81
" I walk through the black Indiana night, under a ceiling of stars, and think about the phrase " elegance and euphoria," and how it describes exactly what I feel with Violet. For once, I don't want to be anyone but Theodore Finch, the boy she sees. He understands what it is to be elegant and euphoric and a hundered different people most of them flawed and stupid, part asshole, part screwup, part freak, a boy who wants to be easy for the folks around him so that he doesn't worry them and, most of all, easy for himself. A boy who belongs - here in the world, here in his own skin. He is exactly who I want to be and what I want my epitaph to say: The Boy Violet Markey Loves. "
82
" I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. " And what was the point of this again?" Forget it!" Sam said. " Do you you like this place or not?" I stoped in my tracks, spinning to face him. " Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. " You didn't think Jack would be here at all, did you?" His thick black eyebrows went up even farther. Did you evan intend to look for him at all?" He held his hands up as if a surrender. " What do you want me to say?" You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. " YOU told me about this wood somehow. How did you show it to me?" I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.So you brought me here to see this." I stepped forward again, and he stepped back.Do you like it?" Under false pretence." Anouther step forward; anouther back. The grine widenedSo do you like it?" When you knew we wouldn't come across anybody else." His teeth flashed in his grin. " Do you like it?" I punched my hands into his chest. " You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away. Sam slowly lowered my wrists and relesed them. " I'm glad." he said very quietly.My arms still hung by my sides, right where Sam had put them. I frowned at him. " You were supposed to kiss me." I thought about it." I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. " Why don't you?" He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. " I have to get inside soon," he whispered " It's getting cold "
85
" It's me," a deep voice rumbled.The hands released me and I turned. There stood Derek, all six foot of him. Maybe it was just the thrill of seeing him, but he looked better than I remembered. His black hair was still lank, and his face was still dotted with acne. But he looked...better.~~~~~Tori waited until Derek was gone, then shuddered. " Okay, Derek always weired me out, but the wolf man stuff is seriously creepy. Suits him, I suppose. A creepy power for a creepy guy." " I thought he looked better." She stared at me." What? He does. Probably because he's starting his wolf changes and he's not stressed out about being in Lyle House. That must help." " You know what will really help? Shampoo. Deodorant - " I raised my hand to cut her off. " He smelled fine, so don't start that. I'm sure his wearing deodorant and - for once-it's working. As for showers, they're a little hard to come by on the street, and we won't look much better soon." " I'm just saying." " Do you think he doesn't know you're saying? News flash-he's not stupid. "
88
" You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. " All I have to do is lie there." " Naked," he said grimly. " Truly?" She shot him a glance from under her lashes. " Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." " The what?" " It was ghastly expensive," she said, " but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. " But if it were left to Aunt Louisa," she went on," I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" " What color?" he asked. His low voice had roughened. " Wine red," she said, " With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. " And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. " And openwork on the right side of the skirt. From here" --she pointed to her hip--" down to the hem. And I bought---" " Jess." Her name was a strangled whisper. " --slippers to match," she continued." Black mules with--" " Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap. "
89
" Above his head at street level, he saw an angled aileron of a scarlet Porsche, its jaunty fin more or less at the upper edge of his window frame. A pair of very soft, clean glistening black shoes appeared, followed by impeccably creased matt charcoal pinstriped light woollen legs, followed by the beautifully cut lower hem of a jacket, its black vent revealing a scarlet silk lining, its open front revealing a flat muscular stomach under a finely-striped red and white shirt. Val’s legs followed, in powder-blue stockings and saxe-blue shoes, under the limp hem of a crêpey mustard-coloured dress, printed with blue moony flowers. The four feet advanced and retreated, retreated and advanced, the male feet insisting towards the basement stairs, the female feet resisting, parrying. Roland opened the door and went into the area, fired mostly by what always got him, pure curiosity as to what the top half looked like. "
― A.S. Byatt , Possession
90
" His tender tone turned her heart over. She obliged, tilting her head back slightly and looking up at him in the firelit darkness. When he bent his head and his mouth met hers, she gave a little sigh, her lips parting slightly in surprise and expectation. He kissed her with the same sure decisiveness with which he did everything else, his mouth trailing to her cheek and chin and ear, returning again and again to her mouth and lingering there, his breath mingling with her own.
She felt adrift in small, sharp bursts of pleasure. Was this how a man was suppose to kiss a woman? Tenderly... firmly... repeatedly? His fingers fanned through her hair till the pins gave way and wayward locks spilled like black ribbon to the small of her back. In answer, her arms circled his neck, bringing him nearer, every kiss sweeter and surer than the one before. Soon they were lost in a haze of sighs and murmurs and caresses. "
― Laura Frantz , The Colonel's Lady
100
" Magic comes from the heart, from your feelings, your deepest expressions of desire. That's why black magic is so easy—it comes from lust, from fear and anger, from things that are easy to feed and make grow. The sort I do is harder. It comes from something deeper than that, a truer and purer source—harder to tap, harder to keep, but ultimately more elegant, more powerful. My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour. It came from my love of a good steak, from the way I would sometimes cry at a good movie or a moving symphony. From my life. From the hope that I could make things better for someone else, if not always for me. Somewhere, in all of that, I touched on something that wasn't tapped out, in spite of how horrible the past days had been, something that hadn't gone cold and numb inside of me. I grasped it, held it in my hand like a firefly, and willed its energy out, into the circle I had created with the spinning amulet on the end of its chain. "
― Jim Butcher , Fool Moon (The Dresden Files, #2)