41
" . . . In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of the Empire whose size was that of the Empire, and which coincided point for point with it. The following Generations, who were not so fond of the Study of Cartography as their Forebears had been, saw that that vast map was Useless, and not without some Pitilessness was it, that they delivered it up to the Inclemencies of Sun and Winters. In the Deserts of the West, still today, there are Tattered Ruins of that Map, inhabited by Animals and Beggars; in all the Land there is no other Relic of the Disciplines of Geography.Suárez Miranda, Viajes de varones prudentes, Libro IV, Cap. XLV, Lérida, 1658 "
42
" ... 'You can't read everything. I've never got beyond the beginning of Proust. I love him, but I can't seem to get beyond about page three.'
They were comfortable in each other's company, and this confession seemed to accentuate the ease of their relationship. The confession itself was not entirely true; Isabel had read more Proust than that, but other people undoubtedly found it reassuring to think that one had only read a few pages. Certainly those who claimed to have read Proust in his entirety got scant sympathy from others. And yet, she suddenly wondered, should you actually lie about how much Proust you've read? Some politicians, she reminded herself, did that--or the equivalent--when they claimed to be down-to-earth, no-nonsense types, just like the voters, when all the time they were secretly delighting in Proust . . . "
― Alexander McCall Smith , The Uncommon Appeal of Clouds (Isabel Dalhousie, #9)
46
" Her remark laid bare not only the reality - not enough comic opportunities for women in Hollywood - but also the ideology that created and perpetuated that reality. It was right there in the sentence structure, easily parsed: 'All the scripts are for men and you play 'the girl'' suggests that the scripts were handed down by the clean, white hand of God. It banished 'the girl' to the sidelines to perform her girly insignificance on command. It was right there in the dismissive way her comment was received as clickbait all over the Internet. 'Borat's Babe Plans a Hollywood Sex Revolution,' one headline announced, not only missing the point but mocking and dismissing it. Women's experience in its entirety seemed contained in that remark, not to mention several of the stages of feminist grief: the shock of waking up to the fact that the world does not also belong to you; the shame at having been so naive as to have thought it did; the indignation, depression, and despair that follow this realization; and, finally, the marshaling of the handy coping mechanisms, compartmentalization, pragmatism, and diminished expectations. "
― Carina Chocano , You Play the Girl: And Other Vexing Stories That Tell Women Who They Are
48
" I thought of the great spectrum of The Mecca--black people from Belize, black people with Jewish mothers, black people with fathers from Bangalore, black people from Toronto and Kingston, black people who spoke Russian, who spoke Spanish, who played Mongo Santamaría, who understood mathematics and sat up in bone labs, unearthing the mysteries of the enslaved. There was more out there than I had ever hoped for, and I wanted you to have it. I wanted you to know that the world in its entirety could never be found in schools, alone, nor on the streets, alone, nor in the trophy case. I wanted you to claim the whole world, as it is. I wanted " Tolstoy is the Tolstoy of the Zulus" to immediately be obvious to you. "
