42
" Dinner was wonderful. There was a joint of beef, with roast potatoes, golden-crisp on the outside and soft and white inside, buttered greens I did not recognize, although I think now that they might have been nettles, toasted carrots all blackened and sweet (I did not think that I liked cooked carrots, so I nearly did not eat one but I was brave, and I tried it, and I liked it, and was disappointed in boiled carrots for the rest of my childhood.) For dessert there was the pie, stuffed with apples and with swollen raisins and crushed nuts, all topped with a thick yellow custard, creamier and richer than anything I had ever tasted at school or at home.
The kitten slept on a cushion beside the fire, until the end of the meal, when it joined a fog-colored house cat four times its size in a meal of scraps of meat. "
― Neil Gaiman , The Ocean at the End of the Lane
44
" By nature, a storyteller is a plagiarist. Everything one comes across—each incident, book, novel, life episode, story, person, news clip—is a coffee bean that will be crushed, ground up, mixed with a touch of cardamom, sometimes a tiny pinch of salt, boiled thrice with sugar, and served as a piping-hot tale. "
― Rabih Alameddine , The Hakawati
48
" So they went out for a walk. They went through narrow, lightless lanes, where houses that were silent but gave out smells of fish and boiled rice stood on either side of the road. There was not a single tree in sight; no breeze and no sound but the vaguely musical humming of mosquitoes. Once, an ancient taxi wheezed past, taking a short-cut through the lane into the main road, like a comic vintage car passing through a film-set showing the Twenties into the film-set of the present, passing from black and white into colour. But why did these houses – for instance, that one with the tall, ornate iron gates and a watchman dozing on a stool, which gave the impression that the family had valuables locked away inside, or that other one with the small porch and the painted door, which gave the impression that whenever there was a feast or a wedding all the relatives would be invited, and there would be so many relatives that some of them, probably the young men and women, would be sitting bunched together on the cramped porch because there would be no more space inside, talking eloquently about something that didn’t really require eloquence, laughing uproariously at a joke that wasn’t really very funny, or this next house with an old man relaxing in his easy-chair on the verandah, fanning himself with a local Sunday newspaper, or this small, shabby house with the girl Sandeep glimpsed through a window, sitting in a bare, ill-furnished room, memorising a text by candlelight, repeating suffixes and prefixes from a Bengali grammar over and over to herself – why did these houses seem to suggest that an infinitely interesting story might be woven around them? And yet the story would never be a satisfying one, because the writer, like Sandeep, would be too caught up in jotting down the irrelevances and digressions that make up lives, and the life of a city, rather than a good story – till the reader would shout " Come to the point!" – and there would be no point, except the girl memorising the rules of grammar, the old man in the easy-chair fanning himself, and the house with the small, empty porch which was crowded, paradoxically, with many memories and possibilities. The " real" story, with its beginning, middle and conclusion, would never be told, because it did not exist. "
49
" Miss Mapp moved towards the screen." What a delicious big screen," she said." Yes, but don't go behind it, Mapp," said Irene, " or you'll see my model undressing." Miss Mapp retreated from it precipitately, as from a wasp's nest, and examined some of the studies on the wall, for it was more than probable from the unfinished picture on the easel that Adam lurked behind the delicious screen. Terrible though it all was, she was conscious of an unbridled curiosity to know who Adam was. It was dreadful to think that there could be any man in Tilling so depraved as to stand to be looked at with so little on...Irene strolled round the walls with her." Studies of Lucy," she said." I see, dear," said Miss Mapp. " How clever! Legs and things! But when you have your bridge-party, won't you perhaps cover some of them up, or turn them to the wall? We should all be looking at your pictures instead of attending to our cards. And if you were thinking of asking the Padre, you know..." They were approaching the corner of the room where the screen stood, when a movement there as if Adam had hit it with his elbow made Miss Mapp turn round. The screen fell flat on the ground and within a yard of her stood Mr. Hopkins, the proprietor of the fish-shop just up the street. Often and often had Miss Mapp had pleasant little conversations with him, with a view to bringing down the price of flounders. He had little bathing-drawers on..." Hullo, Hopkins, are you ready," said Irene. " You know Miss Mapp, don't you?" Miss Mapp had not imagined that Time and Eternity combined could hold so embarrassing a moment. She did not know where to look, but wherever she looked, it should not be at Hopkins. But (wherever she looked) she could not be unaware that Hopkins raised his large bare arm and touched the place where his cap would have been, if he had had one." Good morning, Hopkins," she said. " Well, Irene darling, I must be trotting, and leave you to your--" she hardly knew what to call it--" to your work." She tripped from the room, which seemed to be entirely full of unclothed limbs, and redder than one of Mr. Hopkins's boiled lobsters hurried down the street. She felt that she could never face him again, but would be obliged to go to the establishment in the High Street where Irene dealt, when it was fish she wanted from a fish-shop... Her head was in a whirl at the brazenness of mankind, especially womankind. How had Irene started the overtures that led to this? Had she just said to Hopkins one morning: " Will you come to my studio and take off all your clothes?" If Irene had not been such a wonderful mimic, she would certainly have felt it her duty to go straight to the Padre, and, pulling down her veil, confide to him the whole sad story. But as that was out of the question, she went into Twemlow's and ordered four pounds of dried apricots. "
50
" David started up the wheeled stairs to the upper floors with his sword at the ready. He expected to encounter Blackadder warriors, protecting the lady of the castle. But there were none on the stairs and none guarding the door on the first floor.
Damn it. She must have escaped. He gritted his teeth as he envisioned the lady’s guards leading her through the tunnel.
He was about to open the chamber door to make sure it was empty when Brian, one of his best men, came down the stairs.
“Laird, I checked all the chambers while ye were in the hall,” he said.
David’s jaw ached from clenching it.
“There’s one door on the floor just above us that wouldn’t open with the latch,” Brian said. “Shall I break it down?”
David waved him aside and pulled the ax from his belt as he raced up the stairs.
“Open it!” he shouted and pounded on the door.
He did not wait. She could be escaping through a secret door this very moment. Three hard whacks with his ax, and the door split. He kicked it until it swung open, then stepped through.
At his first sight of the woman, his feet became fixed to the floor. He felt strange, and his vision was distorted, as if as if he had swallowed a magical potion that narrowed his sight. He could see nothing in the room but her.
She was extraordinarily lovely, with violet eyes, pale skin, and shining black hair. But there was something about her, something beyond her beauty, that held him captive. She was young, much younger than he expected, and her features and form were delicate, in marked contrast to the violent emotion in her eyes.
David knew to the depths of his soul that a brute like him should not be the man to claim this fragile flower, even while the word mine beat in his head like a drum. He had no notion of how long he stood staring at her before he became aware that she held a sword. It was longer still before he noticed the two wee lasses peeking out from behind her like frightened kittens.
Anger boiled up in his chest. Every Blackadder man in the castle who could still draw breath should have been here, standing between him and their lady. Instead, she faced him alone with a sword she could barely lift with both hands.
It was a brave, but ridiculous gesture.
There was no defense against him. "
― Margaret Mallory , Captured by a Laird (The Douglas Legacy, #1)
56
" In return for their faithful service, they would receive Red Army food rations, which amounted to a generous ladle, twice daily, from a cauldron into which all appropriated food was thrown. The stew boiled twenty-four hours a day, a fatty broth of onions, roosters, rabbits, dead horse, turnips - whatever they happened on in the course of their collecting forays - the Red Army essentially lived off the countryside. "
― Alan Furst , Night Soldiers (Night Soldiers, #1)
