41
" I'm learning to practice gratitude for a healthy body, even if it's rounder than I'd like it to be. I’m learning to take up all the space I need, literally and figuratively, even though we live in a world that wants women to be tiny and quiet. To feed one’s body, to admit one’s hunger, to look one's appetite straight in the eye without fear or shame—this is controversial work in our culture. Part of being a Christian means practicing grace in all sorts of big and small and daily ways, and my body gives me the opportunity to demonstrate grace, to make peace with imperfection every time I see myself in the mirror. On my best days, I practice grace and patience with myself, knowing that I can't extend grace and patience if I haven't tasted it. "
― Shauna Niequist , Bread and Wine: A Love Letter to Life Around the Table with Recipes
42
" But now, inside the gallery, something happens to him. He finds his emotions gripped by the paintings, the huge, colorful canvases by Diego Rivera, the tiny, agonized self-portraits by Frida Kahlo, the woman Rivera loved. Fabien barely notices the crowds that cluster in front of the pictures.
He stops before a perfect little painting in which she has pictured her spine as a cracked column. There is something about the grief in her eyes that won't let him look away. That is suffering, he thinks. He thinks about how long he's been moping about Sandrine, and it makes him feel embarrassed, self-indulgent. Theirs, he suspects, was not an epic love story like Diego and Frida's.
He finds himself coming back again and again to stand in front of the same pictures, reading about the couple's life, the passion they shared for their art, for workers' rights, for each other. He feels an appetite growing within him for something bigger, better, more meaningful. He wants to live like these people. He has to make his writing better, to keep going. He has to.
He is filled with an urge to go home and write something that is fresh and new and has in it the honesty of these pictures. Most of all he just wants to write. But what? "
― Jojo Moyes , Paris for One
43
" If you crave for Knowledge, the banquet of Knowledge grows and groans on the board until the finer appetite sickens. If, still putting all your trust in Knowledge, you try to dodge the difficulty by specialising, you produce a brain bulging out inordinately on one side, on the other cut flat down and mostly paralytic at that: and in short so long as I hold that the Creator has an idea of a man, so long shall I be sure that no uneven specialist realises it. The real tragedy of the Library at Alexandria was not that the incendiaries burned immensely, but that they had neither the leisure nor the taste to discriminate.... but we may agree that, in reading, it is not quantity so much that tells, as quality and thoroughness of digestion. "
― Arthur Quiller-Couch
51
" Once the creator was removed from the creation, divinity became only a remote abstraction, a social weapon in the hands of the religious institutions. This split in public values produced or was accompanied by, as it was bound to be, an equally artificial and ugly division in people's lives, so that a man, while pursuing Heaven with the sublime appetite he thought of as his soul, could turn his heart against his neighbors and his hands against the world...Though Heaven is certainly more important than the earth if all they say about it is true, it is still morally incidental to it and dependent on it, and I can only imagine it and desire it in terms of what I know of the earth. (pg. 23, " A Native Hill" ) "
57
" Yet I must tell you, that all these graces which are expressed by passions of sorrow, fear, joy, hope, love, are not so certainly to be tried by the passion that is in them, as by the will that is either contained in them, or supposed in them; not as acts of the sensitive, but of the rational appetite (358). "
― Richard Baxter , The Saints' Everlasting Rest
