103
" People debate over whether or not there is a literal Hell, in the literal sense often described as fire and eternal torture, which, to many, seems to be too harsh a punishment. If men really want to fear something, they should be fearing separation from God, the supposedly more comforting alternative to a literal Hell. For separation from the authorship of love, mercy, and goodness is the ultimate torture. If you think a literal Hell sounds too bad, you are very much underestimating the pain of being absolutely, wholly separated from the goodness while exposed to the reality of the holiness of God. "
― Criss Jami , Killosophy
105
" The porn films are not about sex. Sex is airbrushed and digitally washed out of the films. There is no acting because none of the women are permitted to have what amounts to a personality. The one emotion they are allowed to display is an unquenchable desire to satisfy men, especially if that desire involves the women’s physical and emotional degradation. The lightning in the films is harsh and clinical. Pubic hair is shaved off to give the women the look of young girls or rubber dolls. Porn, which advertises itself as sex, is a bizarre, bleached pantomime of sex. The acts onscreen are beyond human endurance. The scenarios are absurd. The manicured and groomed bodies, the huge artificial breasts, the pouting oversized lips, the erections that never go down, and the sculpted bodies are unreal. Makeup and production mask blemishes. There are no beads of sweat, no wrinkle lines, no human imperfections. Sex is reduced to a narrow spectrum of sterilized dimensions. It does not include the dank smell of human bodies, the thump of a pulse, taste, breath—or tenderness. Those in films are puppets, packaged female commodities. They have no honest emotion, are devoid of authentic human beauty, and resemble plastic. Pornography does not promote sex, if one defines sex as a shared act between two partners. It promotes masturbation. It promotes the solitary auto-arousal that precludes intimacy and love. Pornography is about getting yourself off at someone else’s expense. "
― Chris Hedges , Empire of Illusion: The End of Literacy and the Triumph of Spectacle
108
" Now this is a most satisfactory and important thing to think about, for brutality will not,—cannot,—accomplish what a kindly disposition will; and, if folks could only know how quickly a “balky” child will, through loving and cuddling, grow into a charming, happy youth, much childish gloom and sorrow would vanish; for a man or woman who is ugly to a child is too low to rank as highly as a wild animal; for no animal will stand, for an instant, anything approaching an attack, or any form of harm to its young. But what a lot of tots find slaps, yanks and hard words for conditions which do not call for such harsh tactics! No child is naturally ugly or “cranky.” And big, gulping sobs, or sad, unhappy young minds, in a tiny body should not occur in any community of civilization. Adulthood holds many an opportunity for such conditions. Childhood should not. "
― Ernest Vincent Wright , Gadsby
119
" Life, authentic life, is supposed to be all struggle, unflagging action and affirmation, but when I look back I see that the greater part of my energies was always given over to the simple search for shelter, for comfort, for, yes, I admit it, for cosiness. This is a surprising, not to say a shocking, realization. Before, I saw myself as something of a buccaneer, facing all-comers with a cutlass in my teeth, but now I am compelled to acknowledge that this was a delusion. To be concealed, protected, guarded, that is all I have truly wanted, to burrow down into a place of womby warmth and cower there, hidden from the sky’s indifferent gaze and the harsh air’s damagings. That is why the past is just such a retreat for me, I go there eagerly, rubbing my hands and shaking off the cold present and the colder future. And yet, what existence, really, does it have, the past? After all, it is only what the present was, once, the present that is gone, no more than that. And yet. "
― John Banville , The Sea