122
" Popular magazine articles and Oprah-style television shows falsely represent work-life balance as an individual challenge, a lifestyle choice available to all women. The feminism on offer is woefully thin and unpleasurable. On the high end of the income scale, feminism seems to mean working even more than men. The media celebrate women such as Yahoo CEO Marissa Mayer and former secretary of state and presidential candidate Hillary Clinton for her brutal work ethics--magazine articles report, awestruck, they they barely sleep, that their staffs struggle to match their work hours, that they've become the rare female leaders in their spheres by laboring harder than male colleagues. Mayer reported proudly that while at Google, she would sleep under her desk. By this measure, feminism, that Utopian striving for equality that we've carried through centuries of opposition, is boiled down merely to the right to work ourselves to death. If feminism means the right to sleep under my desk, then screw it. And this is a vision that can be palatable, just barely, only at the high end of the economy where work is plausibly couched in self-actualization. . . . If any feminism is going to be worth its name, it will improve the lives of all women instead of setting them in competition with each other or applying only to this or that region or income stratum. Liberal feminism would grant women the right to compete. A radical feminism would grant women a good life in which they have real power. "
126
" That's the myth of it, the required lie that allows us to render our judgments. Parasites, criminals, dope fiends, dope peddlers, whores--when we can ride past them at Fayette and Monroe, car doors locked, our field of vision cautiously restricted to the road ahead, then the long journey into darkness is underway. Pale-skinned hillbillies and hard-faced yos, toothless white trash and gold-front gangsters--when we can glide on and feel only fear, we're well on the way. And if, after a time, we can glimpse the spectacle of the corner and manage nothing beyond loathing and contempt, then we've arrived at last at that naked place where a man finally sees the sense in stretching razor wire and building barracks and directing cattle cars into the compound.
It's a reckoning of another kind, perhaps, and one that becomes a possibility only through the arrogance and certainty that so easily accompanies a well-planned and well-tended life. We know ourselves, we believe in ourselves; from what we value most, we grant ourselves the illusion that it's not chance in circumstance, that opportunity itself isn't the defining issue. We want the high ground; we want our own worth to be acknowledged. Morality, intelligence, values--we want those things measured and counted. We want it to be about Us.
Yes, if we were down there, if we were the damned of the American cities, we would not fail. We would rise above the corner. And when we tell ourselves such things, we unthinkably assume that we would be consigned to places like Fayette Street fully equipped, with all the graces and disciplines, talents and training that we now posses. Our parents would still be our parents, our teachers still our teachers, our broker still our broker. Amid the stench of so much defeat and despair, we would kick fate in the teeth and claim our deserved victory. We would escape to live the life we were supposed to live, the life we are living now. We would be saved, and as it always is in matters of salvation, we know this as a matter of perfect, pristine faith.
Why? The truth is plain:
We were not born to be niggers. "
― David Simon , The Corner: A Year in the Life of an Inner-City Neighborhood
138
" Much, maybe too much, has been written about literature. (I know better than anyone; I’m an expert in the field). Yet the special thing about literature, the major art form of a Western civilization now ending before our very eyes, is not hard to define. Like literature, music can overwhelm you with sudden emotion, can move you to absolute sorrow or ecstasy; like literature, painting has the power to astonish, and to make you see the world through fresh eyes. But only literature can put you in touch with another human spirit, as a whole, with all its weaknesses and grandeurs, it limitations, its pettinesses, its obsessions, its beliefs; with whatever it finds moving, interesting, exciting, or repugnant. Only literature can grant you access to a spirit from beyond the grave–a more direct, more complete, deeper access than you’d have in conversation with a friend. Even in our deepest, most lasting friendships, we never speak so openly as when we face a blank page and address an unknown reader. "
― Michel Houellebecq
