6
" I remember our childhood days
when life was easy
and math problems hard.
Mom would help us with our homework
and dad was not at home
but at work.
After our chores,
we’d go to the old fort museum
with clips in our hair and pure joy in our hearts.
You, sister, wore the bangles
that
you, brother, got as a prize from the Dentist.
“Why the bangles?” the Dentist asked,
surprised,
for boys picked the stickers of cars instead.
“They’re for my sisters,” you said.
Mom would treat us to a bottle of Coke,
a few sips each. Then,
we’d buy the sweet smelling bread
from the same white van
and hand-in-hand,
we’d walk to our small flat
above the restaurant.
I remember our childhood days.
Do you remember them too? "
― Kamand Kojouri
7
" Releasing a slow breath, she raised her chin and finally turned her gaze on Qureshi. The moment their gazes connected she felt a surge of power go through her. Throughout her nine hellish months of captivity, she’d been forbidden to look him in the eye. She’d known better than to even try, because she’d known what would happen to her if she did. But they weren’t in Afghanistan anymore and he was no longer the one calling the shots. She held the authority now. Her life, her opinions, had value here. And her voice, silenced for so long, would now speak for all the victims unable to. Her voice would not only be heard here in this courtroom—it would be his undoing.
Qureshi stared back at her with an insolent, almost bored disdain on his scratched face, making it clear what he thought of her. To him she was nothing but an infidel whore, a commodity less valuable than a goat or mule, to be bought and sold whenever it suited him, handed out to one of his soldiers as a prize of war. Well this infidel whore is about to bury you, you son of a bitch. Holding that cold, hateful gaze in the taut, hushed silence that filled the courtroom, she sent him another silent message. Let him see it in her eyes. You didn’t break me. I’m no longer afraid of you. You no longer have the power to hurt me or anyone I care about. And by God, I’ll make sure you never have the chance to hurt anyone else again. "
― Kaylea Cross , Avenged (Hostage Rescue Team #5)
9
" Life is not perfectIt's a place of pain,a place of shame,a place of danger,and maybe a place of joy,No, life is not perfect,And it doesn't matter what aspect.Some times it's a sunset and a sunrise,Or the blue skies,Or a prize in disguise,But sometimes it's also sour,A wail and a roar,With no one to implore,Life is a testIt throws problems at usAnd waits for us to crumble,under the distress,And looks as we struggle,And gathers the pieces that are left,But if we look at it differently,We can carry on brilliantly,It's just a matter of will power,And being courageous,A matter of refusing to be a coward,and facing what is dangerous,Life doesn't throw problems at us,to see us lose hope,No, it expects us to become strong,It doesn't expect us to mopeOr mourn,Life is like a teacher,It teaches a lesson,That whatever the situation,Life must go onTime won't stop,And wait for you to gain hopeNo, it'll carry on,And let you mope,Time can't be reversed,No amount of crying will change the situation,So stop thinking that your life is cursed,Because life must go on... "
16
" A man is always a little shamefaced on his wedding day, like a fox caught in a baited trap, ensnared because his greed overcame his better judgment. The menfolk laughed at Charlie that spring day, and said he was caught for sure now. As the bride, I was praised and fussed over, as if I had won a prize or done something marvelous that no one ever did before, and I could not help feeling pleased and clever that I had managed to turn myself from an ordinary girl into a shining bride. Now I think it is a dirty lie. The man is the one who is winning the game that day, though they always pretend they are not, and the poor girl bride is led into a trap of hard work and harsh words, the ripping of childbirth and the drubbing of her man's fists. It is the end of being young, but no one tells her so. Instead they make over her, and tell her how lucky she is. I wonder do slaves get dressed up in finery on the day they are sold. "
― Sharyn McCrumb , The Ballad of Frankie Silver (Ballad, #5)
18
" I always imagined rape as this violent scene of a woman walking alone down a dark alley and getting mugged and beaten by some masked criminal. Rape was an angry man forcing himself inside a damsel in distress. I would not carry the trauma of a cliché rape victim. I would not shriek in the midst of my slumber with night terrors. I would not tremble at the sight of every dark haired man or the mention of Number 1’s name. I would not even harbor ill will towards him. My damage was like a cigarette addiction- subtle, seemingly innocent, but everlasting and inevitably detrimental.
Number 1 never opened his screen door to furious crowds waving torches and baseball bats. Nobody punched him out in my honor. The Nightfall crowd never socially ostracized him. Even the ex-boyfriend who’d second handedly fused the entire fiasco continued to mingle with him in drug circles. Everybody continued with business as usual. And when I told my parents I lost my virginity against my will, unconscious on a bathroom floor, Carl did not erupt in fury and demand I give him all I knew about his whereabouts so he could greet him with a rifle. Mom blankly shrugged and mumbled, “Oh, that’s too bad,” and drifted into the kitchen as if I’d received a stubbed toe rather than a shredded hymen.
Everyone in my life took my rape as lightly as a brief thunderstorm that might have been frightening when it happened, but was easy to forget about. I adopted that mentality as the foundation of my sex life. I would, time and time again, treat sex as flimsily as it started. I would give it away as if it was cheap, second hand junk, rather than a prize that deserved to be earned. "
― Maggie Georgiana Young , Just Another Number