2
" Morning is an important time of day, because how you spend your morning can often tell you what kind of day you are going to have. For instance, if you wake up to the sound of twittering birds, and find yourself in an enormous canopy bed, with a butler standing next to you holding a breakfast of freshly made muffins and hand-squeezed orange juice on a silver tray, you will know that your day will be a splendid one. If you wake up to the sound of church bells, and find yourself in a fairly big regular bed, with a butler standing next to you holding a breakfast of hot tea and toast on a plate, you will know that your day will be O.K. And if you wake up to the sound of somebody banging two metal pots together, and find yourself in a small bunk bed, with a nasty foreman standing in the doorway holding no breakfast at all, you will know that your day will be horrid. "
― Lemony Snicket , Horseradish
4
" I was firmly in the out-of-sight-out-of-mind camp, and had cogent, unflinchingly honest declarations I frequently made about losing a shared context, and sentimentalism, and the general faint hearted ness of most people-but I knew there were people in the world who remained friends, for life, with bunk mates from sleepaway camp, and this was that group of people. "
― , Blood, Bones, and Butter: The Inadvertent Education of a Reluctant Chef
12
" Crooks stood up from his bunk and faced her. " I had enough," he said coldly. " You got no rights comin' in a colored man's room. You got no rights messing around in here at all. Now you jus' get out, an' get out quick. If you don't, I'm gonna ast the boss not to ever let you come in the barn no more." She turned on him in scorn. " Listen, Nigger," she said. " You know what I can do to you if you open your trap?" Crooks stared helplessly at her, and then he sat down on his bunk and drew into himself.She closed on him. " You know what I could do?" Crooks seemed to grow smaller, and he pressed himself against the wall. " Yes, ma'am." " Well, you keep your place then, Nigger. I could get you strung up on a tree so easy it ain't even funny." Crooks had reduced himself to nothing. There was no personality, no ego--nothing to arouse either like or dislike. He said, " Yes, ma'am," and his voice was toneless.For a moment she stood over him as though waiting for him to move so that she could whip at him again; but Crooks sat perfectly still, his eyes averted, everything that might be hurt drawn in. She turned at last to the other two. "
13
" He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?”
He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.”
Confused, Tom stepped past him into the bunk. Then he gawked, too.
Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW?
Tom began to laugh.
“She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.”
That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved.
He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games.
“My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe.
Just then, Vik’s new roommate bustled into the bunk.
He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory:
NAME: Giuseppe Nichols
RANK: USIF, Grade IV Middle, Alexander Division
ORIGIN: New York, NY
ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition
IP: 2053:db7:lj71::291:ll3:6e8
SECURITY STATUS: Top Secret LANDLOCK-4
Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.”
Tom smothered his laughter. “Wow. He already has your number, man.”
Vik shot him a look of death as Tom backed out of the bunk. "
― S.J. Kincaid
17
" Lennie rolled off the bunk and stood up, and the two of them started for the door. Just as they reached it, Curley bounced in." You seen a girl around here?" he demanded angrily.George said coldly, " 'Bout half an hour ago maybe." " Well, what the hell was she doin'?" George stood still, watching the angry little man. He said insultingly, " She said--she was lookin' for you." Curley seemed really to see George for the first time. His eyes flashed over George, took in his height, measured his reach, looked at his trim middle. " Well, which way'd she go?" he demanded at last." I dunno," said George. " I didn't watch her go." Curley scowled at him, and turning, hurried out the door.George said, " Ya know, Lennie, I'm scared I'm gonna tangle with that bastard myself. I hate his guts. Jesus Christ! Come on. There won't be a damn thing left to eat. "