: dangerous. Greed isn't automatically dangerous on its won, and petty authoritarians aren't usually dangerous outside their immediate vicinity -- but when you combine the two, you get gangsters and dictators and hate-spewing preachers. "
― Charles Stross , The Fuller Memorandum (Laundry Files #3)
