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a row QUOTES

a row QUOTES

1 " Harry, don't go picking a row with Malfoy, don't forget, he's a prefect now, he could make life difficult for you..." " Wow, I wonder what it'd be like to have a difficult life?" said Harry sarcastically. "

2 " You mean other than the wings? I once ate nine snicker bars in a row without barfing. It was a record. "

― James Patterson

3 " A row of trees far away, there on the hillside.
But what is it, a row of trees? It’s just trees.
Row and the plural trees aren’t things, they’re names. "

― Fernando Pessoa , The Keeper of Sheep

4 " Mortimer had maxed three credit cards stocking the cave with canned goods and medical supplies and tools and everything a man needed to live through the end of the world. There were more than a thousand books along shelves in the driest part of the cave. There used to be several boxes of pornography until Mortimer realized that he'd spent nearly ten days in a row sitting in the cave masturbating. He burned the dirty magazines to keep from doing some terrible whacking injury to himself. "

― Victor Gischler , Go-Go Girls of the Apocalypse

5 " Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Saturday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books . . . books . . . books. . . . "

― Betty Smith

6 " I go downstairs and the books blink at me from the shelves. Or stare. In a trick of the light, a row of them seems to shift very slightly, like a curtain blown by the breeze through an open window. Red is next to blue is next to cream is adjacent to beige. But when I look again, cream is next to green is next to black. A tall book shelters a small book, a huge Folio bullies a cowering line of Quartos. A child's nursery rhyme book does not have the language in which to speak to a Latin dictionary. Chaucer does not know the words in which Henry James communicates but here they are forced to live together, forever speechless. "

― Susan Hill , Howards End Is on the Landing: A Year of Reading from Home

7 " I am one in a row of specimens. It's when I try to flutter out of line that he hates me. I'm meant to be dead, pinned, always the same, always beautiful. He knows that part of my beauty is being alive. but it's the dead me he wants. He wants me living-but-dead. "

― John Fowles , The Collector

8 " After that I went home and Sally put what was left of me to bed; next day, being a Christian family, we saluted the happy morn with the Hell and Hades of a row because I wouldn't get up and go to early service, my sister being quite determined that even if I didn't get up. I shouldn't sleep. "

― Dion Fortune

9 " God, had it really been that long? It had. Nineteen years since Georgie stumbled across Seth in the Spoon offices, seventeen years since she first noticed Neal, fourteen since she married him, standing beside a row of lilac trees in his parents' back yard. Georgie never thought she'd be old enough to talk about life in big, decade-long chunks like this. It's not that she'd thought she was going to die before now, she'd just never imagined it would feel this way, the heaviness of the proportions. Twenty years with the same dream, seventeen with the same man. Pretty soon she'd have been with Neal longer than she'd been without him. She'd know herself as his wife better than she'd ever known herself as anyone else. It felt like too much, not too much have, just too much to contemplate. Commitments like boulders that were too heavy to carry. Fourteen years since their wedding, fifteen years since Neal tried to drive away from her, fifteen since he drove back. Seventeen since she first saw him, saw something in him that she couldn't look away from. "

― Rainbow Rowell , Landline

10 " In the final scene of Power, the Supreme Court justices appear as a striking abstraction: Nine scowling masks line up in a row on top of a giant podium. Chief Justice Charles Evans Hughes speaks the majority opinion: 'Water power, the right to convert it into electric energy, and the electric energy thus produced constitute property belonging to the United States. "

― Susan Quinn , Furious Improvisation: How the Wpa and a Cast of Thousands Made High Art Out of Desperate Times

11 " You know this has really affected my ability to trust myself. No matter what happened in my life, I was always able to trust myself. My instincts. Two men in a row carrying on indiscretions makes me feel like I made up some story. Almost like a fiction, I
wrote in my mind that had a beginning, middle and end. It feels like I manufactured some ideal life that was a made-up invention that I needed to believe was the truth. "

― Jacqueline Simon Gunn , Circle of Trust (Close Enough to Kill #2)

12 " The houses looked like something a child might draw, a row of shaky squares with triangles on top. Add a door, add two windows. Think of putting a tree in the front yard, and then decide against it because branches aren't worth the trouble. "

― David Sedaris , When You Are Engulfed in Flames

13 " Yes, Pilcher was a money-man. They were a type. It was easy to spot them. You could always tell one by that cold fire in his eyes. It was not the hot fire of the man who would never interrupt a dream to calculate the risk, but the cold fire of the man whose mind was geared to the rules of the money game. It was a game that was played with numbers on pieces of paper … common into preferred, preferred into debentures, debentures into dollars, dollars into long-term capital gains. It was the net dollars after tax that were important. They were the numbers on the scoreboard, the runs that crossed the plate, the touchdowns, the goals. Net dollars were the score markers of the money-man’s game. Nothing else mattered. A factory wasn’t a living, breathing organism. It was only a dollar sign and a row of numbers after the Plant & Equipment item on the balance sheet. Their guts didn’t tighten when they heard a big Number Nine bandsaw sink its whining teeth into hard maple. Their nostrils didn’t widen to the rich musk of walnut or the sharply pungent blast from the finishing room. When they saw a production line they looked with blind eyes, not feeling the counterpoint beat of their hearts or the pulsing flow of hot blood or the trigger-set tenseness of lungs that were poised to miss a breath with every lost beat on the line "

14 " The shadows parted and a large head took shape, looming above her.
Her mouth fell open when she spied the silver scales covering the wide head of the dragon. She took in the slitted obsidian eyes that were trained on her and tried to scream, but no sound came out.
The head moved farther out of the darkness to reveal a row of dark silver tendrils at the base of his skull and disappearing into the shadows. More of those same dark silver tendrils surrounded his mouth, which parted to show her rows of very sharp white teeth.
She could swear he smiled, a growl rumbling through his chest.
Death was staring her right in the face.
And there was no escaping it. "

― Donna Grant , Dragon Fever (Dark Kings #9.5; Dark World #26.5)

15 " Once on yellow sheet of paper with green lines, he wrote a poemand he called it “Spot”because that was the name of his dog and that’s what it was all aboutand his teacher gave him an “A” and a big gold starand his mother hung it on the kitchen cupboard and showed it to his auntand that was the year his sister was born-and his parents kissed all the timeand the little girl around the corner sent him a postcard with a row of X’s on itand his father tucked him into bed at night and was always there.Then on a white sheet of paper with blue lines, he wrote another poemand he called it “Autumn”because that was the time of year and that’s what it was all aboutand his teacher gave him an “A” and told him to write more clearlyand his mother told him not to hang it on the kitchen cupboard because it left marksand that was the year his sister got glasses and his parents never kissed anymoreand the little girl around the corner laughed when he fell down with his bikeand his father didn’t tuck him in at night.So, on another piece of paper torn from a notebook he wrote another poemand he called it “Absolutely Nothing”Because that’s what it was all aboutand his teach gave him an “A” and a hard searching lookand he didn’t show it to his motherand that was the year he caught his sister necking on the back porchand the little girl around the corner wore too much make-up so that he laughed when he kissed herbut he kissed her anywayand he tucked himself in bed at three AM with his father snoring loudly in the next roomFinally, on the inside of a matchbook he wrote another poemand he called it “?” because that’s what it was all aboutAnd he gave himself an “A” and a slash on each wrist and hung it on the bathroom mirrorBecause he couldn’t make it to the kitchen. "

16 " There were the signed, spiral-bound Spirit-in-the-Woods yearbooks from three summers in a row and the aerial photograph of everyone at camp the second summer. In it, Ethan's feet were planted on Jule's head, and Jule's feet were planted on Goodman's head, and so on and so on. And didn't it always go like that-body parts not quite lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting. "

― Meg Wolitzer

17 " Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trash cans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen-inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies. "

― Laird Barron , The Beautiful Thing That Awaits Us All

18 " Once on a yellow piece of paper with green lines he wrote a poemAnd he called it " Chops" because that was the name of his dogAnd that's what it was all aboutAnd his teacher gave him an A and a gold starAnd his mother hung it on the kitchen door and read it to his auntsThat was the year Father Tracy took all the kids to the zooAnd he let them sing on the busAnd his little sister was born with tiny toenails and no hairAnd his mother and father kissed a lotAnd the girl around the corner sent him aValentine signed with a row of X's and he had to ask his father what the X's meantAnd his father always tucked him in bed at nightAnd was always there to do itOnce on a piece of white paper with blue lines he wrote a poemAnd he called it " Autumn" because that was the name of the seasonAnd that's what it was all aboutAnd his teacher gave him an A and asked him to write more clearlyAnd his mother never hung it on the kitchen door because of its new paintAnd the kids told him that Father Tracy smoked cigarsAnd left butts on the pewsAnd sometimes they would burn holesThat was the year his sister got glasses with thick lenses and black framesAnd the girl around the corner laughed when he asked her to go see Santa ClausAnd the kids told him why his mother and father kissed a lotAnd his father never tucked him in bed at nightAnd his father got mad when he cried for him to do it.Once on a paper torn from his notebook he wrote a poemAnd he called it " Innocence: A Question" because that was the question about his girlAnd that's what it was all aboutAnd his professor gave him an A and a strange steady lookAnd his mother never hung it on the kitchen door because he never showed herThat was the year that Father Tracy diedAnd he forgot how the end of the Apostle's Creed wentAnd he caught his sister making out on the back porchAnd his mother and father never kissed or even talkedAnd the girl around the corner wore too much makeupThat made him cough when he kissed her but he kissed her anyway because that was the thing to doAnd at three a.m. he tucked himself into bed his father snoring soundlyThat's why on the back of a brown paper bag he tried another poemAnd he called it " Absolutely Nothing" Because that's what it was really all aboutAnd he gave himself an A and a slash on each damned wristAnd he hung it on the bathroom door because this time he didn't think he could reach the kitchen. "

19 " He pulled his hand back, aware now that sweat beaded on his forehead and that Rale watched him, his eyes dark, intense. Errol licked his lips. Did he want a drink? He hadn't gone more than two days in a row without a drink since he was...since...Warrel...the quarry...stone. "

― Patrick W. Carr , A Cast of Stones (The Staff and the Sword, #1)

20 " There are no secrets.' The thing smiled, showing a row of even, childlike teeth. 'None worth keeping. Only the ones you hide from yourself, which are the most damaging and hurtful of all. Truth is truth, and lie is lie. Tell yourself one's the other and all the world turns kilter. "

― A.J. Hartley , Macbeth: A Novel