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1 " The innocent-sounding words “Yes, it’s close enough to walk” can easily lure the unsuspecting tourist into an exhausting day-long climb, requiring supplemental oxygen, crampons, and a pickax. "
― Maryrose Wood
2 " It seems like it might go on for a while, so Tausolo takes a seat and looks around the sergeant's cubicle. There's not much to see, since the guy just arrived at the WTB, only a blank form tacked to a wall that looks like every other army form in the world." Hurt Feelings Report," it is titled. " Whiner's name," it says under that. " Which ear were the words of hurtfulness spoken into?" it says under that. " Is there permanent feeling damage?" " Did you require a 'tissue' for tears?" " Has this resulted in a traumatic brain injury?" " Reason for filing this report," it says under that. " Mark all that apply." " I am a wimp." " I am a crybaby." " I want my mommy." " I was told that I am not a hero." " Narrative," it says under that. " Tell us in your own sissy words how your feelings were hurt." Finally at the bottom of the form:We, as the Army, take hurt feelings seriously. If you don't have someone who can give you a hug and make things all better, please let us know and we will promptly dispatch a " hugger" to you ASAP. In the event we are unable to find a " hugger" we will notify the fire department and request that they send fire personnel to your location. If you are in need of supplemental support, upon written request, we will make every reasonable effort to provide you with a " blankey," a " binky" and/or a bottle if you so desire. "
3 " Lucia Robson's facts can be trusted if, say, you're a teacher assigning her novels as supplemental reading in a history class. “Researching as meticulously as a historian is not an obligation but a necessity,” she tells me. “But I research differently from most historians. I'm looking for details of daily life of the period that might not be important to someone tightly focused on certain events and individuals. Novelists do take conscious liberties by depicting not only what people did but trying to explain why they did it.”She adds, “I depend on the academic research of others when gathering material for my books, but I don't think that my novels should be considered on par with the work of accredited historians. I wouldn't recommend that historians cite historical novels as sources.”And they sure don't. They wouldn't risk the scorn of their colleagues by citing novels. But, Lucia adds:“I think historical fiction and nonfiction work well together. … I'd bet that historical novels lead more readers to check out nonfiction on the subject rather than the other way around,” she says, and then notes:One of the wonderful ironies of writing about history is that making stuff up doesn't mean it's not true. And obversely, declaring something to be true doesn't guarantee that it is. In writing about events that happened a century or more ago, no one knows what historical ‘truth’ is, because no one living today was there.That's right. Weren't there. But will be, once a good historical novelist puts us there. "
4 " Oxygen deprivation and supplemental oxygen are both bio-hazards for Mauna Kea workers "
― Steven Magee