3
" In the evenings the family gathered at Kirkwood Hall. Sometimes Andrew cooked, sometimes Delphine. There was a bounty of vegetables from the kitchen garden: tiny patty-pan squash, radishes both peppery and sweet, beets striped deep magenta and white, golden and green, butter lettuce and spinach and peas, zucchini blossoms stuffed with Graham's mozzarella and salty anchovies. Delphine whipped eggs from the chickens into souffles. Chicken- from the chickens, sadly- were roasted in a Dutch oven or grilled under a brick. Plump strawberries from the fields and minuscule wild ones from the forest were served with a drizzle of balsamic syrup or a billow of whipped cream. Delphine's baking provided custardy tarts, flaky biscuits, and deep, dark chocolate cake. "
― Ellen Herrick , The Forbidden Garden
4
" I’d like to sit there,” I said softly to the girl sitting in front of the other mirror. She scampered.
I took over her abandoned make-up and painted my face. Red cheeks, to attract hungry vampyre glances. Black liquid eyeliner and mascara, to draw attention away from my bitter eyes. My silky-thin, raven hair, undone in waves over my bare shoulders. The magenta shade of apple gloss on my lips, to make them plump and inviting. Finally, a strapless golden dress that hugged my hips and not much lower. I stood up, feeling the cold air slide down the bare skin of my back like fingers, and panicked. I couldn’t wear something like this! Not without a cardigan! A light dress jacket, at least!
I took a gulp of Amrit’s wine and detached myself from the fretting child in my head. Then I strode from the sleeping chambers. "
― Heather Heffner , Year of the Tiger (Changeling Sisters, #2)
7
" This was different. It had synths droning and sending saltwater waves under my feet. It had drumbeats bursting like fireworks, rumbling the furniture out of place, and then a crazy, irregular, disharmonious, spiral crescendo of pure electric noise, like a typhoon dragging our bodies into it. It featured brass orchestras and choirs of mermaids and a piano in Iceland, all of them right there, visible, touchable, in Axton House. It shook us, fucked us, suspended us far above the reach of Help bouncing on his hind legs. It spoke of magenta sunsets and plastic patio chairs growing moss under summer storms rolling on caterpillar tracks. It sprinkled a bokeh of car lights rushing through night highways and slapped our faces like the wind at a hundred and twenty miles an hour. It pictured Niamh playing guitar, washed up naked on a beach in Fiji. "
― Edgar Cantero , The Supernatural Enhancements
8
" You told me that Kafka was not a thinker, and that a " genetic" approach to his work would disclose that much of it was only a kind of very imaginative whining. That was during the period when you were going in for wrecking operations, feeling, I suppose, that the integrity of your own mental processes was best maintained by a series of strong, unforgiving attacks. You made quite an impression on everyone, in those days: you ruffled blouse, you long magenta skirt slit to the knee, the dagger thrust into your boot. " Is that a metaphor?" I asked, pointing to the dagger; you shook your head, smiled, said no. "