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1 " I prayed to a mystery.Sometimes I was simply aware of the mystery. I saw a flash of it during a trip to New York that David and I took before we were married. We were walking on a busy sidewalk in Manhattan. I don't remember if it was day or night. A man with a wound on his forehead came toward us. His damp, ragged hair might have been clotted with blood, or maybe it was only dirt. He wore deeply dirty clothes. His red, swollen hands, cupped in half-fists, swung loosely at his sides. His eyes were focused somewhere past my right shoulder. He staggered while he walked. The sidewalk traffic flowed around him and with him. He was strange and frightening, and at the same time he belonged on the Manhattan sidewalk as much as any of us. It was that paradox -- that he could be both alien and resident, both brutalized and human, that he could stand out in the moving mass of people like a sea monster in a school of tuna and at the same time be as much at home as any of us -- that stayed with me. I never saw him again, but I remember him often, and when I do, I am aware of the mystery.Years later, I was out on our property on the Olympic Peninsula, cutting a path through the woods. This was before our house was built. After chopping through dense salal and hacking off ironwood bushes for an hour or so, I stopped, exhausted. I found myself standing motionless, intensely aware of all of the life around me, the breathing moss, the chattering birds, the living earth. I was as much a part of the woods as any millipede or cedar tree. At that moment, too, I was aware of the mystery.Sometimes I wanted to speak to this mystery directly. Out of habit, I began with " Dear God" and ended with " Amen" . But I thought to myself, I'm not praying to that old man in the sky. Rather, I'm praying to this thing I can't define. It was sort of like talking into a foggy valley.Praying into a bank of fog requires alot of effort. I wanted an image to focus on when I prayed. I wanted something to pray *to*. but I couldn't go back to that old man. He was too closely associated with all I'd left behind. "
2 " She had inherited a story that was strewn with corpses and clotted with enmity, and was only trying to stay alive in it. "
― Laini Taylor , Strange the Dreamer (Strange the Dreamer, #1)
3 " And all my ethical reasoning crumbles to ash in the sheer fact of his presence. Because together, even in darkness, we light up a room; because the clotted guilt inside me breaks up and disperses before a surge of stupid happiness; because I love him, and I know I cannot leave him, am incapable of leaving him, unless he asks me to go. And he has not asked me. And that is the miracle which I live with, every day. "
― , Girl in the Dark
4 " There, conspicuous in the light of the conflagration, lay the dead body of a woman—the white face turned upward, the hands thrown out and clutched full of grass, the clothing deranged, the long dark hair in tangles and full of clotted blood. The greater part of the forehead was torn away, and from the jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles—the work of a shell.The child moved his little hands, making wild, uncertain gestures. He uttered a series of inarticulate and indescribable cries—something between the chattering of an ape and the gobbling of a turkey—a startling, soulless, unholy sound, the language of a devil. The child was a deaf mute.Then he stood motionless, with quivering lips, looking down upon the wreck. "
― Ambrose Bierce , Civil War Stories
5 " There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane.“I’m cold,” Snowden had whimpered. “I’m cold.”“There, there,” Yossarian had tried to comfort him. “There, there.”They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry. "
― Joseph Heller , Catch-22
6 " And suddenly, in the place of the woman-shape made of shadow, there was something else. Something huge, something ugly. Linay flung up both hands. The thing screamed like a hawk and opened to wings: one white as a death cap, one clotted in shadow. The wings came together and the whole pond shuddered.Something hit Kate's ear and shoulder and smashed to the deck by her feet. It was a swallow, dead. She could hear them falling all over the pond. "
― Erin Bow , Plain Kate
7 " My knee struck a tree root as my vision went black. Suddenly, I was in a building at Haven Crest, kneeling on the floor. Blood, thick and clotted like canned cherries, crept down the walls. The lights above my head flickered off then on with a menacing hum. "
― Kady Cross , Sisters of Blood and Spirit (The Sisters of Blood and Spirit, #1)
8 " Ninth Floorshe ran across the parquet slipped the flokati matcrashed the windownoshe stood at the window prism looked up at sky bruise nightspread hernoshe tilted dived swanning spinningtip-toed ink air broke fingers firstnoshe climbed the small gap the window gavehung her finger joints clotted the view with frightened breathfell ligament torn and sorrynoshe wandered to the glass hatch to watch tranquilised lights sputteringleaned too hard fell faster than a bottle of Jacknothis is how it was:drunk screaming she crashed the parquet with griefroared the ungiving window frames which gaveshe spangled spaghetti-like ribbon-voicedstreet lights crashed on herno.She did nothing. "
