141
" Then again, given that human history appears to be defined by a succession of more or less corrupt ruling elites, and if we are to assume that such corruption (and its spread throughout society) is the mechanism by which a civilization attracts cosmic catastrophe, blaming and deposing the elite is a good solution. The problem, however, is that the underlying mechanism is not understood by the people, which means that they lack the knowledge that, if they are to prevent further destruction, they must, at all costs, prevent the establishment of any future corrupt elite. "
― Laura Knight-Jadczyk
143
" There is, in fact, no need to drag politics into literary theory: as with South African sport, it has been there from the beginning. I mean by the political no more than the way we organize our social life together, and the power-relations which this involves; and what I have tried to show throughout this book is that the history of modern literary theory is part of the political and ideological history of our epoch. From Percy Bysshe Shelley to Norman N. Holland, literary theory has been indissociably bound up with political beliefs and ideological values. Indeed literary theory is less an object of intellectual enquiry in its own right than a particular perspective in which to view the history of our times. Nor should this be in the least cause for surprise. For any body of theory concerned with human meaning, value, language, feeling and experience will inevitably engage with broader, deeper beliefs about the nature of human individuals and societies, problems of power and sexuality, interpretations of past history, versions of the present and hopes for the future. It is not a matter of regretting that this is so — of blaming literary theory for being caught up with such questions, as opposed to some 'pure' literary theory which might be absolved from them. Such 'pure' literary theory is an academic myth: some of the theories we have examined in this book are nowhere more clearly ideological than in their attempts to ignore history and politics altogether. Literary theories are not to be upbraided for being political, but for being on the whole covertly or unconsciously so — for the blindness with which they offer as a supposedly 'technical', 'self-evident', 'scientific' or 'universal' truth doctrines which with a little reflection can be seen to relate to and reinforce the particular interests of particular groups of people at particular times. "
― Terry Eagleton , Literary Theory: An Introduction
153
" I hate this complete obsession with class, especially at this place, you can hardly say 'hello' to anyone before they are getting all prolier-than-thou and telling you about how their dad's a one eyed chimney-sweep with rickets, and how they've still got an outside loo, and have never been on a plane or whatever, all that dubious crap, most of which is usually lies anyway, and I'm thinking why are you telling me this? Am I meant to feel guilty? D'you think it's my fault or something, or are you just feeling pleased with yourself for escaping your pre-determined social role or some self congratulatory bullshit? I mean, what does it matter anyway? People are people, if you ask me, and they rise or fall by their own talents and merits, and their own labours, and blaming the fact they've got a settee rather than a sofa, or eat tea rather tan dinner, that's just an excuse, it's just whining self-pity and shoddy thinking.... I don;t make judgements about other people because of their background and I expect people to treat me with the same courtesy... It's my parent's moeny and its not as if they got it from nicking people's dole or running sweatshops in Johannesburg or something. They worked fucking hard for what they've got. It's a privilege and they treat it as such and they do their best to give something back. But if you ask me, theres no snob like an inverted snob... Im just so fucking bored of people trying to pass plain old envy off as some sort of virtue. "
― David Nicholls , Starter for Ten
