paper towels QUOTES

1 " She merely wiped the floor with paper towels and said nothing, brushing her free hand against my shoulder blade—my shoulder blade!—as she carried the soaked paper to the trash can, never holding me fast, refraining not out of lack of humanity but out of fear of being drawn into a request for further tenderness, a request that could only bring her face-to-face with some central revulsion, a revulsion of her husband or herself or both, a revulsion that had come from nowhere, or from her, or perhaps from something I’d done or failed to do, who knew, she didn’t want to know, it was too great a disappointment, far better to get on with the chores, with the baby, with the work, far better to leave me to my own devices, as they say, to leave me to resign myself to certain motifs, to leave me to disappear guiltily into a hole of my own digging. When the time came to stop her from leaving, I did not know what to think or wish for, her husband who was now an abandoner, a hole-dweller, a leaver who had left her to fend for herself, as she said, who’d failed to provide her with the support and intimacy she needed, she complained, who was lacking some fundamental wherewithal, who no longer wanted her, who beneath his scrupulous marital motions was angry, whose sentiments had decayed into a mere sense of responsibility, a husband who, when she shouted, “I don’t need to be provided for! I’m a lawyer! I make two hundred and fifty thousand dollars a year! I need to be loved!” had silently picked up the baby and smelled the baby’s sweet hair, and had taken the baby for a crawl in the hotel corridor, and afterward washed the baby’s filthy hands and soft filthy knees, and thought about what his wife had said, and saw the truth in her words and an opening, and decided to make another attempt at kindness, and at nine o’clock, with the baby finally drowsy in his cot, came with a full heart back to his wife to find her asleep, as usual, and beyond waking.

In short, I fought off the impulse to tell Rachel to go fuck herself. "

― Joseph O'Neill , Netherland

2 " I’m trying to make a profit. I’m using batteries, toilet paper, and paper towels as currency. Each is something that will eventually be in short supply.”
“You’re trying to get all the toilet paper in town?” Astrid shrilled. “Are you kidding?”
“No, Astrid, I’m not kidding,” Albert said. “Look, right now, kids are playing with the stuff. I saw little kids throwing rolls of it around on their lawns like it was a toy. So—”
“So your solution is to try and take it all away from people?”
“You’d rather see it wasted?”
“Yeah, actually,” Astrid huffed. “Rather than you getting it all for yourself. You’re acting like a jerk.”
Albert’s eyes flared. “Look, Astrid, now kids know they can buy their way into the club with it. So they’re not going to waste it anymore.”
“No, they’re going to give it all to you,” she shot back. “And what happens when they need some?”
“Then there will still be some left because I made it valuable.”
“Valuable to you.”
“Valuable to everyone, Astrid.”
“It’s you taking advantage of kids dumb enough not to know any better. Sam, you have to put a stop to this.”
Sam had drifted away from the conversation, his head full of the music. He snapped back. “She’s right, Albert, this isn’t okay. You didn’t get permission—”
“I didn’t think I needed permission to give kids what they want. I mean, I’m not threatening anyone, saying, ‘Give me your toilet paper, give me your batteries.’ I’m just playing some music and saying, ‘If you want to come in and dance, then it’ll cost you.’”
“Dude, I respect you being ambitious and all,” Sam said. “But I have to shut this down. You never got permission, even, let alone asked us if it was okay to charge people.”
Albert said, “Sam, I respect you more than I can even say. And Astrid, you are way smarter than me. But I don’t see how you have the right to shut me down.”
That was it for Sam. “Okay, I tried to be nice. But I am the mayor. I was elected, as you probably remember, since I think you voted for me.”
“I did. I’d do it again, man. But Sam, Astrid, you guys are wrong here. This club is about all these kids have that can get them together for a good time. They’re sitting in their homes starving and feeling sad and scared. When they’re dancing, they forget how hungry and sad they are. This is a good thing I’m doing.”
Sam stared hard at Albert, a stare that kids in Perdido Beach took seriously. But Albert did not back down.
“Sam, how many cantaloupes did Edilio manage to bring back with kids who were rounded up and forced to work?” Albert asked.
“Not many,” Sam admitted.
“Orc picked a whole truckload of cabbage. Before the zekes figured out how to get at him. Because we paid Orc to work.”
“He did it because he’s the world’s youngest alcoholic and you paid him with beer,” Astrid snapped. “I know what you want, Albert. You want to get everything for yourself and be this big, important guy. But you know what? This is a whole new world. We have a chance to make it a better world. It doesn’t have to be about some people getting over on everyone else. It can be fair to everyone.”
Albert laughed. “Everyone can be equally hungry. In a week or so, everyone can starve. "

― Michael Grant , Hunger (Gone, #2)

3 " Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him.
Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors.
It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit.
In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared.
She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place.
“Sinclair, I hate to ask, but what are you doing?”
He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.”
He almost ran off the road. “Why?”
“Your scintillating conversation was putting me to sleep.”
His dark brows knit together but he seemed to have no answer to that.
She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly.
But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button.
Good Lord. She turned back around.
“What did you learn?” Paul finally asked.
“You’re an obsessive-compulsive neat freak,” she said. “Accent on freak. "

― Susannah Sandlin , Black Diamond (Wilds of the Bayou, #2)

4 " You don't realize how hard it is to live on your own. But there's no mom to do your laundry, and make you dinner and to do things for you, and you don't think about little things like buying paper towels and salt. "