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1 " This view of literature as an aesthetic object that could make us ‘better people’ is linked to a certain idea of the subject, to what theorists have come to call ‘the liberal subject’, the individual defined not by a social situation and interests but by an individual subjectivity (rationality and morality) conceived as essentially free of social determinants. "
2 " These two poles, the unconditional and the conditional, are absolutely heterogeneous, and must remain irreducible to one another. They are nonetheless indissociable: if one wants, and it is necessary, forgiveness to become effective, concrete, historic; if one wants it to arrive, to happen by changing things, it is necessary that this purity engage itself in a series of conditions of all kinds (psychosociological, political, etc.). It is between these two poles, irreconcilable but indissociable, that decisions and responsibilities are to be taken. Yet despite all the confusions which reduce forgiveness to amnesty or to amnesia, to acquittal or prescription, to the work of mourning or some political therapy of reconciliation, in short to some historical ecology, it must never be forgotten, nevertheless, that all of that refers to a certain idea of pure and unconditional forgiveness, without which this discourse would not have the least meaning. What complicates the question of ‘meaning’ is again what I suggested a moment ago: pure and unconditional forgiveness, in order to have its own meaning, must have no ‘meaning’, no finality, even no intelligibility. It is a madness of the impossible. "
― Jacques Derrida , On Cosmopolitanism and Forgiveness
3 " The modern mind is merely a blank about the philosophy of toleration; and the average agnostic of recent times has really had no notion of what he meant by religious liberty and equality. He took his own ethics as self-evident and enforced them; such as decency or the error of the Adamite heresy. Then he was horribly shocked if he heard of anybody else, Moslem or Christian, taking his ethics as self-evident and enforcing them; such as reverence or the error of the Atheist heresy. And then he wound up by taking all this lop-sided illogical deadlock, of the unconscious meeting the unfamiliar, and called it the liberality of his own mind. Medieval men thought that if a social system was founded on a certain idea it must fight for that idea, whether it was as simple as Islam or as carefully balanced as Catholicism. Modern men really think the same thing, as is clear when communists attack their ideas of property. Only they do not think it so clearly, because they have not really thought out their idea of property. "
― G.K. Chesterton , Saint Francis of Assisi
4 " Healthy entertainment is a beautiful blend of stimuli that can connect with the viewer at a sentimental level, then sow the seeds of a certain idea or feed the mind with inspiration and courage. In short, healthy entertainment does not evoke raw emotions in the mind of a viewer only to make them wreak havoc, rather it guides those emotions in a healthy direction. This leads to not only an entertained viewer, but also an inspired soul. And that should be the purpose of film-making, and indeed the entire entertainment industry, rather than feeding the general population with garbage. "
― Abhijit Naskar
5 " He grieved too, Klara said, for the loss of a certain idea of himself. "
― Julie Orringer , The Invisible Bridge
6 " Why Dont You?' wasn't totally absurd to me," Diana said later. " Of course, the columns had a certain absurdity that tickled people -- just to think that anyone would thin of writing anything so absurd. But it wasn't even writing. To me writing--Edith Wharton, Henry James...Proust, for God's sake...is a think of beauty and sustainment. 'Why Don't You?' was a think of fashion and fantasy, on the wing...It wasn't writing, it was just ideas. It was me, insistent on people using their imaginations, insisting on a certain idea of luxury. "
