14
" Standing there small among the boxes of Kandy Kakes that rose like brownish cartoon cliffs around him, he resembled the videos I'd seen of sea lions floating angelically among the kelp, black bodies filmed from below, their shapes cut out in bright sunlight, bodies mistakable for those of a human being. I felt the memory of a shadowy arm around me, a watcher again, sitting there on the couch with my boyfriend, watching the animals become prey. Somewhere there were giant whales feeding on creatures too small to see, pressing them against fronds of baleen with a tongue the size of a sedan. There were polar bears killing seals, tearing ovoid chunks from out of their smooth, round bellies. In the surrounding vastness of the warehouse, I heard something scratching against the concrete floor and knew there were rats here, scraping a thin film of nutrient from the dry packaged matter that surrounded them. Life was everywhere, inescapable, imperative. "
― Alexandra Kleeman , You Too Can Have a Body Like Mine
16
" Say something to it, he said.
As I looked at the baby, I felt nothing taking shape in mind or mouth. I had no idea what the sort of things were that somebody would say to a baby. I had no idea why anyone would say anything to a baby. I held it carefully, as one would a sack of apples. And then, with him watching me, nodding encouragingly, I began to say to it, for lack of anything else to say, all the words I had ever known, in order. "
― Alexandra Kleeman , Intimations: Stories
17
" Now we were standing around holding hands and not much was going on. I began to think of words I had known, just for fun, to fill up the blank space in my head. Couch, I thought. Cuisinart, I thought.
The words felt different right now than they had before. They meant a little less, held a little less, but seemed somehow fuller: I had never really noticed how much sound there was in a word. The way it filled your mouth up with emptiness, a sort of loosened emptiness that you could tongue, an emptiness you could suck on like a stone. Stomach, I thought. Variety, I thought. Expectation. Intimation. Infiltration. Infiltration: I tongued that one further. I knew it had a hostile aspect, like someone breaking into your house or posing as someone you should trust. But it also had a lovely sound, a kind of tapered point and a gently ruffled edge, and as I repeated it over and over in my mouth it took on a really great flavor and I thought of water filtering in and out of a piece of fabric, back and forth, moving between, soaking it and washing out, soaking in and taking with it pale tremors of color, memory, resistance, all that stuff, until I felt like one of those pieces of cloth on the television commercials that got washed with the name-brand cleanser and is now not only white, but silky and mountain-scented. "
― Alexandra Kleeman , Intimations: Stories
19
" The structural similarity of men, and their ability to be represented both as ideal, like Leonardo's Vitruvian Man, and as average. Man being the measure of all things, and therefore a sort of standard and interchangeable unit of length, breadth, intelligence, emotion. We could lay them end to end to measure the distance between the continents, the distance to the moon. We could use them to calculate the weight of weather, or to buy things at the grocery. With such an abundance of men, we could gauge anything we chose. "
― Alexandra Kleeman , Intimations: Stories
