62
" You went from my life right into my dreams,
i can hardly tell,If i'm cursed or blessed ;
I am sure things aren't always as they seem,
but i drift away,mesmerized, possessed.
Memories i have uncertain and fragile,
Is what i have left and i have no peace,
At dawn fades away,all that i imagine,
i crave for your closeness,i need more then this.
Perhaps you are meant to guide and inspire,
to be ever timeless in the veil of mist,
flowing through my being in flaming desire,
the one i can't reach and cannot resist.
My darling,unique,outstanding perfection,
so utterly complex you can't be recreated,
I may be unworthy of your smallest fraction,
But you've never loved,nor anticipated.
Every great passion is a work of fiction,
when we long for something that we cannot find,
Single thought of you is like an addiction,
yet,you're not exalted,except in my mind. "
― Aleksandra Ninković
63
" That—this—is Orion’s secret. It’s not that the ship isn’t working, that we’re never going to make it.It’s that the ship has already arrived.We’re already here! There—there—is the planet that will be our home!It floats, so bright that it hurts my eyes. Giant green landmasses spread out across blue water, with swirls and wisps of clouds twirling over top. At the edge of the planet, where it turns away from the suns and starts to darken, I can see bright flashes of light—bursts of whiteness in the darkness—and I think: Is that lightning? In the center, where the light of the suns makes the planet seem to glow from within, I can see, very distinctly, a continent. A continent. On one edge, it’s cracked and broken like an egg, dark lines snaking deep into the landmass. Rivers. Lots of them. Maybe something too big to be rivers if I can see it from here. Fingers of land stretch out into the sea, and dots of islands are just out of their grasp. That area will be cool all the time, I think. Boats can go along the rivers, up and down. We can swim in the water.Because already, I can see myself living there. Being there.On a planet that looks up at a million suns every night, and at two every day.I want to scream, shout with joy. But the air is so thin now.Too thin.I’ve spent too long looking at Orion’s secret.The boop . . . boop . . . boop . . . fades away. There’s nothing to warn about now.Because there’s no air left.My sight is rimmed with black. My head pulses with my heartbeat, which sounds as loud to me as the alarm once did. I turn from the planet—my planet—and start pulling, hand over hand, against the tether, toward the hatch. The ship bobs in and out of my vision as my whole body jerks. I’m panicked now and fighting to stay awake. I try to suck in air, but there’s nothing there to suck. I’m drowning in nothing. "
64
" Have you ever just laid down on the grass and watch as the day slowly transitions to evening? The sky flows through hues of orange and slowly fades to greys, the incredible palette of dusk. This is where the magic begins to happen. First the planets reveal themselves as bright pinpoints of light against the bleak canvas, and for a few moments they are the only thing you can focus on - they’re so bright that they draw away from anything else. When you stare at only one, when there is so much distance between it and anything else, it almost seems to be dancing back and forth in space, playing mind tricks on you. However, as you emerge from its hypnotic trance, you begin to see the less significant stars awaken from what seems like nowhere. They too earn your attention, but in a different way. You can’t look at them directly because otherwise you won’t see their beauty. You have to glance at them from the side, from the corner of your eye to really see them in their fullness. The sky is not yet completely in darkness and the universe is already showing off. Distant stars even further light years away and planets orbiting from afar being to emerge and before you know it you almost don’t know where to look, there are little grains of sand lighting up the sky from everywhere. This happens every night - a spectacular natural light show but so many people miss it. It’s sad to think that, but it makes viewing it that much more special when you get to experience it. Just you and the universe, watching itself through your own very eyes. "
67
" A verbal trap; after the end there is nothing, since if there were something, the end would not be the end. Nonetheless, we are always setting forth to meet…, even though we know that there is nothing, or no one, awaiting us. We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act. Without this end that constantly eludes us we would not journey forth, nor would there be any paths. But the end is the refutation and the condemnation of the path: at the end the path dissolves, the meeting fades away to nothingness. And the end—it too fades away to nothingness. "
― Octavio Paz , The Monkey Grammarian
76
" While this America settles in the mould of its vulgarity,
heavily thickening to empire, I
And protest, only a bubble in the molten mass, pops
and sighs out, and the mass hardens,
I sadly smiling remember that the flower fades to make
fruit, the fruit rots to make earth.
Qut of the mother; and through the spring exultances,
ripeness and decadence; and home to the mother.
You making haste haste on decay: not blameworthy; life
is good, be it stubbornly long or suddenly
A mortal splendor: meteors are not needed less than
mountains: shine, perishing republic.
But for my children. I would have them keep their dis-
tance from the thickening center; corruption.
Never has been compulsory, when the cities lie at the
monster’s feet there are left the mountajns.
And boys, be in nothing so moderate as in love of man,
a clever servant, insufferable master.
There is the trap that catches noblest spirits, that caught
-–they say--God, when he walked on earth. "
― Robinson Jeffers , Selected Poems
78
" What, then, of the priest's iconic representation of Christ at the altar? If there is no specifically masculine or feminine charism or ontology, the significance of the priest's maleness fades away. What matters—as patristic Christology recognized centuries ago with its dictum, 'That which is not assumed [by the Son of God in the incarnation] is not healed'—is that Christ became human, assuming and thereby healing the nature common to men and women. Although biologically a man, Christ assumed human nature in such a way as to include both men and women in his salvific work. And that means, in turn, that to refuse to allow a woman to preside at the Eucharist may be to say much more than opponents of women's ordination realize—namely, 'that women are not adequate icons of Christ.' The result, notes [Sarah] Hinlicky Wilson near the end of her book, is nothing less than 'to leave both their humanity and their salvation in doubt.' If women can't reflect the human nature of Christ at the altar, how then can they trust Christ's human nature to save them at all? "
― Wesley Hill
