21
" Tom King, the chief operating officer of U.S. Soccer, said that the federation invested $4.4 million on the women's team in 1999 and lost $2.7 million. The federation receives about $3 million from FIFA, soccer's world governing body, for qualifying for the men's World Cup, and $700,000 to $1 million per game, American officials said. The federation receives no money from FIFA for qualifying for the Women's World Cup. The men's team also receives guarantees from other countries when it travels of up to $140,000, King said, compared with zero for the women.
'I don't see the WNBA players asking for the same salaries as the NBA players,' Contiguglia said.
In the case of soccer, however, the women are the NBA.
It is the women's team that is more popular and higher achieving. And to suggest the men's team is a cash cow is incorrect. The men's team didn't pay for itself either in 1999, King said, losing $700,000 on a budget of $5.9 million. An argument could be made that the American women deserve more money than the men, not just equal pay. They have won two world championships and an Olympic gold medal, while the men have won nothing. The biggest men's home crowds often come at matches where the ethnic population is cheering for the other team. "
― , The Girls of Summer: The U.S. Women's Soccer Team and How It Changed the World
23
" ALL HE COULD SEE, IN EVERY DIRECTION, WAS WATER. It was June 23, 1943. Somewhere on the endless expanse of the Pacific Ocean, Army Air Forces bombardier and Olympic runner Louie Zamperini lay across a small raft, drifting westward. Slumped alongside him was a sergeant, one of his plane’s gunners. On a separate raft, tethered to the first, lay another crewman, a gash zigzagging across his forehead. Their bodies, burned by the sun and stained yellow from the raft dye, had winnowed down to skeletons. Sharks glided in lazy loops around them, dragging their backs along the rafts, waiting. "
― Laura Hillenbrand , Unbroken: A World War II Story of Survival, Resilience and Redemption
25
" Nobody, not even artists, understood art. What speed has to do with it. How much work it takes, year after year, building the skills, the trust in the process, more work probably than any Olympic athlete ever puts in because it is twenty-four hours a day, even in dreams, and then when the skills and the trust are in place, the best work usually takes the least effort. Usually, it comes fast, it comes without thought, it comes like a horse running you over at night. But. Even if people understand this, they don't understand that sometimes it is not like that at all. Because the process has always been: craft, years and years; then faith; then letting go. But now, sometimes the best work is agony. Pieces put together, torn apart, rebuilt. Doubt in everything that has been learned, terrible crisis of faith, the faith that allowed it all to work. Oh God. And even then, through this, if you survive the halting pace and the fever, sometimes you make the best work you have ever made. That is the part none of us understand. "
― Peter Heller
29
" Goucher *never* eats lunch. If he is hungry, he will have a granola bar or another light snack. The guys, especially Reese, kid him that he does not eat enough. He used to eat more. Standing 5'9" to 5'10" , he weighs in at just under 140 pounds. At the Olympic Trials in Atlanta in 1996, he weighed 145. After the 5000-meter final, where he finished a disappointing fourteenth, Wetmore told him he was fat. Goucher was livid. When he calmed down he realized Wetmore was right, and he made a conscious effort to lose any excess weight since then. He feels the difference. " My chest was bigger, my arms were bigger. Losing the five pounds has helped me thin out, and it's cut me more. It's made a big difference. "