23
" One time, when I was little more than a baby, I was taken to visit my grandmother, who was living in a cottage on a nearly uninhabited stretch of beach in northern Florida. All I remember of this visit is being picked up from my crib in what seemed the middle of the night and carried from my bedroom and out of doors, where I had my first look at the stars. “It must have been an unusually clear and beautiful night for someone to have said, “Let’s wake the baby and show her the stars.” The night sky, the constant rolling of the breakers against the shore, the stupendous light of the stars, all made an indelible impression on me. I was intuitively aware not only of a beauty I had never seen before but also that the world was far greater than the protected limits of the small child’s world which was all I had known thus far. I had a total, if not very conscious, moment of revelation: I saw creation bursting the bounds of daily restriction, and stretching out from dimension to dimension, beyond any human comprehension. I had been taught to say my prayers at night: Our Father, and a long string of God-blesses, and it was that first showing of the galaxies which gave me an awareness that the God I spoke to at bedtime was extraordinary and not just a bigger and better combination of the grownup powers of my father and mother. This early experience was freeing, rather than daunting, and since it was the first, it has been the foundation for all other such glimpses of glory. (The Irrational Season) "
― Madeleine L'Engle
25
" Consider all the inanimate matter in the universe, all the dumb atoms, all the mindless molecules, all the oblivious dust grains and pebbles and rocks and iceballs and worlds and stars, all the unthinking galaxies and superclusters, wheeling through the oblivious time-haunted megaparsecs of the cosmic supervoid.
In all that immensity, she had somehow contrived to BE a human being, a microscopically tiny, cosmically insignificant bundle of information-processing systems, wired to a mind more structurally complex than the Milky Way itself, maybe even more complex than the rest of the *whole damned universe*! "
― Alastair Reynolds , Blue Remembered Earth (Poseidon's Children, #1)
26
" Evil is not just a theory of paradox, but an actual entity that exists only for itself. From its ether of manifestation that is garlanded in perpetual darkness, it not only influences and seeks the ruination and destruction of everything that resides in our universe, but rushes to embrace its own oblivion as well.To accomplish this, however, it must hide within the shroud of lies and deceit it spins to manipulate the weak-minded as well as those who choose to ally themselves with it for their own personal gain. For evil must rely on the self-serving interests of the arrogant, the lustful, the power-hungry, the hateful, and the greedy to feed and proliferate. This then becomes the condition of evil’s existence: the baneful ideologies of those who wantonly chose to ignore the needs and rights of others, inducing oppression, fear, pain, and even death throughout the cosmos. And by these means, evil seeks to supplant the balance of the universe with its perverse nature. And once all that was good has been extinguished by corruption or annihilation, evil will then turn upon and consume what remains: particularly its immoral servants who have assisted its purpose so well … along with itself. And within that terrible instant of unimaginable exploding quantum fury, it will burn brighter than a trillion galaxies to herald its moment of ultimate triumph. But a moment is all that it shall be. And a micro-second later when the last amber burns and flickers out to the demise of dissolving ash, evil will leave its legacy of a totally devoid universe as its everlasting monument to eternal death. "
30
" The evolutionists, piercing beneath the show of momentary stability, discovered, hidden in rudimentary organs, the discarded rubbish of the past. They detected the reptile under the lifted feathers of the bird, the lost terrestrial limbs dwindling beneath the blubber of the giant cetaceans. They saw life rushing outward from an unknown center, just as today the astronomer senses the galaxies fleeing into the infinity of darkness. As the spinning galactic clouds hurl stars and worlds across the night, so life, equally impelled by the centrifugal powers lurking in the germ cell, scatters the splintered radiance of consciousness and sends it prowling and contending through the thickets of the world. "
― Loren Eiseley , The Star Thrower
31
" Want to know the coolest thing about the coming? Not that the One who played marbles with the stars gave it up to play marbles with marbles. Or that the One who hung the galaxies gave it up to hang doorjambs to the displeasure of a cranky client who wanted everything yesterday but couldn't pay until tomorrow. Not that he, in an instant, went from needing nothing to needing air, food, a tub of hot water and salts for his tired feet, and, more than anything, needing somebody - anybody - who was more concerned about where he would spend eternity rather than where he would spend Friday's paycheck. Or that he resisted the urge to fry the two=bit, self-appointed hall monitors of holiness who dared suggest that he was doing the work of the devil. Not that he kept his cool while the dozen best friends he ever had felt the heat and got out of the kitchen. Or that he gave no command to the angels who begged, " Just give us the nod, Lord. One word and these demons will be deviled eggs." Not that he refused to defend himself when blamed for every sin of every slut and sailor since Adam. Or that he stood silent as a million guilty verdicts echoed in the tribunal of heaven and the giver of light was left in the chill of a sinner's night. Not even that after three days in a dark hole he stepped into the Easter sunrise with a smile and a swagger and a question for lowly Lucifer - " Is that your best punch?" That was cool, incredibly cool. But want to know the coolest thing about the One who gave up the crown of heaven for a crown of thorns? He did it for you. Just for you. "
35
" As is so often the way, what we have suppressed and overlooked issomething startlingly obvious. The difficulty is that it is so obvious andbasic that one can hardly find the words for it. The Germans call it aHintergedanke, an apprehension lying tacitly in the back of our mindswhich we cannot easily admit, even to ourselves. The sensation of " I" asa lonely and isolated center of being is so powerful andcommonsensical, and so fundamental to our modes of speech andthought, to our laws and social institutions, that we cannot experienceselfhood except as something superficial in the scheme of the universe. Iseem to be a brief light that flashes but once in all the aeons of time—arare, complicated, and all-too-delicate organism on the fringe ofbiological evolution, where the wave of life bursts into individual,sparkling, and multicolored drops that gleam for a moment only tovanish forever. Under such conditioning it seems impossible and evenabsurd to realize that myself does not reside in the drop alone, but in thewhole surge of energy which ranges from the galaxies to the nuclearfields in my body. At this level of existence " I" am immeasurably old;my forms are infinite and their comings and goings are simply thepulses or vibrations of a single and eternal flow of energy. "
36
" And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber. "
― James Agee , A Death in the Family
38
" The first stanza of Eyes In Moonlight Drown, a poem from DeadVerse.
With your face framed in a halo of stars,
your hair melts into trailing clouds,
and your eyes in moonlight drown.
A man could lose himself
in those freckled irises,
reflecting the galaxies above;
surely he could fall into their promise
of eternity, of Heaven, of love.
Your lips glisten, part, and beckon,
a smile of warm invitation,
a suggestion of sweet intensity,
a loss of self in addictive agony.
For we translate these aesthetics
into something mystical;
ideas of fantasy, of fiction,
obscuring the clinical truth
of chemical reactions,
electric sparks, responses
as sure as gravity,
measurable yet beyond cold,
above philosophy and below truth. "
― Scott Kaelen , DeadVerse, Poetry Volume One
