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21 " Thus she returned to the theme of ‘before,’ but in a different way than she had at first. She said that we didn’t know anything, either as children or now, that we were therefore not in a position to understand anything, that everything in the neighborhood, every stone or piece of wood, everything, anything you could name, was already there before us, but we had grown up without realizing it, without ever even thinking about it. Not just us. Her father pretended that there had been nothing before. Her mother did the same, my mother, my father, even Rino… <…> They didn’t know anything, they wouldn’t talk about anything. Not Fascism, not the king. No injustice, no oppression, no exploitation … And they thought that what had happened before was past and, in order to live quietly, they placed a stone on top of it, and so, without knowing it, they continued it, they were immersed in the things of before, and we kept them inside us, too. "
― Elena Ferrante , My Brilliant Friend (The Neapolitan Novels #1)
22 " A child in London asked her father what autumn was, having heard it spoken of these days, and the father in explanation said it was a season, though not a major one. In cities, this father said, you did not feel autumn so much, not as you felt the heat of summer or the bite of winter air, or even the slush of spring. He said that, and then the next day sent for the child and said he had been talking nonsense. 'Autumn is on now,' he said. 'You can see it in the parks,' and he took his child for a nature walk. "
― William Trevor , The Love Department
23 " Betrayal is too kind a word to describe a situation in which a father says he loves his daughter but claims he must teach her about the horrors of the world in order to make her a stronger person; a situation in which he watches or participates in rituals that make her feel like she is going to die. She experiences pain that is so intense that she cannot think; her head spins so fast she can't remember who she is or how she got there.All she knows is pain. All she feels is desperation. She tries to cry out for help, but soon learns that no one will listen. No matter how loud she cries, she can't stop or change what is happening. No matter what she does, the pain will not stop. Her father orders her to be tortured and tells her it is for her own good. He tells her that she needs the discipline, or that she has asked for it by her misbehavior. Betrayal is too simple a word to describe the overwhelming pain, the overwhelming loneliness and isolation this child experiences.As if the abuse during the rituals were not enough, this child experiences similar abuse at home on a daily basis. When she tries to talk about her pain, she is told that she must be crazy. " Nothing bad has happened to you;' her family tells her Each day she begins to feel more and more like she doesn't know what is real. She stops trusting her own feelings because no one else acknowledges them or hears her agony. Soon the pain becomes too great. She learns not to feel at all. This strong, lonely, desperate child learns to give up the senses that make all people feel alive. She begins to feel dead.She wishes she were dead. For her there is no way out. She soon learns there is no hope.As she grows older she gets stronger. She learns to do what she is told with the utmost compliance. She forgets everything she has ever wanted. The pain still lurks, but it's easier to pretend it's not there than to acknowledge the horrors she has buried in the deepest parts of her mind. Her relationships are overwhelmed by the power of her emotions. She reaches out for help, but never seems to find what she is looking for The pain gets worse. The loneliness sets in. When the feelings return, she is overcome with panic, pain, and desperation.She is convinced she is going to die. Yet, when she looks around her she sees nothing that should make her feel so bad. Deep inside she knows something is very, very wrong, but she doesn't remember anything. She thinks, " Maybe I am crazy. "
24 " The marriage ceremony is sexist beyond parody. The bride appears in a fussy white dress that symbolizes her virtue and virginity, and everyone keeps on remarking on how thin and beautiful she looks. Her father walks her down the aisle to ‘give her away’, and she passes, like property, from one man to another. The minister, who is traditionally a man, gives the man permission to kiss the woman, as if that is in the minister’s authority and the woman has none. The man kisses, the woman is kissed. At the reception, only men are given to speak, while the bride remains seated and silent. Henceforth, the woman will adopt the man’s name, as will their eventual offspring. Despite all this, the wedding day is said to belong to the woman. This, would you believe, is ‘her day’. "
― Neel Burton , For Better For Worse: Should I Get Married?
25 " We are not going to decide this with a game of cards," Sebastian grout. " Besides, the decision has been made." " Oh? Tristan arched a brow. " And who is it to be then?" " You. You’re the one who allowed her in here and then let her stay." He’d expected his brother to protest. Instead, he simply gave up curt nod. " Right, then. I’d best go ask for her hand while she still in London. Word is that her father sending her away." He taken but two steps before Sebastian and ground out, " Damn you, Tristan. You know it will be me. "
26 " CLOVER: I take hold of my daughter, knowing her life may be complicated, not seem fair, and often a cruel joke.I can’t protect her from self-doubt and denial, things all of us inevitably face one way or another––but I can make sure she knows her father and I think we’re the luckiest people in the world to have her.And I think that might be enough.In fact, I think that might be everything. "
27 " Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle. "
― Haruki Murakami , South of the Border, West of the Sun
28 " She's thinking that what she's been doing all these years isn't what she wants to do anymore. Sometimes music flows to her and from her, but sometimes it doesn't. Lately that happens more and more, and she can't seem to find what she had and what made her special. But she can't tell her father because he'd be so disappointed in her, so disappointed to find out she's not extraordinary after all. "
― , Tell Me Something True
29 " A memory of her father flitted through her consciousness. The time he played a slow, melodic tune on the saxophone in the misty rain of the yard on a summer’s night, surrounded by the patio’s twinkling lights. She remembered peering out the window and feeling like she was catching a glimpse of another world. One that was timeless and majestic. She touched his saxophone after that as if she were touching the hand of God, wishing to hold onto that feeling forever. "
― Sage Steadman , Ann, Not Annie
30 " Mandy, I hardly think this was appropriate, not after… you know… after the funeral we haven’t had the money for any of your weird little games and I was hoping you’d be more mature now that Jud’s gone,” her father had disappointedly added. “How much’d that cake cost you?”“It’s paid for,” Mandy had argued, but her voice had sounded tiny in the harbour wind. “I used the cash from my summer job at Frenchy’s last year and I… it was my birthday, dad!”“You can’t even be normal about this one thing, can you?” her father had complained.Mandy hadn’t cried, she’d only stared back knowingly, her voice shaky. “…I’m normal. "
31 " Bett didn't have any siblings because she said her father had preserved what was dead for too long to be able to create life. When Bet was younger and had begged for one, her father gave her a marmot he' stuffed for a man from Wyoming." This is your brother Christopher," he'd said, placing the marmot on Bett's pillow one night. " He doesn't talk much, so you'll have to pick up the slack there. "
32 " Once upon a time in the Land of Sad, / a girl went on a journey. / She was not a princess, except to her mother... / Her father had vanished some tipsy moons ago, / kidnapped by the pirate Captain Smirnoff. "
33 " It pleased Aliena that they were all together: she and Jack and their children, and Jack's mother, and Aliena's brother, and Martha. It was quite like an ordinary family, and Aliena could almost forget that her father had died in a dungeon, and she was legally married to Jack's stepbrother, and Ellen was an outlaw, and—She shook her head. It was no use pretending this was a normal family. "
― Ken Follett , The Pillars of the Earth (Kingsbridge, #1)
34 " And one cold Tuesday in December, when Marie-Laure has been blind for over a year, her father walks her up rue Cuvier to the edge of the Jardin des Plantes." Here, ma chérie, is the path we take every morning. Through the cedars up ahead is the Grand Gallery." " I know, Papa." He picks her up and spins her around three times. " Now," he says, " you're going to take us home." Her mouth drops open." I want you to think of the model, Marie." " But I can't possibly!" " I'm one step behind you. I won't let anything happen. You have your cane. You know where you are." " I do not!" " You do." Exasperation. She cannot even say if the gardens are ahead or behind." Calm yourself, Marie. One centimeter at a time." " I'm far, Papa. Six blocks, at least." " Six blocks is exactly right. Use logic. Which way should we go first?" The world pivots and rumbles. Crows shout, brakes hiss, someone to her left bangs something metal with what might be a hammer. She shuffles forward until the tip of her cane floats in space. The edge of a curb? A pond, a staircase, a cliff? She turns ninety degrees. Three steps forward. Now her cane finds the base of a wall. " Papa?" " I'm here." Six paces seven paces eight. A roar of noise - an exterminator just leaving a house, pump bellowing - overtakes them. Twelve paces farther on, the bell tied around the handle of a shop door rings, and two women came out, jostling her as they pass.Marie-Laure drops her cane; she begins to cry. Her father lifts her, holds her to his narrow chest." It's so big," she whispers." You can do this, Marie." She cannot. "
35 " I will not forgive. I will inflict and invite suffering-all our lives. As Bunni grows up she'll hear from her mother that her father is cruel,capricious, tyrannical person. Bunni won't love me. Everyone will take her side, because she is a woman, I won't be able to say a thing, ever. I will have to keep my mouth shut my entire life. I must maintain my wife's honour. And we call women the weaker sex! How deadly is the strength of frailty, and men-if they're gentlemen- how incredibly helpless! "
― Buddhadeva Bose , It Rained All Night
36 " What are you babbling on about, woman?" sighed Chloe. She'd picked this phrase up from her father and imitated his weary tone perfectly. They'd made the mistake of laughing the first time she did it, so she'd kept it up, and said it just often enough, and with perfect timing, so that they couldn't help but keep laughing. "
37 " She had traveled to more cities, had experienced more scenes, than anyone she knew, and still she had come away from it all with only an abysmal sense of dissatisfaction. When would it all begin, the good part of this story she was living? When would she find her destiny, her purpose? When would she have the control her mother wielded, the drive her father possessed? When would she cease living the same wretched days over and over? Why was she still feeling empty and meaningless? Why—after all this time—did her purpose in life still escape her? "
― H.L. Sudler , Summerville
38 " But because divorce was so unheard of in middle-class Indian society, people looked at divorcées with a sort of incredulous shock and wonder, as if they were somehow criminals. They were ostracized from everyday life because of an invisible scarlet D hovering over them. Meanwhile, Second Wave feminism in the United States was changing attitudes about how women were treated in the workplace and in society, and how unmarried women were perceived in particular. Women were challenging age-old notions of their place in the world. Western media was full of unafraid, smart American women who published magazines, were marching in DC, and were generally making a lot of noise. No such phenomenon had reached our Indian shores. I’m sure my mother had read about the ERA movement, Roe v. Wade, and bra burnings. She, too, wanted the freedom to earn a living in a country where she wouldn’t be a pariah because of her marital status. We could have a fighting chance at surviving independently in the United States, versus being dependent on her father or a future husband in India. Conservative as he was, my grandfather K. C. Krishnamurti, or “Tha-Tha,” as I called him in Tamil, had encouraged her to leave my father after he witnessed how she had been treated. He respected women and loved his daughter and it must have broken his heart to see the situation she had married into. He, too, wanted us to have a second chance at happiness. America, devoid of an obvious caste system and outright misogyny, seemed to value hard work and the use of one’s mind; even a woman could succeed there. My grandfather was a closet feminist. "
39 " Even the most egregious captive state, bound and gagged on her damp bunk, felt eerily familiar to her. With nothing to do but lie there and think of things, she reflected that captivity took many different forms. A woman under the domination of her father or husband was as much a prisoner as a hostage on a boat. She had merely traded one form of servitude for another. "
― Susan Wiggs , The Hostage (Great Chicago Fire Trilogy #1)
40 " For her next birthday she'd asked for a telescope. Her mother had been alive then, and had suggested a pony, but her father had laughed and bought her a beautiful telescope, saying: " Of course she should watch the stars! Any girl who cannot identify the constellation of Orion just isn't paying attention!" And when she started asking him complicated questions, he took her along to lectures at the Royal Society, where it turned out that a nine-year-old girl who had blond hair and knew what the precession of the equinoxes was could ask hugely bearded famous scientists anything she liked. Who'd want a pony when you could have the whole universe? "