8
" What happened next? I retain nothing from those terrible minutes except indistinct memories which flash into my mind with sudden brutality, like apparitions, among bursts and scenes and visions that are scarcely imaginable. It is difficult even to even to try to remember moments during which nothing is considered, foreseen, or understood, when there is nothing under a steel helmet but an astonishingly empty head and a pair of eyes which translate nothing more than would the eyes of an animal facing mortal danger. There is nothing but the rhythm of explosions, more or less distant, more or less violent, and the cries of madmen, to be classified later, according to the outcome of the battle, as the cries of heroes or of murderers. And there are the cries of the wounded, of the agonizingly dying, shrieking as they stare at a part of their body reduced to pulp, the cries of men touched by the shock of battle before everybody else, who run in any and every direction, howling like banshees. There are the tragic, unbelievable visions, which carry from one moment of nausea to another: guts splattered across the rubble and sprayed from one dying man to another; tightly riveted machines ripped like the belly of a cow which has just been sliced open, flaming and groaning; trees broken into tiny fragments; gaping windows pouring out torrents of billowing dust, dispersing into oblivion all that remains of a comfortable parlor... "
― , The Forgotten Soldier
14
" Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body.But from the very start, there is that small streak of steel within each child. That thing that says " I am," and forms the core of personality.In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And " I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh.The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves.In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until " I am" is set, delicate and detailed as an insect in amber. "
17
" If from immemorable time, the Men had been so little envious, and so very impartial, as to do justice to our talents, by admitting us to our right of sharing with them in public action; they wou'd have been as accustomed to see us filling public offices, as we are to see them disgrace them; (...) A Schurman, with a thesis in her hand, displaying nature in it's most innocent useful lights, wou'd have been as familiar a sight, as a Physician in his chariot (...): And an Amazon, with a helmet on her head, animating her embattled troops, wou'd have been no more a matter of surprize than a milliner behind a counter with a thimble on her finger (...). Not reason then, but error and ignorance cased in custom, makes these superficial creatures think it an unnatural sight. "
― Sophia Fermor , Woman Not Inferior to Man