1
" Well, Mr. Frankel, who started this program, began to suffer from the computer disease that anybody who works with computers now knows about. It's a very serious disease and it interferes completely with the work. The trouble with computers is you *play* with them. They are so wonderful. You have these switches - if it's an even number you do this, if it's an odd number you do that - and pretty soon you can do more and more elaborate things if you are clever enough, on one machine.
After a while the whole system broke down. Frankel wasn't paying any attention; he wasn't supervising anybody. The system was going very, very slowly - while he was sitting in a room figuring out how to make one tabulator automatically print arc-tangent X, and then it would start and it would print columns and then bitsi, bitsi, bitsi, and calculate the arc-tangent automatically by integrating as it went along and make a whole table in one operation.
Absolutely useless. We *had* tables of arc-tangents. But if you've ever worked with computers, you understand the disease - the *delight* in being able to see how much you can do. But he got the disease for the first time, the poor fellow who invented the thing. "
― Richard P. Feynman , "Surely You're Joking, Mr. Feynman!": Adventures of a Curious Character
14
" The structural similarity of men, and their ability to be represented both as ideal, like Leonardo's Vitruvian Man, and as average. Man being the measure of all things, and therefore a sort of standard and interchangeable unit of length, breadth, intelligence, emotion. We could lay them end to end to measure the distance between the continents, the distance to the moon. We could use them to calculate the weight of weather, or to buy things at the grocery. With such an abundance of men, we could gauge anything we chose. "
― Alexandra Kleeman , Intimations: Stories
15
" Yes, Pilcher was a money-man. They were a type. It was easy to spot them. You could always tell one by that cold fire in his eyes. It was not the hot fire of the man who would never interrupt a dream to calculate the risk, but the cold fire of the man whose mind was geared to the rules of the money game. It was a game that was played with numbers on pieces of paper … common into preferred, preferred into debentures, debentures into dollars, dollars into long-term capital gains. It was the net dollars after tax that were important. They were the numbers on the scoreboard, the runs that crossed the plate, the touchdowns, the goals. Net dollars were the score markers of the money-man’s game. Nothing else mattered. A factory wasn’t a living, breathing organism. It was only a dollar sign and a row of numbers after the Plant & Equipment item on the balance sheet. Their guts didn’t tighten when they heard a big Number Nine bandsaw sink its whining teeth into hard maple. Their nostrils didn’t widen to the rich musk of walnut or the sharply pungent blast from the finishing room. When they saw a production line they looked with blind eyes, not feeling the counterpoint beat of their hearts or the pulsing flow of hot blood or the trigger-set tenseness of lungs that were poised to miss a breath with every lost beat on the line "
19
" I find myself nursing keen regret at probably not being able to live long enough to explain properly to you what I do not myself pretend to know. But since it has been proved that by an extraordinary chance I have not yet lost my life since that far-off time when, filled with terror, I began the preceding sentence, I mentally calculate that it will not be useless here to construct the complete avowal of my basic impotence, especially when it is a matter (as at present) of this imposing & inaccessible question. It is, generally speaking, a singular thing that the attractive tendency which induces us to seek out (in order to then express them) the resemblances & differences concealed in the natural properties of the most conflicting objects, & on the surface sometimes the least apt to lend themselves to this kind of sympathetically curious combination, which -upon my word -gracefully add to the style of the writer, who for personal satisfaction requites himself with the impossible & unforgettable appearance of an owl grave until eternity. "
― Comte de Lautréamont , Maldoror and the Complete Works
