21
" Female say Pack Leader stop,” Pack Leader said angrily.
“What?” Caine could make no sense of it till he saw Diana striding up, dark hair flying, eyes furious.
“I told this filthy beast to stop,” Diana said, barely controlled.
“Stop what?” Caine demanded.
“They’re still attacking the kids,” Diana said. “We’ve won. Sam is dead. Call them off, Caine.”
Caine turned his attention back to the battle between Drake and the monster. “They’re coyotes,” Caine said coldly.
Diana flew at him. “You’ve lost your mind, Caine. This has to stop. You’ve won. This has to stop.”
“Or what, Diana? Or what?” Caine demanded. “Go get Lana. I’m hurt. Pack Leader, do what you want.”
“Maybe this is why your mother abandoned you,” Diana said savagely. “Maybe she could see that you weren’t just bad, you were twisted and sick and evil. "
― Michael Grant , Gone (Gone, #1)
22
" Let them go, Caine,” Diana pleaded.
“Why, Diana? Why do you betray me?”
“Betray you?” Diana laughed. “Betray you? I’ve been with you every day, every hour, from the start of this nightmare!”
Caine looked at her. “But you hate me, anyway.”
“No, you sick, stupid creep, I love you. I shouldn’t. I shouldn’t. You’re sick inside, Caine, sick! But I love you. "
― Michael Grant , Lies (Gone, #3)
24
" She found Diana’s room. Diana was sitting in her bed using a remote control to idly flip through the channels on the wall-mounted TV.
“You,” Diana said by way of greeting.
“Me,” Astrid said.
“Can’t believe it,” Diana said. “All this time. And there’s still nothing on.”
Astrid laughed and lowered herself slowly into a chair. “You know how they say hospital food is so awful? Somehow I’m not having that reaction.”
“Tapioca beats rat,” Diana said.
“I never minded rat as much as that dog jerky we were getting for a while. The stuff Albert had them flavor with celery salt? That was the culinary low point for me.”
“Yeah, well, I had a lower low point,” Diana said, sounding angry. Or maybe not angry, maybe hurt.
Astrid put a hand on Diana’s arm, and Diana did not shake it off. "
― Michael Grant , Light (Gone, #6)
26
" Drake's whip hand spun Diana like a top.
She cried out. That sound, her cry, pierced Caine like an arrow.
Diana staggered and almost righted herself, but Drake was too quick, too ready.
His second strike yanked her through the air. She flew and then fell.
“Catch her!” Caine was yelling to himself. Seeing her arc as she fell. Seeing where she would hit. His hands came up, he could use his power, he could catch her, save her. But too slow.
Diana fell. Her head smashed against a jutting point of rock. She made a sound like a dropped pumpkin.
Caine froze.
The fuel rod, forgotten, fell from the air with a shattering crash.
It fell within ten feet of the mine shaft opening. It landed atop a boulder shaped like the prow of a ship.
It bent, cracked, rolled off the boulder, and crashed heavily in the dirt.
Drake ran straight at Caine, his whip snapping. But Jack stumbled in between them, yelling, “The uranium! The uranium!”
The radiation meter in his pocket was counting clicks so fast, it became a scream.
Drake piled into Jack, and the two of them went tumbling.
Caine stood, staring in horror at Diana. Diana did not move. Did not move. No snarky remark. No smart-ass joke.
“No!” Caine cried.
“No!”
Drake was up, disentangling himself with an angry curse from Jack.
“Diana,” Caine sobbed.
Drake didn’t rely on his whip hand now, too far away to use it before Caine could take him down. He raised his gun. The barrel shot flame and slugs, BAM BAM BAM BAM BAM.
Inaccurate, but on full automatic, Drake had time. He swung the gun to his right and the bullets swooped toward where Caine stood like he was made of stone.
Then the muzzle flash disappeared in an explosion of green-white light that turned night into day. The shaft of light missed its target. But it was close enough that the muzzle of Drake’s gun wilted and drooped and the rocks behind Drake cracked from the blast of heat.
Drake dropped the gun. And now it was Drake’s turn to stare in stark amazement. “You!”
Sam wobbled atop the rise. Quinn caught him as he staggered.
Now Caine snapped back to the present, seeing his brother, seeing the killing light.
“No,” Caine said. “No, Sam: He’s mine.”
He raised a hand, and Sam went flying backward along with Quinn.
“The fuel rod!” Jack was yelling, over and over. “It’s going to kill us all. Oh, God, we may already be dead!”
Drake rushed at Caine. His eyes were wide with fear. Knowing he wouldn’t make it. Knowing he was not fast enough.
Caine raised his hand, and the fuel rod seemed to jump off the ground.
A javelin.
A spear. He held it poised. Pointed straight at Drake.
Caine reached with his other hand, extending the telekinetic power to hold Drake immobilized.
Drake held up his human hand, a placating gesture. “Caine…you don’t want to…not over some girl. She was a witch, she was…”
Drake, unable to run, a human target. The fuel rod aimed at him like a Spartan’s spear.
Caine threw the fuel rod. Tons of steel and lead and uranium.
Straight at Drake. "
― Michael Grant , Hunger (Gone, #2)
28
" Jean and I had, as I think a great many best friends have, a secret make-believe world of our own. We had only to say, 'Let's be Lilian and Diana,' and, as though it was a magical formula, step straight into a world that was as real to us as the world of school and parents and cornflakes for breakfast. . . .
In the summer after my father retired, Jean came to stay with me in North Devon. On the first morning, we retired to the rustic summerhouse. 'Let's be Lilian and Diana . . .'
But the magic formula no longer worked. We tried and tried; but we could only _act_ Lilian and Diana; we could not _be_ them any more. I suppose the break had been too long, and we were just too old. We went on trying for days, searching for the way in. But it was like searching for the lost door to a lost country. Finally, without anything actually being said between us, we gave up and turned to other things. But with Lilian and Diana, something of Jean and Rosemary had gone too: left behind the lost door to the lost country. It was one of the saddest experiences of my young life. "
― Rosemary Sutcliff , Blue Remembered Hills: A Recollection
30
" Sam Temple was taken by helicopter to a hospital in Los Angeles, where there were specialists there in burn injuries. He wasn’t consulted: he was found on his knees, obviously in shock, extensively burned. EMTs took over.
Astrid Ellison was taken to a hospital in Santa Barbara, as was Diana Ladris.
Other kids were shared out among half a dozen hospitals. Some specialized in plastic surgery, others in the effects of starvation.
Over the next week all were seen by psychiatrists once their immediate physical injuries were addressed. Lots of psychiatrists. And when they weren’t being seen by psychiatrists, they were being seen by FBI agents, and California Highway Patrol investigators, and lawyers from the district attorney’s office.
The consensus seemed to be that a number of the Perdido survivors, as they were now known, would be prosecuted for crimes ranging from simple assault to murder.
First on that list was Sam Temple. "
― Michael Grant , Light (Gone, #6)