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1 " If You Forget MeI want you to knowone thing.You know how this is:if I lookat the crystal moon, at the red branchof the slow autumn at my window,if I touchnear the firethe impalpable ashor the wrinkled body of the log,everything carries me to you,as if everything that exists,aromas, light, metals,were little boatsthat sailtoward those isles of yours that wait for me.Well, now,if little by little you stop loving meI shall stop loving you little by little.If suddenlyyou forget medo not look for me,for I shall already have forgotten you.If you think it long and mad,the wind of bannersthat passes through my life,and you decideto leave me at the shoreof the heart where I have roots,rememberthat on that day,at that hour,I shall lift my armsand my roots will set offto seek another land.Butif each day,each hour,you feel that you are destined for mewith implacable sweetness,if each day a flowerclimbs up to your lips to seek me,ah my love, ah my own,in me all that fire is repeated,in me nothing is extinguished or forgotten,my love feeds on your love, beloved,and as long as you live it will be in your armswithout leaving mine. "
― Pablo Neruda
2 " I want you to knowone thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine. "
― Pablo Neruda ,
3 " You know how this is:if I lookat the crystal moon, at the red branchof the slow autumn at my window,if I touchnear the firethe impalpable ashor the wrinkled body of the log,everything carries me to you,as if everything that exists,aromas, light, metals,were little boatsthat sailtoward those isles of yours that wait for me. "
― Pablo Neruda , The Captain's Verses
4 " Mineral cactai,quicksilver lizards in the adobe walls,the bird that punctures space,thirst, tedium, clouds of dust, impalpable epiphanies of wind.The pines taught me to talk to myself.In that garden I learnedto send myself off.Later there were no gardens. "
― Octavio Paz , A Draft of Shadows and Other Poems
5 " You cannot impose a culture from the top--it must come from under. It grows out of the soil, out of the people, out of their daily life and work. It is a spontaneous expression of their joy of life, of their joy in work, and if this does not exist, the culture will not exist. Joy is a spiritual quality, an impalpable quality: that too cannot be forced. It must be an inevitable state of mind, born of the elementary processes of life, a by-product of natural human growth. "
― Herbert Read , To Hell With Culture
6 " But, when nothing subsists of an old past, after the death of people, after the destruction of things, alone, frailer but more enduring, more immaterial, more persistent, more faithful, smell and taste still remain for a long time, like souls, remembering, waiting, hoping, on the ruin of all the rest, bearing without giving way, on their almost impalpable droplet, the immense edifice of memory. "
― Marcel Proust , Swann's Way
7 " But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, taste and smell alone, more fragile but more enduring, more unsubstantial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in the tiny and almost impalpable drop of their essence, the vast structure of recollection. "
― M.J. Rose , The Book of Lost Fragrances (Reincarnationist, #4)
8 " Moving on, while he wondered, the dark through which Mr. Lecky's light cut grew more beautiful with scents. Particles of solid matter so minute, gases so subtle, that they filtered through stopping and sealing, hung on the unstirred air. Drawn in with Mr. Lecky's breath came impalpable dews cooked out of disintegrating coal. Distilled, chemically split and reformed, they ended in flawless simulation of the aromas of gums, the scent of woods and the world's flowers. The chemists who made them could do more than that. Loose on the gloom were perfumes of flowers which might possibly have bloomed but never had, and the strong-smelling saps of trees either lost or not yet evolved.Mixed in the mucus of the pituitary membrane, these volatile essences meant more than synthetic chemistry to Mr. Lecky. Their microscopic slime coated the bushed-out ends of the olfactory nerve; their presence was signaled to the anterior of the brain's temporal lobe. At once, thought waited on them, tossing down from the great storehouse of old images, neglected ideas - sandalwood and roses, musk and lavender. Mr. Lecky stood still, wrung by pangs as insistent and unanswerable as hunger. He was prodded by the unrest of things desired, not had; the surfeit of things had, not desired. More than anything he could see, or words, or sounds, these odors made him stupidly aware of the past. Unable to remember it, whence he was, or where he had previously been, all that was sweet, impermanent and gone came back not spoiled by too much truth or exact memory. Volatile as the perfumes, the past stirred him with longing for what was not - the only beloved beauty which you will have to see but which you may not keep.Mr. Lecky's beam of light went through glass top and side of a counter, displayed bottles of colored liquid - straw, amber, topaz - threw shadows behind their diverse shapes. He had no use for perfume. All the distraction, all the sense of loss and implausible sweetness which he felt was in memory of women.Behind the counter, Mr. Lecky, curious, took out bottles, sniffed them, examined their elaborately varied forms - transparent squares, triangles, cones, flattened ovals. Some were opaque, jet or blue, rough with embedded metals in intricate design. This great and needless decoration of the flasks which contained it was one strange way to express the inexpressible. Another way was tried in the names put on the bottles. Here words ran the suggestive or symbolic gamut of idealized passion, or festive night, of desired caresses, or of abstractions of the painful allure yet farther fetched.Not even in the hopeful, miracle-raving fancy of those who used the perfumes could a bottle of liquid have any actual magic. Since the buyers at the counters must be human beings, nine of every ten were beyond this or other help. Women, young, but unlovely and unloved, women, whatever they had been, now at the end of it and ruined by years or thickened to caricature by fat, ought to be the ones called to mind by perfume. But they were not. Mr. Lecky held the bottle in his hand a long while, aware of the tenth woman. "
― James Gould Cozzens
9 " Trippers and askers surround me,People I meet, the effect upon me of my early life or the ward andcity I live in, or the nation,The latest dates, discoveries, inventions, societies, authors oldand new,My dinner, dress, associates, looks, compliments, dues,The real or fancied indifference of some man or woman I love,The sickness of one of my folks or of myself, or ill-doing or lossor lack of money, or depressions or exaltations,Battles, the horrors of fratricidal war, the fever of doubtful news,the fitful events;These come to me days and nights and go from me again,But they are not the Me myself.Apart from the pulling and hauling stands what I am,Stands amused, complacent, compassionating, idle, unitary,Looks down, is erect, or bends an arm on an impalpable certain rest,Looking with side-curved head curious what will come next,Both in and out of the game and watching and wondering at it.Backward I see in my own days where I sweated through fog withlinguists and contenders,I have no mockings or arguments, I witness and wait. "
10 " What matters most:" What he had yearned to embrace was not the flesh but a downy spirit, a spark, the impalpable angel that inhabits the flesh." Wind, Sand and Stars. "
11 " The glove comes off, flops loosely over, and there's suddenly horror beating into his brain, smashing, pounding, battering. He reels a little in his chair, has to hold onto the edge of the table with both hands, at the impact of it.A clawlike thing - two of the finger extremities already bare of flesh as far as the second joint; two more with only shriveled, bloodless, rotting remnants of it adhering, only the thumb intact, and that already unhealthy-looking, flabby. A dead hand - the hand of a skeleton - on a still-living body. A body he was dancing with only a few minutes ago.A rank odor, a smell of decay, of the grave and of the tomb, hovers about the two of them now.A woman points from the next table, screams. She's seen it, too. She hides her face, cowers against her companion's shoulder, shudders. Then he sees it too. His collar's suddenly too tight for him.Others see it, one by one. A wave of impalpable horror spreads centrifugally from that thing lying there in the blazing electric light on O'Shaughnessy's table. The skeleton at the feast! (" Jane Brown's Body" ) "
12 " When nothing else subsists from the past, after the people are dead, after the things are broken and scattered...the smell and taste of things remain poised a long time, like souls...bearing resiliently, on tiny and almost impalpable drops of their essence, the immense edifice of memory "
― Marcel Proust
13 " Solitude is a human presumption. Every quiet step is thunder to beetle life underfoot, a tug of impalpable thread on the web pulling mate to mate and predator to prey, a beginning or an end. "
― Barbara Kingsolver , Prodigal Summer
14 " This island has no secrets, not from me. It loves me, and I love it, and when I paint my face I'm a part of the island. The swarthiness of my face hidden behind the clay and charcoal. I leave behind England, it's not important anymore, our island is all that matters. The rhythm of the hunt, the sun, beats deep in my blood. The littl'uns play, eat, and sleep, there good for nothing and just take up precious space on my island.I couldn't have known a ship would pass at the exact moment my hunters left the fire. We needed the meat. Everything was perfect, the pigs on the mountain, the hunters and our spears, we had to go then. The hunt was perfect, the gouts and gouts of blood, the pigs death screams. But that stupid boat went by, and destroyed my trophy.Then Simon, stupid little Simon, gives the fat belligerent Fatty a piece of meat. He doesn't deserve it, the fat, ass-mar infected, fatty. The know-it-all that says he could do better, he wouldn't he'd do the exact same thing in my shoes. Damn him, damn them all! They should have just taken the meat. Then Ralph stands there and tells me I'm too malevolent. I even apologized. He doesn't deserve to be chief, he's weak. He wouldn't do it, he wouldn't kill. There's power behind the spear, impalpable to people like Ralph. We dominate those pigs. Now that we have found the way to kill the pigs, we don't even need to be rescued. It doesn't matter that there was no fire to signal the ship, because we needed the men for the hunt, and I don't regret it anymore because now we have meat. "
15 " TRIAD supernal, both super-God and super-good, Guardian of the Theosophy of Christian men, direct us aright to the super-unknown and super-brilliant and highest summit of the mystic Oracles, where the simple and absolute a!nd changeless mysteries of theology lie hidden within the super-luminous gloom of the silence, revealing hidden things, which in its deepest darkness shines above the most super-brilliant, and in the altogether impalpable and invisible, fills to overflowing the eyeless minds with glories of surpassing beauty. This then be my prayer; but thou, O dear Timothy, by thy persistent commerce with the mystic visions, leave behind both sensible perceptions and intellectual efforts, and all objects of sense and intelligence, and all things not being and being, and be raised aloft unknowingly to the union, as far' as attainable, with Him Who is above every essence and knowledge. For by the resistless and absolute ecstasy in all purity, from thyself and all, thou wilt be carried on high, to the superessential ray of the Divine darkness, when thou hast cast away all, and become free from all. "
― Pseudo-Dionysius the Areopagite
16 " Music is an art that expresses the inexpressible. It rises far above what words can mean or the intelligence define. Its domain is the imponderable and impalpable land of the unconscious. "