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1 " The satyr, as the Dionysiac chorist, dwells in a reality sanctioned by myth and ritual. That tragedy should begin with him, that the Dionysiac wisdom of tragedy should speak through him, is as puzzling a phenomenon as, more generally, the origin of tragedy from the chorus. Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization. Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight. In the same manner, I believe, the cultured Greek felt himself absorbed into the satyr chorus, and in the next development of Greek tragedy state and society, in fact everything that separates man from man, gave way before an overwhelming sense of unity that led back into the heart of nature. This metaphysical solace (which, I wish to say at once, all true tragedy sends us away) that, despite every phenomenal change, life is at bottom indestructibly joyful and powerful, was expressed most concretely in the chorus of satyrs, nature beings who dwell behind all civilization and preserve their identity through every change of generations and historical movement.With this chorus the profound Greek, so uniquely susceptible to the subtlest and deepest suffering, who had penetrated the destructive agencies of both nature and history, solaced himself. Though he had been in danger of craving a Buddhistic denial of the will, he was saved through art, and through art life reclaimed him. "
― Friedrich Nietzsche , The Birth of Tragedy
2 " The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time. "
― Vladimir Nabokov , Speak, Memory
3 " There is a power that can be created out of pent-up indignation, courage, and the inspiration of a common cause, and that if enough people put their minds and bodies into that cause, they can win. It is a phenomenon recorded again and against in the history of popular movements against injustice all over the world. "
― Howard Zinn , You Can't Be Neutral on a Moving Train: A Personal History of Our Times
4 " That was when I first observed a phenomenon I now call the " New York Slide" : you offer your words to try to communicate and connect with someone, but your words just hit a brick wall the person has erected to ward off human contact- the words slide down it and roll away. "
5 " The " paranormal" is what we call a phenomenon when examined through the narrow lens of what we consider " normal." You have to transcend the senses to understand them. "
6 " Men speak of dreaming as if it were a phenomenon of night and sleep. They should know better. All results achieved by us are self-promised, and all self-promises are made in dreams awake. Dreaming is the relief of labor,the wine that sustains us in act. We learn to love labor, not for itself, but for the opportunity it furnishes for dreaming, which is the great under-monotone of real life, unheard, unnoticed, because of its constancy. Living is dreaming. Only in the graves are there no dreams. "
― Lew Wallace , Ben-Hur: A Tale of the Christ
7 " Phenomenology became the grounds for variants of standpoint epistemology: if a phenomenon seems real, then it is real enough. A Marxist vision of standpoint epistemology, on the other hand, does not privilege individual perception as the arbiter of reality. "
― , The Politics of Everybody: Feminism, Queer Theory and Marxism at the Intersection
8 " Self-reflection or autognosis reveals that what is given in consciousness is, first and foremost, integral connectedness and organic unity of all thinking, feeling, and desiring. At the same time, self-reflection reveals that this connected unity is the ultimate reality that can be reached. " Consciousness cannot go behind itself." Whatever we propose to think forms part of this organic unity of our mind and is a result or consequence of it. There is no means of jumping beyond consciousness, and any attempt to explain with the help of any other imaginary system the radical connectedness in which we live and that is our mind would be absurd. Our mind is the very presupposition of all explanation. For to explain a phenomenon means, in the last instance, to point out its place and its part within the living economy of consciousness, and to determine the " meaning" it has in the original source of all meaning: life. "
9 " Novel is a particular form of narrative./ And narrative is a phenomenon which extends considerably beyond the scope of literature; it is one of the essential constituents of our understanding of reality. From the time we begin to understand language until our death, we are perpetually surrounded by narratives, first of all in our family, then at school, then through our encounters with people and reading. - The Novel as Research. (1968) "
10 " Our sense of justice depends on our sense of time. Justice is a phenomenon only of consciousness, because time spread out in a spatial succession is its very essence. And this is possible only in a spatial metaphor of time. "
― Julian Jaynes , The Origin of Consciousness in the Breakdown of the Bicameral Mind
11 " You know, it is sometimes an ideal not to have any kind of convictions or feelings that are not based upon reality. One must even educate people...that their emotions ought to have a real basis, that they cannot swear hell and damnation at somebody on a mere assumption, and that there are absolute reasons why they are not justified in doing such a thing. They really have to learn that their feelings should be based on facts.But to [develop further] one should unlearn all that. One should even admit that all one's psychical facts have nothing to do with material facts. For instance, the anger which you feel for somebody or something, no matter how justified it is, is not caused by those external things. It is a phenomenon all by itself. That is what we call taking a thing on its subjective level. ...If you have reached that level...you have succeeded in dissolving the absolute union of material external facts with internal or psychical facts. You begin to consider the game of the world as your game, the people that appear outside as exponents of your psychical condition. Whatever befalls you, whatever experience or adventure you have in the external world, is your own experience. "
― C.G. Jung
12 " Literature is impossible, in exactly this sense: every new generation has so much 'catching up' to do that the real choice that presents itself soon is the following one: one either spends ones entire life just reading all the classics, or one pretends to be 'contemporary and hip' and never reads any of the classics because in order to pretend to be contemporary one has to at least superficially read the works of contemporaries. Hence the dilemma: one either does not care about being fashionable, or one is fashionable and just learns to mimic some knowledge about the classics. As time develops this rift just becomes bigger, because the amount of books written grows and grows to insane proportions. Conclusion: one can only be hip in the future if one does not read at all, which is a phenomenon I am already witnessing in the media. "
― Martijn Benders
13 " I noticed a phenomenon that doesn't often happen toa man: several women turned round as he passed them. "
― Patrick Modiano
14 " Any thing or behavior too complex to understand becomes a phenomenon that could be termed spiritual or magical. "
― Bryant McGill , Simple Reminders: Inspiration for Living Your Best Life
15 " [L]ife is a phenomenon in need of criticism, for we are, as fallen creatures, in permanent danger of worshipping false gods, of failing to understand ourselves and misinterpreting the behaviour of others, of growing unproductively anxious or desirous, and of losing ourselves to vanity and error. Surreptitiously and beguilingly, then, with humour or gravity, works of art--novels, poems, plays, paintings or films--can function as vehicles to explain our condition to us. They may act as guides to a truer, more judicious, more intelligent understanding of the world. "
― Alain de Botton , Status Anxiety
16 " Human consciousness is just about the last surviving mystery. A mystery is a phenomenon that people don't know how to think about - yet. There have been other great mysteries: the mystery of the origin of the universe, the mystery of life and reproduction, the mystery of the design to be found in nature, the mysteries of time, space and gravity. These were not just areas of scientific ignorance, but of utter bafflement and wonder. We do not yet have the final answers to any of the questions of cosmology and particle physics, molecular genetics and evolutionary theory, but we do know how to think about them. The mysteries haven't vanished, but they have been tamed. They no longer overwhelm our efforts to think about the phenomena, because now we know how to tell the misbegotten questions from the right questions, and even if we turn out to be dead wrong about some of the currently accepted answers, we know how to go about looking for better answers.With consciousness, however, we are still in a terrible muddle. Consciousness stands alone today as a topic that often leaves even the most sophisticated thinkers tongue-tied and confused. And, as with all the earlier mysteries, there are many who insist - and hope - that there will never be a demystification of consciousness.Mysteries are exciting, after all, part of what makes life fun. No one appreciates the spoilsport who reveals whodunit to the moviegoers waiting in line. Once the cat is out of the bag, you can never regain the state of delicious mystification that once enthralled you. So let the reader beware. If I succeed in my attempt to explain consciousness, those who read on will trade mystery for the rudiments of scientific knowledge of consciousness, not a fair trade for some tastes. Since some people view demystification as a desecration, I expect them to view this book at the outset as an act of intellectual vandalism, an assault on the last sanctuary of humankind. I would like to change their minds. "
17 " Typically, images or paintings are designated as anamorphic when, in order for the image to appear, a particular line of sight must be adopted. The image only shows up when approached from the angle dictated to the viewer by the image's own set of conditions. In this sense, the viewer must 're-form' their perspective to match the perspective demanded by the image. We are not free to approach the image as we wish; the image is free to assign us a perspective proper to itself... Anamorphosis, then, describes the freedom of the phenomenon to give itself as it wishes and it measures the extent to which this freedom turns the tables on the one to whom it appears. To receive a phenomenon as it wishes to give itself is to yield control and suspend our own timetables and preconditions in order to be faithful to the conditions set by what gives itself. "
― , Badiou, Marion and St Paul: Immanent Grace (Continuum Studies in Continental Philosophy)
18 " The " paranormal" is what we call a phenomenon when examined through the narrow lens of what we consider " normal." You have to leave the entrapment of " normal" beliefs to understand them much as zero gravity can't be understood when you are earthbound. "
19 " In brief: consciousness is a phenomenon in the zone of evolution. This world lights up to itself only where or only inasmuch as it develops, procreates new forms. Places of stagnancy slip from consciousness; they may only appear in their interplay with places of evolution.If this is granted it follows that consciousness and discord with one's own self are inseparably linked up, even that they must, as it were, be proportional to each other. This sounds a paradox, but the wisest of all times and peoples have testified to confirm it. Men and women for whom this world was lit in an unusually light of awareness, and who by life and word have, more than others, formed and transformed that work of art which we call humanity, testify by speech and writing or even by their lives that more than others have they been torn by the pangs of inner discord. Let this be a consolation to him who also suffers from it. Without it nothing enduring has ever been begotten. "
― Erwin Schrödinger , What Is Life? with Mind and Matter and Autobiographical Sketches
20 " Religion is the most powerful entity on earth. A phenomenon that has conscripted millions to give or sacrifice their lives without so much as a minuscule query about their chosen beliefs or particular ideology. And today thousands of years on despite the huge advent, discovery and the advance of science forensic or otherwise, millions are still prepared and equipped to fall or kill in the name of their God, their Holy Scriptures, their messengers, their prophets and their faith’. "
― Cal Sarwar
