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61 " For me, a woman who is absorbed in her work, who does not care about gaining one’s favour, strong yet subtle at the same time, is essentially more seductive. The more she hides and abandons her femininity, the more it emerges from the very heart of her existence. "
― Yohji Yamamoto
62 " Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith – It must be, either, that you think she is essentially so vicious, or so feeble-minded that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner... "
― Anne Brontë , The Tenant of Wildfell Hall
63 " At the end when you cut to the bone,we're all essentially the same; we are women of great expectations "
64 " What common people call beauty is essentially nature. The moment nature abandons you, your beauty is lost forever. "
― Anuradha Bhattacharyya , One Word
65 " I had motives for not wanting the world to have a meaning; and consequently assumed that it had none, and was able without any difficulty to find satisfying reasons for this assumption. The philosopher who finds no meaning in the world is not concerned exclusively with a problem in pure metaphysics. He is also concerned to prove that there is no valid reason why he personally should not do as he wants to do. For myself, as no doubt for most of my friends, the philosophy of meaninglessness was essentially an instrument of liberation from a certain system of morality. We objected to the morality because it interfered with our sexual freedom. The supporters of this system claimed that it embodied the meaning - the Christian meaning, they insisted - of the world. There was one admirably simple method of confuting these people and justifying ourselves in our erotic revolt: we would deny that the world had any meaning whatever. "
― Aldous Huxley , Ends and Means
66 " The most powerful anti-Christian movement is the one that takes over and " radicalizes" the concern for victims in order to paganize it. The powers and principalities want to be “revolutionary” now, and they reproach Christianity for not defending victims with enough ardor. In Christian history they see nothing but persecutions, acts of oppression, inquisitions.This other totalitarianism presents itself as the liberator of humanity. In trying to usurp the place of Christ, the powers imitate him in the way a mimetic rival imitates his model in order to defeat him. They denounce the Christian concern for victims as hypocritical and a pale imitation of the authentic crusade against oppression and persecution for which they would carry the banner themselves. In the symbolic language of the New Testament, we would say that in our world Satan, trying to make a new start and gain new triumphs, borrows the language of victims....The Antichrist boasts of bringing to human beings the peace and tolerance that Christianity promised but has failed to deliver. Actually, what the radicalization of contemporary victimology produces is a return to all sorts of pagan practices: abortion, euthanasia, sexual undifferentiation, Roman circus games galore but without real victims, etc.Neo-paganism would like to turn the Ten Commandments and all of Judeo-Christian morality into some alleged intolerable violence, and indeed its primary objective is their complete abolition. Faithful observance of the moral law is perceived as complicity with the forces of persecution that are essentially religious...Neo-paganism locates happiness in the unlimited satisfaction of desires, which means the suppression of all prohibitions. This idea acquires a semblance of credibility in the limited domain of consumer goods, whose prodigious multiplication, thanks to technological progress, weakens certain mimetic rivalries. The weakening of mimetic rivalries confers an appearance of plausibility, but only that, on the stance that turns the moral law into an instrument of repression and persecution. "
67 " Many in our world today want us to believe that we can except Christ simply as a Savior from sin, but not the Lord of our lives. They teach essentially that a person can perform an act of believing on Christ once, and after this, they can fall away even into total unbelief and yet still supposedly be " saved" . Christ does not call men in this way. Christ does not save men in this way. The true Christian is the one continually coming, always believing in Christ. Real Christian faith is an ongoing faith, not a one-time act. If one wishes to be eternally satiated, one meal is not enough. If we wish to feast on the bread of heaven, we must do so all our lives. We will never hunger or thirst if we are always coming and always believing in Christ. He's our sufficiency. Christ the bread from heaven. We must feed on all of Christ, not just the parts we happen to like. Christ is not the Savior of anyone unless He is their Lord as well. "
68 " Here, the asking of the question who we are is in fact more dangerous than any other opposition found at the same level of certainty about man (the final form of Marxism, which has essentially nothing to do with either Judaism or even with Russia; if somewhere a non-developed spiritualism is still slumbering, it is in the Russian people; Bolshevism is originally Western; it is a European possibility: the emergence of the masses, industry, technology, the extinction of Christianity; but inasmuch as the dominance of reason as an equalizing of everyone is but the consequence of Christianity and as the latter is fundamentally of Jewish origin (cf. Nietzsche's thought on the slave revolt with respect to morality), Bolshevism is in fact Jewish; but then Christianity is also fundamentally Bolshevist! And what are the decisions that become necessary on that basis?). But the danger of the question " Who are we?" is at the same time--if danger can necessitate what is highest--the sole path by which to succeed in coming to ourselves and thus in initiating the original salvation, that is, the justification of the Occident on the basis of its history. The danger of this question is in itself so essential for us that it loses the appearance of opposition to the new German will. "
69 " Whereas Jesus demanded of the Jews the rejection of the tribalist Jahweh whom they identified with Israel, the race, the community the political state as object of worship and desire, the Sufis, born in an atmosphere of pure monotheism, demanded what Jesus of the first century A.D. would demand if he were to relive his early life again in present-day monotheistic Christendom. This does not mean that Jesus did not demand, like the Sufis, the cleansing of the soul from the personal deities it may worship besides God, but it does mean that the main weight of his teaching centered around the Jewish preoccupation with the tribe as God." " The object and deal of Sufism is, therefore, identically the same as that of the radical self-transformation of Jesus. Both aimed at the state of consciousness in which God is the sole subject, the sole determiner and the sole object of love and devotion. The tradition of both later influenced each other and succeeded in developing the same kind of preparatory disciplines leading towards the end. Finally, both referred to the final end of these processes as 'oneness' and their reference was in each case exposed to the same dangers of misunderstanding, indeed to the same misunderstanding. The oneness of Jesus was misunderstood as unity and fusion of being, and thus gave rise to the greatest materialization of an essentially spiritual union history has ever seen. The oneness of the highest Sufi state was likewise misunderstood and gave rise to the worst crime perpetrated on account of a supremely conscious misunderstanding...The destinies of the two misunderstandings, however, were far apart. The Christian misunderstanding came to dominate the Christendom; the Muslim misunderstanding performed its bloody deed and sank away in front of the Sufi tide which overwhelmed the Muslim world. The success of Sufism in Islam was therefore the success of the Jesus' ethic, but devoid of the theological superstructures which this Christian misunderstanding had constructed concerning the oneness of Christ with God, or of men with Christ. In the Middle Ages, the intellectual disciples of Jesus were the sufis of Islam, rather than the theologians of the Council or Pope-monarchs of Christendom. "
70 " Innovative leadership is essentially anchored on the leader’s overall multifaceted resourcefulness and multidimensional competencies. "
― Pearl Zhu , Leadership Master: Five Digital Trends to Leap Leadership Maturity
71 " Art is essentially the affirmation, the blessing, and the deification of existence. "
― Friedrich Nietzsche
72 " Photography is essentially an act of recognition by street photographers, not an act of invention. Photographers might respond to an old man’s face, or an Arbus freak, or the way light hits a building—and then they move on. Whereas in all the other art forms, take William Blake, everything that came to that paper never existed before. It’s the idea of alchemy, of making something from nothing. "
― Duane Michals
73 " But the very question of whether photography is or is not an art is essentially a misleading one. Although photography generates works that can be called art --it requires subjectivity, it can lie, it gives aesthetic pleasure-- photography is not, to begin with, an art form at all. Like language, it is a medium in which works of art (among other things) are made. Out of language, one can make scientific discourse, bureaucratic memoranda, love letters, grocery lists, and Balzac's Paris. Out of photography, one can make passport pictures, weather photographs, pornographic pictures, X-rays, wedding pictures, and Atget's Paris. Photography is not an art like, say, painting and poetry. Although the activities of some photographers conform to the traditional notion of a fine art, the activity of exceptionally talented individuals producing discrete objects that have value in themselves, form the beginning photography has also lent itself to that notion of art which says that art is obsolete. The power of photography --and its centrality in present aesthetic concerns-- is that it confirms both ideas of art. But the way in which photography renders art obsolete is, in the long run, stronger. "
― Susan Sontag , On Photography
74 " My art is the result of a deeply personal, infinitely complex, and still essentially mysterious, exploration of experience. No words will ever touch it. "
75 " Statistically, if you're reading this sentence, you're an oddball. The average American spends three minutes a day reading a book. At this moment, you and I are engaged in an essentially antiquated interaction. Welcome, fellow Neanderthal! "
― , Why We Hate Us: American Discontent in the New Millennium
76 " Unlike music, excessive reading has been shown to be dangerous for the female mind. It was taught in our earliest lectures: the male cells are essentially katabolic: active energetic; and female cells are anabolic: there to conserve energy and support life. While a little light reading is fine, breakdown follows when woman goes against her nature. "
― Anna Hope , The Ballroom
77 " ...Baltimore. It's imperfect. Boy, is it imperfect. And there are parts of its past that make you wince. It's not all marble steps and waitresses calling you 'hon,' you know. Racial strife in the sixties, the riots during the Civil War. F. Scott Fitzgerald said it was civilized and gay, rotted and polite. The terms are slightly anachronistic now, but I think he was essentially right. "
― Laura Lippman , Hardly Knew Her
78 " If writers only dared to dare, a Suetonius or a Tacitus of the Novel could exist, for the Novel is essentially the history of manners, turned into a story and a play, as is History itself often enough. And there is no other difference than this: that the one, the Novel, cloaks its manners under the disguise of invented characters, while the other, History, provides names and addresses. Only, the Novel probes much deeper than history. It has an ideal, and History has none; it is limited by reality. The Novel also holds the stage much longer. (" A Woman's Vengeance" ) "
79 " In the second place, however, history is made in such a way that the final result always arises from conflicts between many individual wills, of which each in turn has been made what it is by a host of particular conditions of life. Thus there are innumerable intersecting forces, an infinite series of parallelograms of forces which give rise to one resultant — the historical event. This may again itself be viewed as the product of a power which works as a whole unconsciously and without volition. For what each individual wills is obstructed by everyone else, and what emerges is something that no one willed. Thus history has proceeded hitherto in the manner of a natural process and is essentially subject to the same laws of motion. But from the fact that the wills of individuals — each of whom desires what he is impelled to by his physical constitution and external, in the last resort economic, circumstances (either his own personal circumstances or those of society in general) — do not attain what they want, but are merged into an aggregate mean, a common resultant, it must not be concluded that they are equal to zero. On the contrary, each contributes to the resultant and is to this extent included in it. "
― Friedrich Engels ,
80 " I have grown up listening to my grandparents’ stories about ‘the other side’ of the border. But, as a child, this other side didn’t quite register as Pakistan, or not-India, but rather as some mythic land devoid of geographic borders, ethnicity and nationality. In fact, through their stories, I imagined it as a land with mango orchards, joint families, village settlements, endless lengths of ancestral fields extending into the horizon, and quaint local bazaars teeming with excitement on festive days. As a result, the history of my grandparents’ early lives in what became Pakistan essentially came across as a very idyllic, somewhat rural, version of happiness. "
― Aanchal Malhotra
