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a line QUOTES

a line QUOTES

1 " Pulvis et umbra sumus. It's a line from Horace. 'We are dust and shadows'. Appropriate, don't you think?" Will said. " It's not a long life, killing demons; one tends to die young, and then they burn your body - dust to dust, in the literal sense. And then we vanish into the shadows of history, nary a mark on the page of a mundane book to remind the world that once we existed at all. "

2 " …questioning the existence of God may begin because of one’s sense of disappointment rather than because of a line of reasoning. Disappointment can bring disillusionment, and disillusionment can get quite a grip on us. It may be the case that, next to the grip of disillusionment, whatever reasons we can think of to believe that God exists or that God is good will appear weak. So sometimes the reason we do not believe or the reason we stop believing is not the intellectual challenge to believing in God. Sometimes, the grip of disillusionment cannot be matched by things that seem to be only abstract or theoretical. "

3 " Bodies are real entities. Surfaces and lines are but fictitious entities. A surface without depth, a line without thickness, was never seen by any man; no; nor can any conception be seriously formed of its existence. "

― Jeremy Bentham , The Panopticon Writings

4 " It does not come to me in quite so direct a line as that; it takes a bend or two, but nothing of consequence. The stream is as good as at first; the little rubbish it collects in the turnings is easily moved away. "

― Jane Austen , Persuasion

5 " Intellectual property, more than ever, is a line drawn around information, which asserts that despite having been set loose in the world - and having, inevitably, been created out of an individual's relationship with the world - that information retains some connection with its author that allows that person some control over how it is replicated and used.
In other words, the claim that lies beneath the notion of intellectual property is similar or identical to the one that underpins notions of privacy. It seems to me that the two are inseparable, because they are fundamentally aspects of the same issue, the need we have to be able to do something by convention that is impossible by force: the need to ringfence certain information. I believe that the most important unexamined notion - for policymakers and agitators both - in these debates is that they are one: you can't persuade people on the one hand to abandon intellectual property (a decision which, incidentally, would mean an even more massive upheaval in the way the world runs than we've seen so far since 1990) and hope to keep them interested in privacy. You can't trash privacy and hope to retain a sense of respect for IP. "

― Nick Harkaway , The Blind Giant

6 " My argument against God was that the universe seemed so cruel and unjust. But how had I got this idea of just and unjust? A man does not call a line crooked unless he has some idea of a straight line. What was I comparing this universe with when I called it unjust? "

7 " Life doesn’t have a singular purpose and yet we try to pigeonhole this infinite gift by searching for a single meaning behind our existence. We hunger for meaning the way a starving man does food—convinced we will waste away without it. As though to experience what it is to be alive weren’t enough to justify drawing breath. Life is a multi-layered practice in exploration, self-definition, connection, and realization.
The greatest challenge presented to us as human beings is to allow the infinite to be infinite; to accept that we will always be the student never the teacher, and allow the truths we’ve gathered to evolve because what we seek to understand is a living thing and is in a perpetual state of change. Humanity’s progression of understanding is open-ended. Anyone who professes mastery only shows their ignorance of the infinite procession of enlightenment of which they are a part. Each of us get to add a line into the coverless tome of understanding, which has no beginning and no end. "

― L.M. Browning

8 " Indelible, adj.

That first night, you took your finger and pointed to the top of my head, then traced a line between my eyes, down my nose, over my lips, my chin, my neck, to the center of my chest. It was so surprising. I knew I would never mimic it. That one gesture would be yours forever. "

― David Levithan , The Lover's Dictionary

9 " Through the Grace of God and His medicine I am healed.” The prayer was accompanied by a vision straight out of Braveheart, a line of Scottish Highland warriors in kilts with huge shields and long spears marching in brave unison and attacking and killing the cancer. They were advancing, towards the cancer, striking and killing it with strong accurate thrusts from their sharp spears. The vision was so strong I could hear marching feet, and visibly see the cancer in me dying. “Through the Grace of God and His medicine I am healed,” became my constant prayer. The prayer awakened with me each day, coming on the wings of the morning. It followed in my heart through the day, and was on my lips as I drifted to sleep at night. "

― Edie Littlefield Sundby , The Mission Walker: I was given three months to live...

10 " There is a fine line that separates thinking you know something, and actually knowing the truth. It is a line as thin as a strand of hair, and it's called hope. "

11 " ...But...to sing,
to dream, to smile, to walk, to be alone, be free,
with a voice that stirs and an eye that still can see!
To cock your hat to one side, when you please
at a yes, a no, to fight, or- make poetry!
To work without a thought of fame or fortune,
on that journey, that you dream of, to the moon!
Never to write a line that's not your own... "

― Edmond Rostand , Cyrano de Bergerac

12 " When people talk about poetry as a project, they suggest that the road through a poem is a single line. When really the road through a poem is a series of lines, like a constellation, all interconnected. Poems take place in the realm of chance, where the self and the universal combine, where life exist. I can’t suggest to you that going through a line that is more like a constellation than a road is easy—or that the blurring of the self and the universal doesn’t shred a poet a little bit in the process. The terrain of a poem is unmapped (including the shapes of the trees along the constellation-road). A great poet knows never to expect sun or rain or cold or wind in the process of creating a poem. In a great poem all can come to the fore at once. It would be worse yet, if none are there at all. "

― Dorothea Lasky

13 " Well, see, I think it's that most people don't like that lonely feeling. People don't like looking up and feeling small or lost. That's what I think prayer is all about. It doesn't matter which stories they believe in, they're all doing the same thing, kind of casting a line out to outer space, like there's something out there to connect to. It's like people make themselves part of something bigger that way, and maybe it makes them less afraid. "

― Craig Silvey , Jasper Jones

14 " I have spent a good many years since―too many, I think―being ashamed about what I write. I think I was forty before I realized that almost every writer of fiction or poetry who has ever published a line has been accused by someone of wasting his or her God-given talent. If you write (or paint or dance or sculpt or sing, I suppose), someone will try to make you feel lousy about it, that's all. "

― Stephen King , On Writing: A Memoir of the Craft

15 " It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things-- a chair, a window curtain, a fork, a stone, a woman's earring-- with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine-- the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me. "

― Raymond Carver

16 " Everything in art depends on execution: the story of a louse can be as beautiful as the story of Alexander. You must write according to your feelings, be sure those feelings are true, and let everything else go hang. When a line is good it ceases to belong to any school. A line of prose must be as immutable as a line of poetry. "

― Julian Barnes , Flaubert's Parrot

17 " Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one’s living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing…

For me, a line has to sing before it does anything else. The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That’s what keeps me going on those dark December days when I think about how I could be living instead of writing. "

― John Banville

18 " I am looking at him, I am witnessing a unique physiological phenomenon: John Shade perceiving and transforming the world, taking it in and taking it apart, re-combining its elements in the very process of storing them up so as to produce at some unspecified date an organic miracle, a fusion of image and music, a line of verse. "

― Vladimir Nabokov

19 " There is no ready vocabulary to describe the ways in which artists become artists, no recognition that artists must learn to be who they are (even as they cannot help being who they are.) We have a language that reflects how we learn to paint, but not how we learn to paint our paintings. How do you describe the [reader to place words here] that changes when craft swells to art?" Artists come together with the clear knowledge that when all is said and done, they will return to their studio and practice art alone. Period. That simple truth may be the deepest bond we share. The message across time from the painted bison and the carved ivory seal speaks not of the differences between the makers of that art and ourselves, but of the similarities. Today these similarities lay hidden beneath urban complexity -- audience, critics, economics, trivia -- in a self-conscious world. Only in those moments when we are truly working on our own work do we recover the fundamental connection we share with all makers of art. The rest may be necessary, but it's not art. Your job is to draw a line from your art to your life that is straight and clear. "

20 " Let me remind you of what got me this far, picture me quitting, now draw a circle around it and put a line through it, sl#t! "

― Eminem