47
" She had been hesitant the first night, right before she had launched into him like a wild animal. The imprint of her violence had lasted on him well until the morning and while he had been hurt, he had loved the fact that she was into him, that she lusted after him fanatically, that she scratched him, wept on him, bit him and he was grateful that she let him see her like that: unhinged, throbbing and warm-skinned. She was powerful and thus ironically all the more defenceless in surrender. At times he felt as though she truly hated him, hated him for making her feel like this, for having to condescend herself just by wanting him. He felt as though she was warning him constantly through her seething, hurtling silence; to not let her down after she had disclosed so much of her soul to him. Her insecurities, her memories, her fetishes, her scent, her limbs; they had all been laid-bare in front of him and as he lay there next to the girl whose chest heaved and fell like the meter of a ghazal, he fell in love with that girl and her bundle of contradictions.’
('Left from Dhakeshwari') "
― Kunal Sen
49
" Avalon is full of desperate people.’ She bites at her lower lip this time, fumbling her hands, knitting her fingers into the bundle of plastic coin bags in her grasp.
‘Are you implying that I’m desperate?’ I say, one eyebrow tilting.
‘You don’t need to be desperate… you can have anyone... I…’ she trails off. Looking up and trying to search the line of shops for the bank. I repulse her, I make her want to run. Why is this so hard? I need to get inside of her, I need to know what she is thinking, what she is wanting.
It surely isn’t me she wants. Not to the extent that I… want her.
‘You?’ I entice her to finish her sentence but she doesn’t, she stares off into the bustling crowds, memory flashing her eyes with a darkness.
‘Madi wouldn’t fumble like this.’
Oh, she would fumble, but not in the way you are, Elli.
‘You’re not her, Elli.’ I entice her again, trying to force the dark memory, the sadness from her.
‘No, if I was, you wouldn’t have wanted anyone else.’
A breath hitches in her throat, she puts a hand over her mouth and says something else, her cheeks dance a shade of red that brightens and brightens until she apologises and quickens her pace. I chuckle, pulling at her arm and encircling one around her waist, pulling her back to me. Beneath my touch, her body trembles. When I raise my hand, my palm touching her cheek, I am sure she isn’t breathing.
‘I don’t want anyone, Elli.’ My eyes burn, consuming her with my gaze. She is like a frightful deer, struggling beneath me with a gaze that cannot quite meet mine. When she does, it is only for a brief second before falling down and all I see is the gentle flutter of her raven flashes.
‘I told you. I want someone I cannot have.’
‘That is a really harsh way of telling someone you’re not interested. "
― Charlotte Munro , Grey October (East Hollow Chronicles)
53
" I moaned then, tilting my head back to give him better access. His hands clamped on my waist, then moved—one going to cup my rear, the other sliding between us.
This—this moment, when it was him and me and nothing between our bodies …
His tongue scraped the roof of my mouth as he dragged a finger down the center of me, and I gasped, my back arching. “Feyre,” he said against my lips, my name like a prayer more devout than any Ianthe had offered up to the Cauldron on that dark solstice morning.
His tongue swept my mouth again, in time to the finger that he slipped inside of me. My hips undulated, demanding more, craving the fullness of him, and his growl reverberated in my chest as he added another finger.
I moved on him. Lightning lashed through my veins, and my focus narrowed to his fingers, his mouth, his body on mine. His palm pushed against the bundle of nerves at the apex of my thighs, and I groaned his name as I shattered "
― Sarah J. Maas , A Court of Mist and Fury (A Court of Thorns and Roses, #2)
54
" Twas the night before Christmas, when all through the houseNot a creature was stirring, not even a mouse;The stockings were hung by the chimney with care,In hopes that St. Nicholas soon would be there;The children were nestled all snug in their beds;While visions of sugar-plums danced in their heads;And mamma in her 'kerchief, and I in my cap,Had just settled our brains for a long winter's nap,When out on the lawn there arose such a clatter,I sprang from my bed to see what was the matter.Away to the window I flew like a flash,Tore open the shutters and threw up the sash.The moon on the breast of the new-fallen snow,Gave a lustre of midday to objects below,When what to my wondering eyes did appear,But a miniature sleigh and eight tiny rein-deer,With a little old driver so lively and quick,I knew in a moment he must be St. Nick.More rapid than eagles his coursers they came,And he whistled, and shouted, and called them by name:" Now, Dasher! now, Dancer! now Prancer and Vixen!On, Comet! on, Cupid! on, Donder and Blixen!To the top of the porch! to the top of the wall!Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly,When they meet with an obstacle, mount to the sky;So up to the housetop the coursers they flewWith the sleigh full of toys, and St. Nicholas too—And then, in a twinkling, I heard on the roofThe prancing and pawing of each little hoof.As I drew in my head, and was turning around,Down the chimney St. Nicholas came with a bound.He was dressed all in fur, from his head to his foot,And his clothes were all tarnished with ashes and soot;A bundle of toys he had flung on his back,And he looked like a pedler just opening his pack.His eyes—how they twinkled! his dimples, how merry!His cheeks were like roses, his nose like a cherry!His droll little mouth was drawn up like a bow,And the beard on his chin was as white as the snow;The stump of a pipe he held tight in his teeth,And the smoke, it encircled his head like a wreath;He had a broad face and a little round bellyThat shook when he laughed, like a bowl full of jelly.He was chubby and plump, a right jolly old elf,And I laughed when I saw him, in spite of myself;A wink of his eye and a twist of his headSoon gave me to know I had nothing to dread;He spoke not a word, but went straight to his work,And filled all the stockings; then turned with a jerk,And laying his finger aside of his nose,And giving a nod, up the chimney he rose;He sprang to his sleigh, to his team gave a whistle,And away they all flew like the down of a thistle.But I heard him exclaim, ere he drove out of sight—“Happy Christmas to all, and to all a good night! "
55
" Lew had never seen a dead man before. He just stood there, and looked and looked. Then he went a step closer, and looked some more. 'So that's what it's like!' he murmured inaudibly. Finally Lew reached out slowly and touched him on the face, and cringed as he met the clammy feel of it, pulled his hand back and whipped it down, as though to get something off it.The flesh was still warm and Lew knew suddenly he had no time alibi.He threw something over that face and that got rid of the awful feeling of being watched by something from the other world. After that Lew wasn't afraid to go near him; he just looked like a bundle of old clothes. The dead man was on his side, and Lew fiddled with the knife-hilt, trying to get it out. It was caught fast, so he let it alone after grabbing it with his fingers from a couple of different directions.Next he went through his pockets, thinking he'd be helping to identify him.The man was Luther Kemp, forty-two, and he lived on 79th Street. But none of that was really true any more, Lew thought, mystified; he'd left it all behind. His clothes and his home and his name and his body and the show he'd paid to see were here. But where the hell had he gone to, anyway? Again that weird feeling came over Lew momentarily, but he brushed it aside. It was just that one of the commonest things in life - death - was still strange to him. But after strangeness comes familiarity, after familiarity, contempt. (" Dusk To Dawn" ) "
57
" Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes.A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot.God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman.A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard.She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale.She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, " I love you best of all! "
59
" It's a complex song, and it's fascinating to watch the creative process as they went back and forth and finally created it over a few months. Lennon was always my favorite Beatle. [ He laughs as Lennon stops during the first take and makes the band go back and revise a chord.] Did you hear that little detour they took? It didn't work, so they went back and started from where they were. It's so raw in this version. It actually makes the sound like mere mortals. You could actually imagine other people doing this, up to this version. Maybe not writing and conceiving it, but certainly playing it. Yet they just didn't stop. They were such perfectionists they kept it going This made a big impression on me when I was in my thirties. You could just tell how much they worked at this. They did a bundle of work between each of these recording. They kept sending it back to make it closer to perfect.[ As he listens to the third take, he points out how instrumentation has gotten more complex.] The way we build stuff at Apple is often this way. Even the number of models we'd make of a new notebook or iPod. We would start off with a version and then begin refining and refining, doing detailed models of the design, or the buttons, or how a function operates. It's a lot of work, but in the end it just gets better, and soon it's like, " Wow, how did they do that?!? Where are the screws? "
60
" Rob opened the door, and a tiny kitten ran out. It stopped to sniff Rob‟s ankle and arched its back, spitting tiny kitty defiance at him. Rob scooped it up. The tiny black bundle barely filled his palm. Dark as ink, the only mark on it was a tiny white spot between its eyes. Rob looked up from the kitten to meet Jamie‟s wide-eyed attempt at innocence. " There was a cat in my closet." " I can explain," Jamie offered.Rob returned to the bed. He dropped the kitten in Jamie‟s lap, causing it to poke unfortunate things with tiny needle claws." Damn!" Jamie yelped, grabbing the kitten and putting a sheet between his delicate parts and danger. " I took out the trash yesterday, and there she was almost buried in a snow bank shivering." " It was ninety degrees yesterday, and there is no snow." Rob sat down on the edge of the bed. " Aren‟t you supposed to hate cats?" Jamie cuddled the tiny creature in his hands. It wrestled with his fingers. " That‟s dogs. I‟m not a dog, I‟m a wolf. There might not have been a snow bank, but it was dirty and hungry and very sad. "
