44
" Jack coughed slightly and offered his hand. “Hi, uh. I’m Jack.”
Kim took it. “Jack what?”
“Huh?”
“Your last name, silly.”
“Jackson.”
She blinked at him. “Your name is Jack Jackson?”
He blushed. “No, uh, my first name’s Rhett, but I hate it, so…”
He gestured to the chair and she sat. Her dress rode up several inches, exposing pleasing long lines of creamy skin. “Well, Jack, what’s your field of study?”
“Biological Engineering, Genetics, and Microbiology. Post-doc. I’m working on a research project at the institute.”
“Really? Oh, uh, my apple martini’s getting a little low.”
“I’ve got that, one second.” He scurried to the bar and bought her a fresh one. She sipped and managed to make it look not only seductive but graceful as well.
“What do you want to do after you’re done with the project?” Kim continued.
“Depends on what I find.”
She sent him a simmering smile. “What are you looking for?”
Immediately, Jack’s eyes lit up and his posture straightened. “I started the project with the intention of learning how to increase the reproduction of certain endangered species. I had interest in the idea of cloning, but it proved too difficult based on the research I compiled, so I went into animal genetics and cellular biology. It turns out the animals with the best potential to combine genes were reptiles because their ability to lay eggs was a smoother transition into combining the cells to create a new species, or one with a similar ancestry that could hopefully lead to rebuilding extinct animals via surrogate birth or in-vitro fertilization. We’re on the edge of breaking that code, and if we do, it would mean that we could engineer all kinds of life and reverse what damage we’ve done to the planet’s ecosystem.”
Kim stared. “Right. Would you excuse me for a second?”
She wiggled off back to her pack of friends by the bar. Judging by the sniggering and the disgusted glances he was getting, she wasn’t coming back.
Jack sighed and finished off his beer, massaging his forehead. “Yes, brilliant move. You blinded her with science. Genius, Jack.”
He ordered a second one and finished it before he felt smallish hands on his shoulders and a pair of soft lips on his cheek. He turned to find Kamala had returned, her smile unnaturally bright in the black lights glowing over the room. “So…how did it go with Kim?”
He shot her a flat look. “You notice the chair is empty.”
Kamala groaned. “You talked about the research project, didn’t you?”
“No!” She glared at him.
“…maybe…”
“You’re so useless, Jack.” She paused and then tousled his hair a bit. “Cheer up. The night’s still young. I’m not giving up on you.”
He smiled in spite of himself. “Yet.”
Her brown eyes flashed. “Never. "
― Kyoko M. , Of Cinder and Bone
46
" London, December 1915. In the master bedroom (never was the estate agent's epithet more appropriate) of Flat 21, Carlyle Mansions, Cheyne Walk, Chelsea, the distinguished author is dying - slowly, but surely. In Flanders, less than two hundred miles away, other men are dying more quickly, more painfully, more pitifully - young men, mostly, with their lives still before them, blank pages that will never be filled. The author is seventy-two. He has had an interesting and varied life, written many books, travelled widely, enjoyed the arts, moved in society (one winter he dined out 107 times), and owns a charming old house in Rye as well as the lease of this spacious London flat with its fine view of the Thames. He has had deeply rewarding friendships with both men and women. If he has never experienced sexual intercourse, that was by his own choice, unlike the many young men in Flanders who died virgins either for lack of opportunity or because they hoped to marry and were keeping themselves chaste on principle. "
― David Lodge , Author, Author
51
" See now, for a good blade, one that will not betray the man in battle, rods of hard and soft iron must be heated and braided together. Then is the blade folded over and hammered flat again, and maybe yet again, many times for the finest blades... So the hard and soft iron are mingled without blending, before the blade is hammered up to its finished form and tempered, and ground to an edge that shall draw blood from the wind. So comes the pattern, like oil and water that mingle but do not mix. Yet it is the strength of the blade, for without the hard iron the blade would bend in battle, and without the soft iron it would break. "
― Rosemary Sutcliff , The Shining Company
53
" Wars make history seem deceptively simple. They provide clear turning points, easy distinctions.: before and after, winner and loser, right and wrong. True history, the past, is not like that. It isn't flat or linear. It has no outline. It is slippery, like liquid; infinite and unknowable, like space. And it is changeable: just when you think you see a pattern, perspective shifts, an alternate version is proffered, a long-forgotten memory resurfaces. "
― Kate Morton , The House at Riverton
58
" Well, good luck,’ the Vietnam verbal tic...It was as though people couldn’t stop themselves from saying it, even when they actually meant to express the opposite wish, like, ‘Die, motherfucker.’ Usually it was only an uninhabited passage of dead language, sometimes it came out five times in a sentence, like punctuation, often it was spoken flat side up to telegraph the belief that there wasn’t any way out; tough shit, sin loi, smack it, good luck. Sometimes, though, it was said with such feeling and tenderness that it could crack your mask, that much love where there was so much war. Me too, every day, compulsively, good luck: to friends in the press corps going out on operations, to grunts I’d meet at firebases and airstrips, to the wounded, the dead and all the Vietnamese I ever saw getting fucked over by us and each other, less often but most passionately to myself, and though I meant it every time I said it, it was meaningless. It was like telling someone going out in a storm not to get any on him, it was the same as saying, ‘Gee, I hope you don’t get killed or wounded or see anything that drives you insane.’ You could make all the ritual moves, carry your lucky piece, wear your magic jungle hat, kiss your thumb knuckle smooth as stones under running water, the Inscrutable Immutable was still out there, and you kept on or not at its pitiless discretion. All you could say that wasn’t fundamentally lame was something like, ‘He who bites it this day is safe from the next,’ and that was exactly what nobody wanted to hear. "
― Michael Herr , Dispatches
60
" What remains to us here, behind the Yser, is not much more than a strip of land almost impossible to defend; a few rain-soaked trenches around razed villages; roads blown to smithereens, unusable by any vehicle; a creaky old horse cart we haul around ourselves, loaded with crates of damp ammunition that are constantly on the verge of sliding into a canal, forcing us to slog like madmen for every ten yards of progress as we stifle our warning cries; the snarling officers in the larger dug-outs, walled off with boards, where the privates have to bail water every day and brush the perpetual muck off their superiors’ boots; the endless crouching as we walk the trenches, grimy and smelly; our louse-ridden uniforms; our arseholes burning with irritation because we have no clean water for washing them after our regular attacks of diarrhoea; our stomach cramps as we crawl over heavy clods of earth like trolls in some gruesome fairy tale; the evening sun slanting down over the barren expanse; infected fingers torn by barbed wire; the startling memory of another, improbable life, when a thrush bursts into song in a mulberry bush or a spring breeze carries the smell of grassy fields from far behind the front line, and we throw ourselves flat on our bellies again as howitzers open fire out of nowhere, the crusts of bread in our hands falling into the sludge at the boot-mashed bottom of the stinking trench. "
― Stefan Hertmans , War and Turpentine
