21
" The modern mind is forced towards the future by a certain sense of fatigue, not unmixed with terror, with which it regards the past. It is propelled towards the coming time; it is, in the exact words of the popular phrase, knocked into the middle of next week. And the goad which drives it on thus eagerly is not an affectation for futurity Futurity does not exist, because it is still future. Rather it is a fear of the past; a fear not merely of the evil in the past, but of the good in the past also. The brain breaks down under the unbearable virtue of mankind. There have been so many flaming faiths that we cannot hold; so many harsh heroisms that we cannot imitate; so many great efforts of monumental building or of military glory which seem to us at once sublime and pathetic. The future is a refuge from the fierce competition of our forefathers. The older generation, not the younger, is knocking at our door. It is agreeable to escape, as Henley said, into the Street of By-and-Bye, where stands the Hostelry of Never. It is pleasant to play with children, especially unborn children. The future is a blank wall on which every man can write his own name as large as he likes; the past I find already covered with illegible scribbles, such as Plato, Isaiah, Shakespeare, Michael Angelo, Napoleon. I can make the future as narrow as myself; the past is obliged to be as broad and turbulent as humanity. And the upshot of this modern attitude is really this: that men invent new ideals because they dare not attempt old ideals. They look forward with enthusiasm, because they are afraid to look back. "
― G.K. Chesterton , What's Wrong with the World
25
" His rapier was at his belt, glittering as he swung. He reached down, ripped the sword clear.
I jumped over a slashing frond of plasm, spun round with the water bottle in my hand. I hurled it across to Lockwood.
George threw his rapier to me.
Watch this now. Sword and bottle, sailing through the air, twin trajectories, arching beautifully through the mass of swirling tendrils towards Lockwood and me. Lockwood held out his hand. I held out mine.
Remember I said there was that moment of sweet precision when we gelled perfectly as a team?
Yeah, well. This wasn't it.
The rapier shot past, missing me by miles. It skidded halfway across the floor. The bottle struck Lockwood plumb in the centre of his forehead, knocking him through the window.
There was a moment's pause.
'Is he dead?' the skulls voice said 'Yay! Oh. No, he's hanging onto the shutters. Shame. Still, this is defiantly the funniest thing I've ever seen. You three really are incompetence on a stick "
― Jonathan Stroud , The Hollow Boy (Lockwood & Co., #3)
26
" There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast." The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways." Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller." I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state." You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove. "
29
" He came back to her lips and tasted them briefly before settling his forehead against hers. “I don’t care what Grayson or his legal document says,” he muttered between catches of wind. “God’s given you to me, and as soon as He allows, I’ll claim you as my own.”He spoke with such confidence that if she allowed herself, she could almost believe him. But with belief came hope, and with hope, the inevitability of pain.The knocking at the door resumed, more urgently this time.Along her throat, splotches of cool marked where he’d sampled her. Milly lamented that it was already warming. In heartbeats, all she would have was memories. And anguish. Could God truly fill the hollow Phillip would leave? Last night, His promise had filled her to the depths of her soul. It was enough. It would have to be.With his eyes locked on hers, Phillip’s hand trailed her cheek and throat. It brushed over her shoulder and down her arm. Then, in one blink, he wiped every emotion from his face, stunning her with the callous glaze of his eyes.He gripped her by the elbow, whisked her through the kitchen, and opened the door to her wretched future. "
31
" In the fall he picked up his phone one afternoon to hear Grandma Lynn.
'Jack,' my grandmother announced, 'I am thinking of coming to stay.'
My father was silent, but the line was riddled with his hesitation.
'I would like to make myself available to you and the children. I've been knocking around in this mausoleum long enough.'
'Lynn, we're just beginning to start over again,' he stammered. Still, he couldn't depend on Nate's mother to watch Buckley forever. Four months after my mother left, her temporary absence was beginning to take on the feel of permanence.
My grandmother insisted. I watched her resist the remaining slug of vodka in her glass. 'I will contain my drinking until'- she thought hard here- 'after five o'clock, and,' she said,' what the hell, I'll stop altogether if you should find it necessary.'
'Do you know what you're saying?'
My grandmother felt a clarity from her phone hand down to her pump-encased feet. 'Yes, I do. I think'
It was only after he got off the phone that he let himself wonder, Where will we PUT her?
It was obvious to everyone.
~pgs 213-214; Grandma Lynn and Jack; "
― Alice Sebold , The Lovely Bones
36
" He took the woman from her bed, pretending not to notice the question posed in his mind: Why do you always experiment on women? He didn't care to admit that the inference had any validity. She just happened to be the first one he's come across, that was all. What about the man in the living room, though? For God's sake! he flared back. I'm not going to rape the woman!
Crossing your fingers, Neville? Knocking on wood?
He ignored that, beginning to suspect his mind of harboring an alien. Once he might have termed it conscience. Now it was only an annoyance. Morality, after all, had fallen with society. He was his own ethic.
Makes a good excuse, doesn't it, Neville? Oh, shut up. "
― Richard Matheson , I Am Legend
