44
" Our historical pastime is the direct satisfaction of inflicting pain. There are lines in Nekrassov describing how a peasant lashes a horse on the eyes, 'on its meek eyes,' everyone must have seen it. It's peculiarly Russian. He describes how a feeble little nag has foundered under too heavy a load and cannot move. The peasant beats it, beats it savagely, beats it at last not knowing what he is doing in the intoxication of cruelty, thrashes it mercilessly over and over again. 'However weak you are, you must pull, if you die for it.' The nag strains, and then he begins lashing the poor defenceless creature on its weeping, on its 'meek eyes.' The frantic beast tugs and draws the load, trembling all over, gasping for breath, moving sideways, with a sort of unnatural spasmodic action- it's awful in Nekrassov. But that only a horse, and God has horses to be beaten. "
― Fyodor Dostoevsky , The Brothers Karamazov
45
" I want you, Elaine. I want your mind, your soul, your body. I want you as my mate. I offer you my soul—right now. Right here. Take it all—take everything I am,” he murmured, his lips grazing the corner of her mouth. “…and I’ll even let you keep your clothes on.”
She looked up at him, gasping at his boldness. In that instance, Ian’s lips slanted across hers in a consuming, mind-numbing, heart-stopping kiss. She moaned against his mouth, drinking in his groan before pulling back, chest heaving. “We’re in church, Ian,” she panted. “God can hear us.”
His lips curled into a small, knowing smile. “I’m counting on that, love. "
― R.W. Patterson
47
" He thought back to everything that happened the night before: the hooded men, the chase, his tired heart and weak legs. The very moment in which Mathias realized it was over, when he'd decided to sacrifice his own life in order to save the young man by his side, the monk had found something fundamental inside himself. Deep in his soul, in that hidden place that can only be discovered when a person finds himself poised on the edge of the abyss, gasping what he thought was his last breath, he'd suddenly seen it. Only then did he realize what he held dearest in his heart. Because the last thing to cross his mind, what he'd thought about the moment he'd spun around, prepared to impale himself on the blade, had been a face. No thoughts of God or faith or any other saint. A face. That's when everything became clear. "
― Riccardo Bruni , The Lion and the Rose
50
" The fish, whose tail was nipped, separated itself from the group and began to appear sickly, most likely from stress, Coal reasoned. He refused to be this fish, or the belly up fish, or the blue fish gasping for air. Rather, he resolved to be the other fish, the one who found purpose and meaning despite the unnatural environment, despite depending upon keepers for survival. "
― Jesikah Sundin , Elements (The Biodome Chronicles #2)
54
" Some of you, we all know, are poor, find it hard to live, are sometimes, as it were, gasping for breath. I have no doubt that some of you who read this book are unable to pay for all the dinners which you have actually eaten, or for the coats and shoes which are fast wearing or are already worn out, and have come to this page to spend borrowed or stolen time, robbing your creditors of an hour. It is very evident what mean and sneaking lives many of you live, for my sight has been whetted by experience; always on the limits, trying to get into business and trying to get out of debt, a very ancient slough, called by the Latins aes alienum, another's brass, for some of their coins were made of brass; still living, and dying, and buried by this other's brass; always promising to pay, promising to pay, tomorrow, and dying today, insolvent; seeking to curry favor, to get custom, by how many modes, only not state-prison offences; lying, flattering, voting, contracting yourselves into a nutshell of civility or dilating into an atmosphere of thin and vaporous generosity, that you may persuade your neighbor to let you make his shoes, or his hat, or his coat, or his carriage, or import his groceries for him; making yourselves sick, that you may lay up something against a sick day, something to be tucked away in an old chest, or in a stocking behind the plastering, or, more safely, in the brick bank; no matter where, no matter how much or how little. "
― Henry David Thoreau , Walden
57
" I wasn’t aware of just how close he’d moved to me until now. So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed.
He brought his face toward mine. “You are to me.”
And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded. The noise, the smoke . . . it was gone. All that mattered was the taste of his mouth, a mix of cloves and mints. There was a fierceness in his kiss, a desperation . . . and I answered, just as hungry for him. I didn’t stop him when he pulled me closer, so that I almost sat on his lap. I’d never been wrapped around someone’s body like that, and I was shocked at how eagerly mine responded. His arm went around my waist, pulling me onto him further, and his other hand slid up the back of my neck, getting entangled in my hair. He took his lips away from my mouth, gently trailing kisses down to my neck. I tipped my head back, gasping when the intensity returned to his mouth. There was an animalistic quality that sent shock waves through the rest of my body. "
― Richelle Mead , The Indigo Spell (Bloodlines, #3)
58
" Of all the deep longings, this ache for missing intimacy, cuts through sharply, like a scream in a silent room, like the last gasping breath under a stifling mask, like the huge lump in the throat that one is unable to swallow. This deep ache to be held, to know touch both the casual and intense variety, to catch an eye in answering laughter, to merge into oneness, to sing through existence in resonance with another, to simply be in deep love in openness. to live and die in intimacy and vulnerability in a loved one's arms. And, you ache alone... "
― Srividya Srinivasan